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If you’re looking for fundraising ideas that really work, put our experts’ advice to good use. Susan Neyman, US Marshals Museum Foundation Deliver a Newsletter Boomers Will Love “A high percentage of our donors are also members. Experiment with fundraising ideas and share your own tips and hacks with other fundraisers.
Then, keeping your target audience in mind, prioritize your list based on which prizes are must-haves, which ones would be nice to have, and which ones are backup ideas in case your higher-priority items fall through. At your committee’s first meeting, collaboratively brainstorm an item wishlist.
This Women’s History Month, we celebrate the work that the Smithsonian American Women’s HistoryMuseum does each and every day to bring women’s stories alive and into focus. We invite you to explore one of the initiatives we’ve been honored to be part of creating to expand access to women’s stories in our nation’s history.
Read on and take inspiration from these creative membership fundraising ideas and their potential to connect with your audience this year! Here are a few creative ideas and examples—especially for parents with young children. Here are a few creative ideas and examples—especially for parents with young children.
With hours of mindless scrolling available with just a few swipes and taps, it’s crucial for museums to get savvy and creative with social media campaigns to stand out. Posts from visitors and/or followers about museums always appear more genuine than organizational marketing messages. Black Country Living Museum TikTok.
Here are some ideas: Share Community History – Non-organizational community groups and nonprofits that focus on a specific locality can create hyperlocal community engagement through pictures and documentation. I’d love to hear your ideas. People can follow along via the mobile application or the website.
Dear Museum 2.0 As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). I am closing down my consulting business at the end of April, but the Museum 2.0 Here are a few things that make the MAH an exciting museum to me: It's small.
Museums and cultural organizations, like the family of Smithsonian institutions and others we’re fortunate to work with at Forum One, have a wealth of opportunities when it comes to digital engagement. Consider all the ways that museums engage online. We help museums create these campaigns.
Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image. Ruth Cohen – American Museum of natural History. For years we have been producing digital media to fulfill our mission of educating the public about science and history.
Last month, I learned about a fabulous, simple participatory experiment called “Case by Case” at the San Diego Museum of Natural History that uses visitor feedback to develop more effective object labels. Our exhibits group knocked around ideas for mechanisms of audience feedback. magnetic poetry). Where to now?
This month, we're thinking about the way we do work in museums. So many wonderful ideas, and I shared a few below. A few offered solid concrete suggestions that take the big idea of "advocacy" and make it concrete, like list wages on hiring requests and refusing to use unpaid interns. I'd ask questions on Twitter before.
This is the casual attendance data from my first full month as the Executive Director of The Museum of Art & History in Santa Cruz. This graph is making me change the way I think about what our museum is for and how we should market it. First Fridays are raucous and fabulous events. They are made for people to enjoy.
It gave me a chance to really think about how we have been opening up our museum and what it means for our community. Museums can be incredible catalysts for social change. We can change that by embracing participatory culture and opening up to the active, social ways that people engage with art, history, science, and ideas today.
Pop-Up Museum [n]: a short-term institution existing in a temporary space. Over the past few years, there have been several fabulous examples of pop-up museums focusing on visitor-generated content. Maria Mortati runs the wonderful SF Mobile Museum , which roams the Bay Area showing mini-exhibits on evocative themes.
I write this piece in good faith about the organizations I know best: museums. The vast majority of American museums are institutions of white privilege. They tell histories of white male conquest. I never saw comparable adjectives used in the European art labels at the museum.
A year ago, I wrote a post speculating about whether events (institutionally-produced programs) might be a primary driver for people to attend museums, with exhibitions being secondary. Many museums, big and small, thrive on events. At our museum, about 68% of casual visitors (non-school tours) attended through events this year.
For example, if you join a modern art museum, there is a good chance you won’t have to pay admission to other modern art museums. History: Simply being around a long time has some cachet and may mean you have access to historical wisdom, knowledge, and records. This can include museums, archives, galleries, etc.
Note: This post is written in response to recent articles about museums by Arianna Huffington (on museums and new media) and Ed Rothstein (on museums and ethnic identity). I appreciate that you write about museums, and by doing so, publicize their work and efforts. Myth #1: Museums are about contemplation.
Forum One partnered with the Museum on a full website redesign and upgrade, to welcome more diverse audiences and provide a space to discover our shared American history through a modern, inclusive, and forward-looking digital experience. Thank you, thank you, thank you!
Imagine you've just been tasked with developing an innovative, future-thinking national museum for your country's history. Blueprint is the story of a group of people who tried to create a Dutch Museum of National History (INNL). The Museum directors released Blueprint as a showcase for these plans.
and with it flocks of museum studies / education / exhibit planning graduate interns. I’m always curious when I meet these folks, who are about my age, choosing a different entry path into the museum world. The value proposition of museum grad programs is cloudy in my mind. Sure, it’s great to learn museum theory and history.
But not enough people care about it anymore, and the museum is fading into disrepair. The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. Many people would look at the world''s oldest mechanized silk mill and say that the core content of the museum is silk.
I knew Roman history was popular and there was a built-in audience,” says Voshart. Perhaps surprisingly, though, Voshart says he wasn’t really that interested in Roman history prior to starting this project. Voshart says he chats with a group of history professors and PhDs who’ve given him guidance on certain figures.
If you're reading this, you've probably already been indoctrinated into the idea that nonprofit has some particular useful meaning. It isn't the missions that have so much been invented, mind you — it's the idea of collective sectorness. Today, in less than a generation, the idea of a nonprofit sector is common. I mean, really.
The Smithsonian National Museum of African American History and Culture. To provide tools and guidance to empower people’s journeys and inspire conversation about race, the Smithsonian National Museum of African American History and Culture (NMAAHC) developed “Talking About Race.” Fighting Polluters Since 1970.
When I started this blog in 2006, I made a multi-media introduction to the concept of "museum 2.0" Venue as content platform instead of content provider: the museum becomes a stage on which professionals and amateurs can curate, interpret, and remix artifacts and information. The museum gets better the more people use it.
I believe that the museum blogosphere is still underdeveloped and there's lots of room for people to share their inspiration, experience, and ideas. When anyone asks me who's doing great work blending online and onsite experiences in museums, I send them to Beck Tench at the Museum of Life and Science. you get the idea.
One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 First up is Beck Tench, a "simplifier, illustrator, story teller, and technologist" working at the Museum of Life & Science in Durham, NC. As a person who works for a science museum, I work in an environment that supports play.
I've now been the Director of The Museum of Art & History in Santa Cruz for two months. But the point is that the MAH, like just about every other museum in the known universe, was content to define the museum experience as something removed from the outside world, a rarefied church-like space of refined artistic reflection.
The Davey Awards honor the achievements of the “Creative Davids” or smaller companies who derive their strength from big ideas, rather than stratospheric budgets. We partnered with the Museum to launch their new brand to the world. We partnered with the Museum to launch their new brand to the world. Endowed by Dr.
This morning, I checked in on the Pocket Museums on our museum's ground floor. After I took down all the "kick me" and "kick it" post-its covering the Pocket Museum title label in the men's room, I realized that this is the perfect example of an A-to-B test for gendered response to a participatory museum experience.
Every nonprofit has a rich history, but it’s likely contained in various places — boxes in the basement, awards in a display case, memories of a long-time staff member or volunteer. Dr. Kristen Gwinn-Becker is on a mission to help nonprofits preserve their history through digital archiving. You’ll also lose the stories they hold.
I've written about Dan Janzen's idea for a DNA barcoding device , which you could use to identify the different kinds of life you encounter. I recently was forwarded a post from David Duthie (of the UN Environment Program) that spotted a new application: truth in sushi labeling.
I first met Amy Fox when she de-lurked on the Museum Computer Network listserv. " Indeed, her first post summarized some observations from her research on how museums were using Twitter for her masters thesis. I'm fascinated by social networking and am interested in finding ways for museums to appeal to all types of people.
Last week, my museum hosted Hack the Museum Camp , a 2.5 day adventure in which teams of adults--75 people, of whom about half are museum professionals, half creative folks of various stripes--developed an experimental exhibition around our permanent collection in our largest gallery. The idea of "risk" is often a red herring.
Source: Share Your Ideas. Nina has written a fantastic book engagement called The Participatory Museum. Despite its long history, few researchers studied the use and impact of citizen science until the 1980s. Most of my work involves museums, but these categories can be useful in any project that involves user participation.
Visit the Doodle Museum to view the history of doodles. The idea was simple – don’t spend money, but perform an act of generosity for someone on Valentine’s Day. Generosity Day: This got started in 2011 by Sasha Dichter, Scott Case, Ellen McGirt, and Katya Andresen.
This month we’ve been thinking about “What is a museum?” (I'm I’ve been visiting museums my whole life. Does that make me the best judge of museums? People are the defining characteristics of museums. I’ve worked with and at plenty of museums that can sometimes feel empty. I'm not alone there.
I spent last week in the glorious country of Taiwan, hiking, eating, and working with museum professionals and graduate students at a conference hosted at the Taiwan National Museum of Fine Arts. It's not topic-specific; I've done these exercises with art, history, science, and children's museums to useful effect.
Like Seema, I've been looking for ways to increase active resistance of racism, hate, and bigotry--both as an individual and as the leader of a museum. Seema and I have started an open google doc to assemble ideas for specific things museums and museum professionals can do to resist oppression. Museums are ideas.
TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. We heard again and again that the museum was cold and uncomfortable.
Many of our partners in the mission-driven space are comfortable with the idea that one CMS is where you create content, design pages, enter and access user data, manage images, and more. American Women’s HistoryMuseum: Scaling Up and Down Quickly Another major benefit of composable architecture is the ability to scale up or down as needed.
I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. This is a perfect example of a museum using participation as a design solution. Our colleagues in the Museum of Natural History were eager collaborators. I hope more museums do things like this.
Forum One partnered with the Museum to launch their new brand to the world. Forum One partnered with the Museum to launch their new brand to the world. This work not only included launching a new website but also revitalizing the American Jazz Museum brand as a whole. Endowed by Dr. Ruth J.
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