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a local currency issuer. Then as now, the idea behind BerkShares was to galvanize residents in Pittsfield, Great Barrington, and surrounding areas to purchase more goods and services locally. The local currency could be converted into US dollars but is designed to be spent directly in the area. The experiment proved successful.
--Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. This post focuses on one aspect of the exhibition: its participatory and interactive elements.
Earlier this year, I was fascinated to read the account of a participatory project at the Morrison County Historical Society in Minnesota, in which community members were invited to write essays about “what’s it like” to have various life experiences in the County. How do we get the history of the poor?
The new building was designed to meet neighborhood needs--not just in the content covered, but in the inclusion of spaces made for particular kinds of activities sought by locals (i.e. It incorporates work by local artists, old and new construction, and is completely gorgeous. and then recounted some related fact or history.
This person is writing about a participatory element (the "pastport") that we included in the exhibition Crossing Cultures. We did three things to supplement Belle''s paintings (installation shots here , peopled shots here ): We issued a call to locals who are immigrants, or whose family immigrated, to share an artifact and story with us.
Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. The project was linked to a larger exhibition, Santa Cruz Collects , about why local folks collect things. He creates a visual representation of his story. He puts it on the wall.
As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). Because of the increased workload I expect in the months to come, as well as the likely possibility that we will start a Museum of Art & History blog, I'm lowering my Museum 2.0
In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. This exhibition represents a few big shifts for us: We used a more participatory design process. We had some money.
Yesterday, I had the delightful opportunity to participate in the 3six5 project , a yearlong participatory project in which 365 people write 365 journal entries for every day of 2010. The reasons to do so are many, particularly for a history-focused institution.
Stacey has been collaborating with local artists to produce a series of content-rich events that invite visitors to participate in a range of hands-on activities. A few weeks ago, the MAH Director of Community Programs, Stacey Garcia, came to me with an idea.
One of the collections on display is a set of "found lists" collected by a local farmer, Danny Lazzarini. We decided to show a selection of Danny's lists in a hallway surrounded by a participatory element where we invite visitors to contribute to new lists on evocative themes ("Things we forget," "The best feelings in the world," etc.)
Visitors bond and bridge through participatory experiences at MAH. To apply the results of my analysis to produce a community-driven program design specifically for implementation at the Santa Cruz Museum of Art & History (the MAH). You can download and read the full version of my thesis here.
Last week, the local newspaper did a really generous front-page story on my museum (the MAH) and the changes here over the past eight months since I started. Our team focused this year on just three things: making the museum more comfortable, hosting new participatory events, and partnering wherever possible.
And the many, many hyper local and niche causes that touch the lives of their online communities not by the millions, but by the hundreds or thousands everyday. I began our talk today with my personal nonprofit history. There have the been the well discussed successes like DonorsChoose and Lil Green Patch.
I've now been the Director of The Museum of Art & History in Santa Cruz for two months. Yesterday, a lovely article came out in the local paper about what we're trying to do to become a thriving community hub. Lots more on this in the months to come, but I thought you might like to read the article.
I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. Ze Frank is a participatory artist who creates digital projects that are explicitly about creating and enhancing authentic interpersonal connections. The scale and scope of participation in A Show is extraordinary.
Participatoryhistory programming. Over the past year, we've found it fairly easy to invent and sustain participatory art and craft projects. We're having a harder time doing the same with history, especially when it comes to drop-in or single-night activities. Ethics of civic action.
We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. I loved Jasper Visser's list of 30 "do's" for designing participatory projects earlier this month. And the crayon drawings on the fridge door in an exhibition of award-winning local artists?
The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. State/Local / #MCNAC16 / @SmartNonprofits. State/Local.
To that end, our exhibitions are full of participatory elements. A local engineer, Greg McPheeters, brought his tandem-bike powered recycled couch to our Trash to Treasure festival last Friday night. Visitors can comment on how we can improve or what they would like to see. Happening Couch.
This post was written by my colleague Nora Grant, Community Programs Coordinator at the Santa Cruz Museum of Art & History. There are many different models, including The Pop-Up Museum of Queer History , The New York Met , SF Mobile Museum , and even a Pop Up Prison Museum.
It's a little living room in a lobby area that invites people to lounge on comfortable chairs, leaf through magazines and books related to art and Santa Cruz history, and generally hang out. An unnamed art museum once created an incredible interactive and participatory installation related to a temporary exhibition.
There are many participatory kiosks that are functional black holes--visitors make videos or draw pictures or write stories, drop them in a slot, and. Such participatory activities would be seen as a waste of time. This sounds ridiculous, but it’s the way many museums approach participatory projects. nothing happens.
Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. This past weekend, in conjunction with our exhibition about Ze Frank's current participatory project, A Show , we hosted " Ze Frank Weekend "--a quickie summer camp of workshops, activities, presentations, and lots of hugging.
Here's the short version (read the whole thing here ): The Museum of Art & History is committed to creating exhibitions that inspire our diverse audiences to engage deeply with contemporary art and Santa Cruz County history. It's a working document, and we mean to put it to work planning new projects with our partners.
Yet our posts contain similar phrases such as “21st century museums,” “changing museum paradigms,” “inclusiveness,” “co-curation,” “participatory” and “the museum as forum.” Could your director or other senior staff join local initiatives on this topic? We urge museums to consider these questions by first looking within.
But we've just compiled all our attendance data for the past year at the Santa Cruz Museum of Art & History (our fiscal year ends on June 30), and several people have written to me asking for the numbers behind our turnaround. design new programs with a focus on history. I promise--after this post, I'll stop writing about this.
Embarking on Your AAPI Heritage Month Journey Asian American and Pacific Islander Heritage Month, celebrated every May in the United States, provides an important opportunity to honor the history, culture, and achievements of Asian Americans and Pacific Islanders. Reach out to Asian American student groups on college campuses as well.
I''d just met a local researcher and I thought she''d be a great person to talk to about it. For example: We worked with a local psychologist to create an implicit associations-based game called "Smart, Hot, Honest or Not?" game guestpost participatory museum Unusual Projects and Influences' as a part of Experimonth: Race.
At the museum of art and history where I work, we are grappling with the question of how to help people enjoy themselves while keeping the art and artifacts safe. In the history gallery, we have some blended props and artifacts, and it's rarely clear what is and is not ok to touch. Engagement with local artists.
This project wove together many different participatory threads. We hope it's a useful set of recipes you can riff off of to co-create your own project on a local issue that matters to you. Short story: we learned a lot. We wrote a toolkit about our process. You can download it for free right now. What did we learn?
INTERNSHIPS If you want to join us in Santa Cruz for more professional learning, consider an internship at the Santa Cruz Museum of Art & History. We''re offering internships this summer in: Participatory Exhibition Design. Help take the participatory elements of this permanent gallery to the finish line. Community Programs.
Why the Video Contest Worked Video contests are one of the most challenging kinds of participatory projects to pull off. MSI did three things that most organizations don't or can't do when they set up a video contest: They got a TON of local, national, and international press. I loved this video by Tracie Farrell.
The supervisors toured the exhibition with some of the 100+ local partners who helped create it. This argument became one of the foundations of The Participatory Museum. This is the participatory platform model. Instead of staff running workshops, our staff connect with local printmaking collectives.
You''re in for a treat, with upcoming posts on creativity, collections management, elitism, science play, permanent participatory galleries, partnering with underserved teens, magic vests, and more. Thank you to everyone who recommended a favorite post from the past or who helped out with a guest post.
The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations. Suggest them to press for a feature in the local paper. New to the art form and the museum, we gave them a gift certificate to reflect over milkshakes at a local burger joint after the event.
This is the second installation in a series of posts on the Santa Cruz Museum of Art & History (MAH)'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. The MAH fundamentally has two jobs: we bring art and history out into our community, and we invite our community in. We want to break out.
They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they made some unexpected decisions along the way. Then we started working with our local design and technology firms— Ziba Design and Fashionbuddha —and in the prototyping, it became clear we had to go another way.
Our entire strategy at the Santa Cruz Museum of Art & History is rooted in community participation. We invite diverse locals to share their creative and cultural talents with our greater community at the museum. Local community centers and destination attractions are different beasts. Local politics are personal, accessible.
The ideal candidate has a good grasp of our local artistic assets in Santa Cruz County, a knack for participatory placemaking, and enthusiasm about putting on a show. creative placemaking design Museum of Art and History programs public space' multiple times per week.
I sat down with Emilyn Green, Executive Director of the Community Science Workshop Network , to learn more about their history, design, and engagement strategy. Our programs end up being the hub of the local science learning ecosystem--especially in communities where there isn''t a science center for miles in any direction.
This month brings three examples of museums hosting meetups for online communities: On 8.6.08, the Computer History Museum (Silicon Valley, CA) hosted a Yelp! The unconference got lots of locals "in the door" who otherwise hadn't considered the museum a useful or interesting place. Projects participatory museum.
Growing and Eating Local Foods. Lessig presents this as a desirable ideal and argues, among other things, that the health, progress, and wealth creation of a culture is fundamentally tied to this participatory remix process. no need for local copies, CDs, flash drives, etc.). Ability to save local copies if desired.
These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. We are unapologetic about focusing local.
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