Adventures in Participatory Journalism: An Interview with Sarah Rich about 48 Hour Magazine
Museum 2.0
MAY 13, 2010
The content was all over the map. For example, we received a photo essay that featured images taken months ago in French Guyana. We liked that it wasn’t too prescriptive a theme—there’s the swindle side, the speed side—lots of ways to look at it. Were the submissions really variable? Did you get some stuff that was just a mess?
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