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Year Three as a Museum Director. Thrived.

Museum 2.0

It has some of the same feel as the disconnected affection of people wishing you a happy birthday on Facebook, with professional reflection baked in. I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. Naming our goals and our culture. We wrote engagement goals.

Museum 49
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The Participatory Museum, Five Years Later

Museum 2.0

This week marks five years since the book The Participatory Museum was first released. Across the museum field, the questions about visitor participation have gone from "what?" Over the past four years, I''ve been running a small regional art and history museum in Santa Cruz, CA. and "why?" to "how?". This choice was strategic.

professionals

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Museums and Relevance: What I Learned from Michael Jackson

Museum 2.0

By a strange and lucky coincidence, I was at the Experience Music Project and Science Fiction Museum (EMPSFM) in Seattle for a two-day workshop. EMPSFM is one of a handful of museums worldwide for which the death of the King of Pop is a very big deal. Are museums only relevant when they can serve our most pressing needs?

Museum 34
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Co-Creating Exhibits with Teens and Volunteers: The Importance of Criteria

Museum 2.0

What's the biggest mistake people make when involving non-professionals in exhibition design? They want articulated goals and expectations. There was no initial design, no graphics, and no idea of where the teen' work would fit into an overall structure. Find a way to control the structure, even if it's artificial.

Teen 20
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Why I Blog

Museum 2.0

I spent the weekend queuing up posts for my forthcoming blog-cation--nine weeks of guest posts and reruns from the Museum 2.0 You''re in for a treat, with upcoming posts on creativity, collections management, elitism, science play, permanent participatory galleries, partnering with underserved teens, magic vests, and more.

Museum 35
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Six Steps to Making Risky Projects Possible

Museum 2.0

Unsurprisingly, some of my favorite museums are small, funky places run by iconoclasts—but that’s not useful to most professionals who work for organizations in which they have little control over size or leadership matters. I worked on one project in which the client institution thought they wanted unfettered teen expression.

Project 22
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How I Got Here

Museum 2.0

Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." hour at the Museum. I made $26/hour at NASA and $7.25/hour

Museum 52