Museum 2.0

JULY 1, 2011

I've now been the Director of The Museum of Art & History in Santa Cruz for two months. Simon is busy soliciting ideas from museum visitors, staffers, and the young interns that she's bringing in. where she worked at the International Spy Museum. "We Let me know what you think and what this brings up for you.

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Museum History Arts Work 31

Museum 2.0

SEPTEMBER 26, 2012

Stacey Marie Garcia came to the MAH first as a graduate intern in the summer of 2011. Visitors bond and bridge through participatory experiences at MAH. To apply the results of my analysis to produce a community-driven program design specifically for implementation at the Santa Cruz Museum of Art & History (the MAH).

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Museum Program Participatory Community 49

Museum 2.0

JANUARY 25, 2012

We have an intern, Kathryn, who emailed each participant individually to thank them for coming, shared their personal photo, and gave them the link to the rest of the photos. Instead of interns with clipboards tentatively approaching visitors who were busy having fun, the booth put feedback on visitors' own terms.

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Participatory Active Activities Activism 50

Museum 2.0

FEBRUARY 11, 2015

INTERNSHIPS If you want to join us in Santa Cruz for more professional learning, consider an internship at the Santa Cruz Museum of Art & History. We''re offering internships this summer in: Participatory Exhibition Design. Help take the participatory elements of this permanent gallery to the finish line. Community Programs.

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Participatory Museum Community History 20

Museum 2.0

FEBRUARY 15, 2012

We've gotten a little more organized at The Museum of Art & History , and we've now released opportunities for summer internships. Special Projects interns, who will do, well, whatever you want. Based largely on your feedback , we've gotten more explicit about intern supervisors, expectations, and roles.

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Museum Participatory Arts Attitude 34

Museum 2.0

JULY 11, 2012

I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. Ze Frank is a participatory artist who creates digital projects that are explicitly about creating and enhancing authentic interpersonal connections. The scale and scope of participation in A Show is extraordinary.

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Museum Participatory Artist History 45

Museum 2.0

APRIL 10, 2013

The weather is hopefully the least of the reasons you should want to come work with us here at the Santa Cruz Museum of Art & History. These are unpaid, part-time internships in which you will make a significant contribution to our work, and at the same time, learn a heck of a lot about participatory design and community engagement.

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San Francisco Participatory Artist Museum 23

Museum 2.0

FEBRUARY 29, 2012

Here's the short version (read the whole thing here ): The Museum of Art & History is committed to creating exhibitions that inspire our diverse audiences to engage deeply with contemporary art and Santa Cruz County history. It's a working document, and we mean to put it to work planning new projects with our partners.

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Museum Artist Participatory History 38

Museum 2.0

MAY 10, 2011

It's my second week as the Executive Director at The Museum of Art & History in Santa Cruz, CA, and boy is my everything tired. I'm also making the 2011-2012 budget, getting to know our terrific staff and volunteers, and starting up a few small participatory projects to launch us into being a more community-driven institution.

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Museum History Participatory Arts 53

Museum 2.0

SEPTEMBER 18, 2013

Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean''s book Visitor Voices in Museum Exhibitions.

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Museum Question Participatory Evaluation 45

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? History Museums OPPORTUNITIES - History museums are in many ways the best-suited for visitor participation.

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Museum Difference Participatory History 29

Museum 2.0

JANUARY 18, 2012

There are many participatory experiences that appeal primarily to adults, and they are designed distinctly for adults. There's a huge difference between the edgy, DIY beauty of Candy Chang 's participatory urban artworks and the dayglow colors, exclamatory language , and preschool fonts of most museum interactives.

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Interaction Design Museum Participatory 47

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

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Question Participatory Museum Evaluation 49

Museum 2.0

MAY 2, 2012

Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. We went through a dramatic financial turnaround and redefined our relationship with our community through a series of experimental participatory projects and new programmatic approaches. 85% of our visitors attend through events.

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Museum Director Participatory Culture 55

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 30, 2009

A Learning History of the CARE LAC - Institute for Strategic Clarity Guatemala Poverty Project. Every non-profit works with “systems” – internal ones relating to how work gets done, issue systems relating to the topic that the NGO is working to address, and mental model systems about strategy. Institute for Strategic Clarity, March 15.

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Map System Profit Guatemala 86

Museum 2.0

DECEMBER 15, 2014

Yet our posts contain similar phrases such as “21st century museums,” “changing museum paradigms,” “inclusiveness,” “co-curation,” “participatory” and “the museum as forum.” Looking at the website for International Coalition of Sites of Conscience. We believe that strong connections should exist between museums and their communities.

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Museum Blogger Cleveland Missouri 52

Museum 2.0

AUGUST 9, 2011

It's a little living room in a lobby area that invites people to lounge on comfortable chairs, leaf through magazines and books related to art and Santa Cruz history, and generally hang out. An unnamed art museum once created an incredible interactive and participatory installation related to a temporary exhibition.

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Museum Arts History Columbus 51

Museum 2.0

MAY 21, 2014

I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. We talk a lot at our museum about empowering our visitors, collaborators, interns, and staff by making space for them to shine. Participatory work can be very labor-intensive. institutional change Museum of Art and History'

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Museum Director Teen History 49

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 20, 2015

For more on these projects and to meet the people behind them, check out the upcoming Games for Change Festival (April 21-23 & 25), NYC’s largest gaming event and the leading international event for games with impact, bringing together the social change community and game makers. government and encouraging participatory democracy.

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Game Tech Support Module 50

Museum 2.0

MAY 3, 2017

This is the ninth in a series of posts on the Santa Cruz Museum of Art & History ( MAH )'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. OUTSIDE IN Before the Abbott Square project, I approached planning from an internally-driven perspective. We develop the ideas. We develop the projects.

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Develop Artist Participatory Blended 20

Museum 2.0

JUNE 12, 2012

--Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. This post focuses on one aspect of the exhibition: its participatory and interactive elements.

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Participatory Museum Blackboard Game 51

Museum 2.0

OCTOBER 13, 2010

Why the Video Contest Worked Video contests are one of the most challenging kinds of participatory projects to pull off. MSI did three things that most organizations don't or can't do when they set up a video contest: They got a TON of local, national, and international press. I loved this video by Tracie Farrell.

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Museum Contest Video Chicago 34

Museum 2.0

NOVEMBER 2, 2011

It's November, and that means we start looking around nervously at our fabulous fall semester interns and worrying about all the light that will go out of the world when they head back to school, home countries, etc. If you're interested in interning with me and my crew at the MAH in the coming months, please check out our offerings.

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Museum Student Participatory International 35

Museum 2.0

MARCH 28, 2012

At the Santa Cruz Museum of Art & History (MAH), we've started experimenting with a "community first" approach to program development. We asked the whole group to brainstorm communities/constituencies who they thought could make a stronger connection with art, history, and culture. Six goals for MAH community programs.

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Program Community Design Museum 49

Museum 2.0

SEPTEMBER 7, 2010

Since 2003, Elsewhere Collaborative has been exploring the role that collaboration plays at the intersection of the store and museum through its living museum and international residency program set in a former thrift store in downtown Greensboro, North Carolina. Tags: participatory museum guestpost Unusual Projects and Influences.

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Collaboration North Carolina Museum Artist 36

Beth's Blog: How Nonprofits Can Use Social Media

JULY 28, 2009

Yet, our executives and managers, our internal stakeholders cannot understand the open culture. I began our talk today with my personal nonprofit history. If you want to control then you don’t understand people, and you are in the wrong business. Get out now. My experience has informed me over and over again that you will fail.

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Create Green Social Media Structure 94

Museum 2.0

APRIL 29, 2015

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. We exist for people who live in Santa Cruz County.

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Build Community Museum Artist 20

Museum 2.0

JULY 20, 2016

My career first got moving at a brilliant example of the customer-centered museum: the International Spy Museum. I never felt like I stumbled into the gallery where no one else dares to tread (as I often feel when I enter the dioramas in many natural history museums, or the period rooms of art institutions). All were given value.

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Museum Audience Music Arts 20

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 5, 2006

It requires the ability to change our internal culture. Robert Newman: On the History of Oil (Robert if you are listening - I want to adopt ten babies to help run our idyllic post apocalyptic farmstead. That is proving to be the real challenge. Here's one of her experiments ) Tell me more about your blog? A girl can dream can't she?)

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Feeds Green Brain Audio 50

Museum 2.0

DECEMBER 14, 2009

I used the example of two very different exhibitions that solicited visitor-contributed content: Playing with Science at the London Science Museum, and MN150 at the Minnesota History Center. The Minnesota History Center team solicited visitor nominations for exhibition topics and then built an exhibition out of those contributions.

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Project Museum Teen North Carolina 22

Saleforce Nonprofit

MARCH 8, 2022

In partnership with women’s rights funds, sport for development organizations and feminist sport activists, Women Win launched the ONSIDE Fund — a participatory grantmaking mechanism that rapidly mobilises unrestricted resources for girls and young women-led organisations and groups through a pooled fund.

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Costa Rica Game Change Uganda 111

sgEngage

APRIL 7, 2023

Another advantage of grants management software is helping you efficiently manage your grant process through reminders, both internally and externally. These dashboards can tell you at a glance your funding history by program area and the number of applications you’ve received in a given period.

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Grant Software Management Application 81

Museum 2.0

NOVEMBER 5, 2013

Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. We always knew that the inclusion of participatory and community-centered practices in arts institutions was controversial. To me, the backlash against participatory and community-centered experiences is not surprising.

Participatory 53

Participatory Museum Arts History 53

Everyaction

OCTOBER 5, 2016

The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. International Fundraising Conference - IFC 2016.

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Conference Calendar DC Washington 111

Museum 2.0

JULY 23, 2013

We are hiring for a School Programs Coordinator to wrangle the 3,500+ students and their teachers who come to the museum every year for a tour and hands-on experience in our art and history exhibitions. We are transforming our history gallery to be a more dynamic platform for civic engagement.

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Program Museum Work History 39

Museum 2.0

MARCH 5, 2014

Consider three very different talkbacks in the Santa Cruz Museum of Art & History''s fall exhibition, Santa Cruz is in the Heart: cocktail napkins, rear view mirrors, and refrigerator certificates. design evaluation Museum of Art and History participatory museum usercontent' Each of these talkbacks was very different.

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Test Museum Participatory History 43

Museum 2.0

FEBRUARY 7, 2011

Museums and other venues are offering special programs for teens, for hipsters, for people who want a more active or spiritual or participatory experience. If we want to transform museums into place for everyday use that people drop in on for a quick fix of history, a meeting with a friend, or a cup of coffee, what will that require?

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Arts Museum Music Calendar 50