Museum 2.0

SEPTEMBER 7, 2010

Over time the movement and arrangement of things trails a layered aesthetic that convey histories and narratives of changing communities passing through this unfolding three-story artwork. Through the generative potential for use and re-use of things, Elsewhere has arranged a public commons in the form of a shared resource.

Collaboration 36

Collaboration North Carolina Museum Artist 36

Museum 2.0

JUNE 12, 2012

--Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. This post focuses on one aspect of the exhibition: its participatory and interactive elements.

Participatory 51

Participatory Museum Blackboard Game 51

Museum 2.0

DECEMBER 28, 2010

Every once in a while I come across a project I wish I could have included in The Participatory Museum. and the interactives that connected to the objects smart and appealing. While the museum and the school didn't have a strong history of collaboration, this project seemed reasonable enough to try. it's a Secret! ,

Children 46

Children Museum Create Project 46

Museum 2.0

MARCH 18, 2015

I sat down with Emilyn Green, Executive Director of the Community Science Workshop Network , to learn more about their history, design, and engagement strategy. The core program is a permanent, dedicated physical space, full of interactive hands-on physical exhibits, as well as a tinkering and making space, and recycled materials.

Green 20

Green Interview Share Community 20

Museum 2.0

MARCH 27, 2009

Side Trip is an immersive environment full of interactive experiences that let visitors share their own stories of the 1960s, make their own rock posters, and explore the music and vibe of the time. It wasn’t expensive to construct, it doesn’t rely on artifacts, and the interactives integrate technology in a low-key, magical way.

Denver 21

Denver Museum Arts Remix 21

Museum 2.0

AUGUST 25, 2009

Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors." The image at the top of this post is from one of their simple visitor feedback interactives which was built into a familiar, casual rolodex. A lone "What do you think?"

Design 31

Design Goal Difference Platform 31

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 18, 2007

Social Interaction - People can have conversations and create content together. Most blog software can generate a RSS feed with the click of a button - you don??????t Step 8: Understand The Power Remix Culture and User-Generated Content. My experiment with user-generated content is here. Discovery Exercise #2: 1.

Remix 50

Remix Professional Technorati Wiki 50

Everyaction

OCTOBER 5, 2016

The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. It is our turn to make history. General / #NI16 / @netimpact.

Conference 111

Conference Calendar DC Washington 111

Museum 2.0

OCTOBER 8, 2008

When you think of a platform for user-generated content, you may not think of that platform as having power. User-generated content sites control user and community behavior, both implicitly through the tools that are and aren't offered, and explicitly through community management. The power to use and exploit user-generated content.

Authoring 42

Authoring Platform Museum YouTube 42

Museum 2.0

OCTOBER 26, 2009

At the bottom of the page, there's an option to "remove my personal data" (please don't click this) - and I found myself staring at it semi-incredulous that this impersonal website had anything to do with the data I had generated onsite. When you augment a photo in the Chicago History Museum's Get Lincolnized!

Personal 34

Personal Museum Pledge San Jose 34

Museum 2.0

MARCH 6, 2019

While I originally wrote this post to advocate for more participatory practice (i.e. When you think of a platform for user-generated content, you may not think of that platform as having power. The power to use and exploit user-generated content. But the companies that run YouTube, Flickr, and other major Web 2.0

Authoring 44

Authoring Share Museum YouTube 44