This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
The National History Museum of Los Angeles does a great job of highlighting their staff in their Instagram posts. Be sure to cite the original poster, and tag it with the #regram. tbt – TBT, or “throw back Thursday” is for older imagesthat grant the viewer insight to your nonprofit’s past.
Photo Source: Indianapolis Museum of Art Blog. Nonprofit dashboard reports, which communicate critical information in a concise, visual, and more compelling way, are mostly used by board or staff for discussion at internal or private meetings or used as part of reports back to funders for grants. .
Through the Google Ad Grants program , nonprofits everywhere can leverage pay-per-click (PPC) marketing for free. Best of all, there are professional Google Grants managers out there to help you navigate the program and make the most compelling ads possible. We recommend you reach out to their team for all your Google Grants needs!
Margaret shared these thoughts about "museums for use" on her blog , and I asked her to adapt a version for the Museum 2.0 Should a museum be a destination or a place for everyday use? During my time at RISD studying industrial design, I developed relationships with two museums on campus: the Museum of Art and the Nature Lab.
The runner up winner was Maureen Dowd from Open Museum What I propose to do with the library you are offering is read it, try it, share it, and let you know how it works for me, my colleagues and the people we influence. Tags: Books pinko marketing relationships. It takes content, strategy and elbow grease.
Old Clearinghouses rapidly became out of date, especially after the initial grant expired. Consider Google and other search engine advertising (or see if Google will partner on a Google Grant). Tags: accessibility X-Prize NPII awards Obama TRACE clearinghouse Vanderheiden FCC. The FCC should embrace a more Web 2.0
When you find a bar with your favorite song on the jukebox, or a museum room that feels like your grandmother's living room, you suddenly feel a strong affinity and are able to see yourself reflected in the space. It may be great for a natural refuge to remain hidden, but that sounds like a disaster for a restaurant or museum.
is the author of the popular Museum 2.0 Blog that covers how museums are using social media. Maddie Grant. Tags: nptech. Connie Reece advises nonprofits on social media strategies and is the visionary behind the Frozen Pea Fund. Johanna Bates is the nonprofit technology strategy for Community Partners in Massachusetts.
Congratulations, David Sklar of Stepping Stones Museum for Chilren ! An Introduction to Google Grants , Friday, Nov 16. > Tags: community buzz nten members. It's all part of our November Member Appreciation Month, which you can read more about here. Wednesday, Nov 3. Get Yer Free Ads Here! > See more on our event calendar!
Diane is both visionary and no-nonsense about deconstructing the barriers that many low-income and non-white teenagers and families face when entering a museum. Most large American museums are reflections of white culture. Louis homeless shelters to introduce them to the local museums. Why can't new visitors do the same?
I have a lot of conversations with people that go like this: Other person: "So, you think that museums should let visitors control the museum experience?" Other person: "But doesn't that erode museums' authority?" If the museum isn't in control, how can it thrive? Me: "Sort of." and my emphatic response is YES.
This is the third in a four-part series about writing The Participatory Museum. This post covers my personal process of encouraging--and harnessing--participation in the creation of The Participatory Museum. Every non-spammer editor who signed up was granted full access to change and comment on the content.
Not that I won’t still occasionally write about games, but they will no longer have a weekly presence on this blog ( though you can always find lots of them by clicking the "game" tag in the topic list to the right). The Open Source Museum project at The Tech is a grant-funded grand experiment. Tags: Tech Virtual.
The site doesn't link them with foundations or grant applications; instead, it makes it easy to reach out to regular people for donations of as little as $1. But then I started finding more humble projects related to broader issues, and I began to see Kickstarter as a potentially fascinating space for museums and cultural institutions.
Public memorials like the US Holocaust Museum asked players to respect the space by not chasing virtual monsters in it. The owners of some homes near Pokémon Go gyms experienced a sudden influx of trespassers, leading a few to sue its developer Niantic and secure tweaks to the game’s design.
As part of the article I’m working on for the journal Museums and Social Issues on using web 2.0 to promote civic discourse in museums, I’m developing an argument about the “hierarchy of social participation.” Voting, whether for American Idol, national elections, or museum kiosk surveys, falls in this category. Watch a video.
letting museum visitors contribute and collaborate in museums), I now see this as a crucial issue also for more democratic and inclusive practice (i.e. Other person: "But doesn't that erode museums' authority?" If the museum isn't in control, how can it thrive? Me: "Sort of." and my emphatic response is YES.
With unemployment and cutback, for many a trip to the art museum can appear to be a luxury. If you were to pay for the full cost of a ticket to attend a symphony concert, you'd be paying several hundred dollars given that it is impossible to make a ticket affordable without some subsidy (donations or government grants).
This week, we consider Chapter 11 of Elaine Gurian's Civilizing the Museum , "Function Follows Form: How mixed-used spaces in museums build community," but first, a short and relevant note about my writing process. Museums are naturally tuned to some of these but not all. short streets and frequent opportunities to turn corners.
About $500,000 came from unnamed individuals in the early days and in September 2010, Omidyar Network announced a grant of up to $750,000. and “On Sunday, are you most likely to be: at brunch, at church, at a museum, or watching the big game?&# Tags: nptech , Social Media , Web 2.0 Argentina, France, India, or Kenya?&#
There are lots of museums (and organizations of all kinds) looking for ways to inspire users and visitors to produce their own content and share it with the institution online. The World Beach Project is managed by the Victoria and Albert Museum in London with artist-in-residence Sue Lawty. design participatory museum usercontent.
This is not an analytical post (primarily); it's an announcement and invitation to join the new project I've been working on with The Tech Museum of Innovation in San Jose, CA. But this is not just for The Tech; our grant mandates that this project be a service to the museum community at large. A contractor, Involve Inc.,
A grant comes in. We figure out the program that gets us the solution the grant wants. But we also know that it hasn’t made an appreciable impact on the people coming to museums. I cheered every time people tagged me in their shares. Rebecca also mentioned another issue about our museums and how we entice people.
Granted, the posts so far have been somewhat tech-heavy, but I think that will diversify more as the year goes on. Participating in this made me wonder: could a museum or library run a project like 3six5? Museums and traditional institutions are not typically set up to manage participatory projects at such a high level of detail.
In 2006, John Falk and Beverly Sheppard, seasoned museum researchers and practitioners, released a co-authored book entitled Thriving in the Knowledge Age: New Business Models for Museums and Other Cultural Institutions. This is a pretty powerful and provocative book—you talk about rethinking the whole business of museums.
I’ve often wondered why I’ve never seen a museum with a punch card system. But many large museum membership database systems are dismal at tracking members’ or visitors’ repeat attendance. But many large museum membership database systems are dismal at tracking members’ or visitors’ repeat attendance.
Not chasing those sponsors, not writing another grant. We are going to do one on foundations here from grant research. So grant research, not just saying, “Oh, I saw this foundation supports that organization. So this is the Foundation Center grant database available for free use as part of the funding information network.
Ideum, the company that brought you ExhibitFiles (with ASTC), is conducting a survey on museums' needs in support of an NSF grant proposal (Open Exhibits) to build open source templates for simple interactive exhibits (timelines, digital collections, news kiosks). What does that mean in simple terms? Check them out here.
Last week, I went to an event at the National Museum of the American Indian to support the publication of Elaine Gurian's new book, Civilizing the Museum , which comprises 22 essays written over 35 years of experience developing and leading museums around the world. So do museums. What does this mean?
I was planning to write a post today about the use of story in museums. A lot of museums--and web, radio, etc--are pursuing projects in which visitors share their personal stories around a topic, whether that be broad and profound ( storycorps.net ) or light and specific ( map mashup of Overheard in NY ). Tags: storytelling.
This year, the American Association of Museums annual conference was in Los Angeles (my hometown). I hosted two sessions, one on design for participation and the other on mission-driven museum technology development. He started with museums as a "place to go"--to see things, consume experiences. In this case, a heck of a lot.
I created a directional pyramid to make a point about social content in museum; namely, that museums are not offering networked, social experiences—and therefore will have a hard time jumping to initiating meaningful social discourse. And I’m not advocating that the dream museum would be all level 5 experiences, all the time.
Last week, Elaine Gurian and I talked about radical change in museums. Former museum start-up queen, Jen is taking a small organization whose goal is to promote girls’ involvement in math and science through research and programming to new, innovative, exciting places. But my background is in museum startups. The way the Web 2.0
I'm at the Science Center World Congress in Toronto this week, enjoying the best (international idea sharing) and worst (fatuous self-congratulation) of the museum conference experience. Museum management needs to do the same. But (for good or ill) most museums are not tech startups. So that's the first step.
It also helped me identify people I should be spending more time with in the short term (and it made me think of you, Museum 2.0 The cards were tagged with various legal structures, so that, for example, you knew that endowments only work for financing non-profits, stock options are only applicable to corporations, and so on.
Exhibit labels in science centers ask more questions than any other kinds of museums, and yet the questions are often awful--teacherly, overly rhetorical, and totally meaningless. asked by a cop or mother, garners the full attention of asker and askee alike, museum questions like "what is nanotechnology?,"
No one would contest the idea that most museum exhibitions, art shows, films, books, in short, most content experiences, have value both for the new and return user. Most visitor-generated museum experiences are about creating, not curating, content. Why would someone want to contribute metadata to the museum experience?
Why This Matters (to the Public, and hopefully, to You) A public library can grant you access to all kinds of knowledge, but where do you go to add to that knowledge base and stake your claim as an expert? Tags: guestpost Unusual Projects and Influences. You go online, and that’s why physical culture is at risk.
Most museums already have websites. I’m not an expert on museums who can comment on why museums have websites and what they use that platform for. It seems that the primary reasons museums have websites are to convey basic information about the museum and as a marketing mechanism for content.
The American Alliance of Museums conference was last week, and I had the opportunity to meet and introduce the panel of a jeopardy style session, What is Prospect Research, Alex? As Heather Pressman said in the session, that’s true for grants as well (get on the phone and call the foundation! Prospect research.
Granted, they can be logistical nightmares to maintain, but for many employees they are the only way to visualize and potentially connect individuals across the organization. At my museum, we have a list of employees and their language skills (intended for assistance with guests who do not speak English). Tags: web2.0
Joe explains some of the planned intentional dialogue events: First, for the opening night dinner, we hired a local dance company that is putting together pieces about visiting museums, punctuated by an actor/dancer asking provocative questions to the group. Tags: professional development. Are you headed to Houston?
Most games grant players a certain amount of starter skill. More interesting to me is the phenomenon of granting players some “starter knowledge”—for example, expertise as an archaelogist. But what if you are in an educational setting, like a museum? Most museum labels assume the visitor starts with little or no knowledge.
It was sponsored by the Hewlett Foundation, Wallace Foundation, San Francisco Foundation, Grants for the Arts, and the Koret Foundation. The whole idea got started a year ago when James Leventhal who is Deputy Director for the Contemporary Jewish Museum asked me if I would design some trainings for the local arts community.
We organize all of the trending information in your field so you don't have to. Join 12,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content