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When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. Museums see open-ended self-expression as the be-all of participatory experiences. Does that sound like a fun and rewarding casual activity to you? I’ve had it with museums’ obsession with open-ended self-expression.
It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. This post focuses on one aspect of the exhibition: its participatory and interactive elements. So many museum exhibitions relegate the participatory bits in at the end.
When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. Museums see open-ended self-expression as the be-all of participatory experiences. Does that sound like a fun and rewarding casual activity to you? I’ve had it with museums’ obsession with open-ended self-expression.
Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? Why are teens over-represented in participatory projects?
This past weekend, in conjunction with our exhibition about Ze Frank's current participatory project, A Show , we hosted " Ze Frank Weekend "--a quickie summer camp of workshops, activities, presentations, and lots of hugging. Or that we take a group photo together at the end of the day. It was pretty freaking amazing.
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? For this reason, I see history museums as best-suited for participatory projects that involve story-sharing and crowdsourced collecting (e.g.
I saw teens and adults who sat and did this activity for 45 minutes and wasn’t surprised to hear that some people spend over an hour on it. This was fun, though a little goofy, and I saw lots of people watching who were not comfortable enough to put themselves on display publicly. Projects design participatory museum.
The recent flurry of restrictions that has sent teens fleeing? Why should the staff have all the fun in this way? Tags: participatory museum visitors. When you think of MySpace, what is the first thing that comes to mind? The irritating design? The bizarre obsession with "adding" friends? Or is it the stalkers?
In many museums, comment cards are currently the most "participatory" part of the visitor experience. It may be useful if you want to ask "What kind of teen programs should our museum offer?" Why let Whole Foods have all the fun? The suggestions have to be reasonably focused so that people can make comparative judgments.
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