This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
Photo by American Art Museum Note from Beth: This week I'm trying to understand crowdsourcing and nonprofits, hopefully with a crowd of other folks. It is an open study/storage facility displaying about thirty-three hundred objects from the collection of the Smithsonian American Art Museum. We are storage, after all.
A new company in New York, Museum Hack , is reinventing the museum tour from the outside in. They give high-energy, interactive tours of the Metropolitan Museum and the American Museum of Natural History (AMNH). The tours are pricey, personalized, NOT affiliated with the museums involved… and very, very popular.
Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image. Ruth Cohen – American Museum of natural History. We are trying to change the visitors’ experience at the museum as well as ownership of what is in the museum, break down the walls between the public and the museum.
Last week, I visited the Wing Luke Asian Museum in Seattle. I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). I'm always a bit nervous when I visit a museum I love from afar. What if it isn't what I expected?
Last week I facilitated the “ Impact Leadership Track ” at the NTEN Leading Change Summit with John Kenyon, Elissa Perry, and Londell Jackson. Here’s what I learned: Facilitation Teams. Often, facilitation teams are brought together by an event host. Photo by Trav Williams. Do you have a preferred method?
The Art Museum Social Tagging Project is a group of art museums is looking at integrating folksonomies into the museum Web by developing a working prototype for tagging and term collection, and outlining directions for future development and research that could benefit the entire museum community. A tag is a user???s
Musical Instrument Museum. As a member of the board of YNPN (Young Nonprofit Professionals Network) Phoenix, I have been fortunate to cross paths with some extraordinary emerging leaders, facilitators, mentors, and nonprofit sector thought leaders. Maureen Baker , Manager for Individual Giving.
I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above).
This Black History Month, we reflect on the strategy work that our team does through our partnership with the Smithsonian National Museum of African American History and Culture —much of which centers around expanding access. And for those who have, they quickly understand that the Museum has much more to offer than can be absorbed in a day.
This month we’ve been thinking about “What is a museum?” (I'm I’ve been visiting museums my whole life. Does that make me the best judge of museums? People are the defining characteristics of museums. I’ve worked with and at plenty of museums that can sometimes feel empty. I'm not alone there.
I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. This is a perfect example of a museum using participation as a design solution. The activity was facilitated by the activity station set up in the lobby just outside the gallery. This was transformational!
Last week, Jim Richardson and I hosted MuseumNext , a 24-hour workshop for museum professionals focused on bringing new, wild museum projects into the world. We also ended the entire event with one of my favorite exercises, the Exquisite Corpse game, in which participants co-created comics of their craziest museum dreams.
This August/September, I am "rerunning" popular Museum 2.0 Diane is both visionary and no-nonsense about deconstructing the barriers that many low-income and non-white teenagers and families face when entering a museum. Most large American museums are reflections of white culture. blog posts from the past.
Also added was a requirement for the county to offer some assistance, such as putting ACAC in touch with people who could facilitate the financial increases and/or could offer intrinsic support, such as grantwriting classes. Christy Crosser from Estes Park Museum Friends & Foundation, Inc.
On a recent trip to the Children's Museum of Pittsburgh, I noted a discussion board in the "Nursery" gallery. For the Nursery discussion board, it's other adult visitors to the Children's Museum. Every adults who takes a child to a Children's Museum cares about his or her identity as a caregiver.
Last week I was in Chicago to facilitate a session about leadership and social media as part of Knight Digital Media Center’s Digital Strategy for Community Foundations and Nonprofits. Lean on Your Staff.
I met Mazarine Treyz 3 years ago in Portland, Oregon when I facilitated a one-day social media and nonprofit workshop for the Meyer Memorial Trust. 9 The Participatory Museum by Nina Simon. We were lucky enough to have Nedra stop by the Zoetica Salon and share some thoughts about how to measure social media outcomes.
Yesterday, I had the pleasure of co-facilitating a half-day “Digital Strategies&# seminar with Vince Ford, Director of Digital Media from the New York Philharmonic and leading a peer session for major orchestra marketing staff and youth orchestra executive directors with Makala Johnson who does Social Media [.] Decks and Links here.
Solid Women ”, winner of Best Medium Organization, presents a powerful, affirming story of 5 women succeeding in rebuilding their community after the 2010 Haiti earthquake, through the microloans facilitated through Fonkoze. Winning Best Small Organization is “ Protect Our Defenders ”, a gripping account of sexual assault in the military.
Despite a broken toe, I facilitated a workshop on Social Media for CEOs of nonprofits and foundation. James Leventhal facilitated a workshop in Portland last month along with Adam Rozan of the Oakland Museum of California and Stephanie Weaver of Experienceology. Stay tuned for a video interview I did with him while in Vegas.
Why does your museum open its doors each day? For arts and culture organizations, brand purpose is often about facilitating learning and engaging visitors in unforgettable experiences that provide educational and social value. What other museums do they follow/enjoy visiting? Get to know your subscribers and followers.
Two weeks ago, my museum was featured in a Wall Street Journal article by Ellen Gamerman, Everybody''s a Curator. I''m thrilled that our small community museum is on the map with many big institutions around the country. I''m glad to see coverage about art museums involving visitors in exhibitions. Core Museum 2.0
I recently read the BERI report on bilingual labels in museums and was blown away by its findings. in Applied Social Psychology and has evaluated and researched informal learning experiences in museums and other visitor institutions for over 20 years. is a controversial topic, and the same is true in museums.
He is Deputy Director for the Contemporary Jewish Museum , and an expert in using social media in a museum setting. We were lucky enough to have a fabulous space for the workshop in the Contemporary Jewish Museum. Most importantly, I need a good facilitator for each table. I said yes. Somethings to improve.
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.
YBCA:YOU is an intriguing take on experiments in membership and raises interesting questions about what scaffolding people need to have social and repeat experiences in museums. I've always admired Joël's creativity and was curious about the personalized YBCA:YOU membership program that started last year.
This August/September, I am "rerunning" popular Museum 2.0 I''ve been thinking recently about how I originally got interested in talking to strangers in museums. Working in museums as floor staff cracked open the social stranger door for me. blog posts from the past. This post was requested by a long-time reader. It was blue.
Between high-altitude hijinks, run-ins with wildlife, and very long days of hiking, I finished John Falk's new book, Identity and the Museum Visitor Experience. In other words, if you are a curious person, you will go to museums to learn new things. And the facilitator wants his friends and family to have a good time.
I’ve had the pleasure working with Diana Scearce , from Monitor Institute, who has been facilitating and weaving this network. Social media tools for engaging and capturing the work of crowds include: wikis, custom platforms or web sites that facilitate voting, rating, giving feedback, adding content, or funding.
What I Learned Part 1: Facilitation is Powerful When I taught this class the first time, I put a real premium on the idea of designing participatory activities that were visitor-driven and required minimal or no facilitation. When activities were not facilitated, people were often too timid to interact.
Educational reform researchers did a rigorous study of school groups that experienced a single one-hour guided tour of Crystal Bridges Museum of American Art. The study was extensive and methodologically robust, and the results are making the rounds of museum and art publications and blogs. She needed money.
Note from Beth: I had pleasure of facilitating a panel discussion in October at the recent Grantmakers in the Arts pre-conference on technology and media with Rory MacPherson where I learned about some of the preliminary study result he discovered.
I first learned about this technique from Sam Kaner''s excellent book, Facilitator''s Guide to Participatory Decision-Making. Tag Team the Facilitation. And if you want a more efficient approach to multi-vocal facilitation, try an unconference. Yes, it can be inefficient.
The use of podcasting has many implementations for museums. For starters, podcasting can liberate art lovers from the museum's clunky audio sets and enjoy the Museum's "Official Audio" more stylist piece of equipment. It can also liberate museum goers from hearing one view - that of the expert or curator.
On Friday, I facilitated the final face-to-face workshop for the Social Media Lab for 25 arts organizations inspired by Thomas Edison’s approach. The whole idea got started a year ago when James Leventhal who is Deputy Director for the Contemporary Jewish Museum asked me if I would design some trainings for the local arts community.
I’m working with a network of community foundations, grantees of the Knight Foundation, that are hosting giving days as the facilitator. The peer learning exchange is experimenting with best practices for Giving Days. The group is using and adding their knowledge to The Giving Day Playbook.
Last week, I facilitated an interactive keynote in Seattle at 2011 Tech for Good Leadership Summit sponsored by Microsoft Community Affairs , in partnership with NPower Seattle. By all accounts , the event held the space for peer learning. Watech4good Summit. View more presentations from Beth Kanter.
When you count attendance to your museum, do you include: people who eat in the cafe? It''s about museum attendance and how the five big, free museums in St. Summertime concerts at the history museum? Outdoor movies at the art museum? If a kid gets dragged to a museum with their parents, do they count?
Museums have used games to engage visitors for decades. SR: I came to games before I came to museums. My grandmother cheated at Candyland and uno. :) Games, I think, have a nice Venn diagram of overlap between museum lovers. I love thinking we're getting new museum lovers through games. How did you get into museum games?
Live facilitation has a varied role in museums. In children’s and science museums, explainers are everywhere. From a financial and management perspective, however, many museums try to minimize live facilitation as much as possible. Many peoples’ most memorable museum experiences come from interactions with staff.
Last week, I had the pleasure of facilitating a Networked Nonprofit and Social Media workshop at the Independent Sector Annual Conference “ Forging A Stronger Future Together &# in Atlanta. The downside to virtual presenting is that you don’t get to see your friends face-to-face !
While it hasn't happened here in awhile, a new Museum 2.0 Many museum and library professionals use the concept of the third place to describe the idealized vision of a cultural institution as a place for community use and civic engagement. For four weeks starting June 1, each Tuesday there will be a Museum 2.0
While I was at the Philadelphia Museum of Art working on a website redesign, we recognized the need to be transparent with our internal audiences and started hosting a series of monthly open forum presentations called “Website Wednesdays.” Just like a good soccer coach does for their team.
And finally, you want to identify the roles needed to create, facilitate, and implement the programs and services you design with the community. Know where your community is and what tools they want to use, and either use those or build them together. At least if you plan on interacting with them! What roles are needed? Getting Started.
We organize all of the trending information in your field so you don't have to. Join 12,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content