Museum 2.0

OCTOBER 10, 2016

Museum technology nerds: this post is for you. I've been thinking recently about distributed content experiences--ways for people to interact with museum content (art, history, science, etc.) as they make their way through the world outside the museum. At the museum? but none of them are great. Who's tackling them?

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Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

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Museum 2.0

OCTOBER 29, 2009

Last week, Jim Richardson and I hosted MuseumNext , a 24-hour workshop for museum professionals focused on bringing new, wild museum projects into the world. We also ended the entire event with one of my favorite exercises, the Exquisite Corpse game, in which participants co-created comics of their craziest museum dreams.

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Facilitation Reflection Museum Participatory 32

Museum 2.0

DECEMBER 12, 2012

This is a picture of the largest temporary exhibition gallery in the Santa Cruz Museum of Art & History. Our next exhibition is opening in here in two days. This is pretty much what it will look like when we open on Friday. This winter, my museum is trying an experiment called Work in Progress.

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Whole Whale

APRIL 24, 2024

As of writing this, there are over 1,600 open fundraising roles open in the US. Sabrina Walker Hernandez, MPA Supporting World Hope Certified consultant, coach, & facilitator that helps nonprofits build relationships that convert into more donations. My book, Formula for Fundraising, was placed on Amazon in February 2019.

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Museum 2.0

JUNE 6, 2012

This post is the third and final in a series of reactions to Blueprint , a book chronicling the rise and fall of the Dutch Museum of National History (INNL) in 2008-2011. How is the exhibit living on at the museum and what is it like to take over someone else’s project?

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Museum 2.0

NOVEMBER 18, 2014

I''ve mostly seen museums employ one of two methods for formal community advisors: Create special "spots" on the board of trustees for certain kinds of community representatives. CON: can feel disconnected from the primary governance of the museum or can feel like a second-class board overall. I struggle with both these options.

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Museum 2.0

FEBRUARY 14, 2011

You will make history. It isn't until the last group when Starlee sees a young Reagan who decides against the invasion--and against history. And the intention was for the facilitator to point out either during the experience itself or during the debrief that there are a lot of different choices. Lives are at stake.

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Grenada Student History Library 48

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 1, 2013

It takes you through the technologies and tools for each channel for different goals and offers up lots of case studies from organizations such as National Wildlife Federation, Red Cross, AARP, Clinton Bush Haiti Fund, American Museum of Natural History, SEIU and others. Click to see larger version.

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NTEN

JUNE 21, 2011

The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.

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Museum 2.0

SEPTEMBER 12, 2012

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. We're involving visitor services and volunteers more intentionally in facilitation. Pocket Museums in bathrooms.

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Museum 2.0

APRIL 2, 2014

In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. In my experience, the best participatory experiences are as constrained and clear as possible in the invitation offered, and as open-ended as possible in the outcome generated.

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Museum 2.0

MAY 29, 2009

Two weeks ago, I conducted a participatory exhibit design workshop with staff at the Smithsonian National Museum of Natural History. Between the giant squid brainstorming and experimentation, I gave a talk to the larger Smithsonian Institution about multi-platform museum experiences. The slides are also available for download.

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Museum 2.0

OCTOBER 23, 2018

The exhibition evolved after it opened. The facilitation was as chaotic and fragile as a spiderweb. We invited visitors to take real action in response to what they saw. The lead partners were youth who had been marginalized and exploited by institutions. There were trust issues. Complex power dynamics.

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Museum 2.0

JULY 7, 2009

culture might affect museums. The true story is that I desperately wanted to find a way to engage in discussions with some of my museum heroes. Kathy McLean is one of my heroes who motivated the start of Museum 2.0, I have learned so much from her work as an exhibition designer, audience advocate, and facilitator.

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Museum 2.0

MARCH 18, 2015

I sat down with Emilyn Green, Executive Director of the Community Science Workshop Network , to learn more about their history, design, and engagement strategy. There are lots of great science museum resources, but not where these kids can walk after school. Any big museum has barriers and limitations to full community ownership.

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Museum 2.0

OCTOBER 19, 2009

They edit the conversations into radio shows, which are then made available as a podcast (you can listen to episode featuring me, #89: Museum Secrets, here ). And they made me appreciate them as superb facilitators as a particular kind of participatory experience: conversation with strangers. But it's more complicated than that.

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Reflection Museum Podcast Participatory 20

Museum 2.0

DECEMBER 8, 2006

Elisa’s focus is interactive arts, media design, and cultural management, and she has been involved in many pertinent projects, such as MUVI (the Virtual Museum of the Collective Memory of Lombardia). Environmentalists, the Museum of Natural History at CU, they all responded very enthusiastically to this.

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Museum 2.0

NOVEMBER 6, 2012

I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. This is a perfect example of a museum using participation as a design solution. The activity was facilitated by the activity station set up in the lobby just outside the gallery. This was transformational!

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Museum 2.0

JUNE 12, 2012

Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. So many museum exhibitions relegate the participatory bits in at the end. The Love Lounge I LOVE.

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Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 16, 2010

I’ve had the pleasure working with Diana Scearce , from Monitor Institute, who has been facilitating and weaving this network. Social media tools for engaging and capturing the work of crowds include: wikis, custom platforms or web sites that facilitate voting, rating, giving feedback, adding content, or funding.

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Museum 2.0

MAY 14, 2009

I've become convinced that successful paths to participation in museums start with self-identification. The easiest way to do that is to acknowledge their uniqueness and validate their ability to connect with the museum on their own terms. Who is the "me" in the museum experience? Not so at museums.

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Museum 2.0

OCTOBER 16, 2013

When you count attendance to your museum, do you include: people who eat in the cafe? It''s about museum attendance and how the five big, free museums in St. Summertime concerts at the history museum? Outdoor movies at the art museum? If a kid gets dragged to a museum with their parents, do they count?

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Museum 2.0

JUNE 2, 2010

This year, the American Association of Museums annual conference was in Los Angeles (my hometown). I hosted two sessions, one on design for participation and the other on mission-driven museum technology development. He started with museums as a "place to go"--to see things, consume experiences. In this case, a heck of a lot.

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Museum 2.0

AUGUST 13, 2009

Earlier this year, the New Museum and Creative Time commissioned a traveling piece by artist Jeremy Deller called "It Is What It Is: Conversations About Iraq." I saw It Is What It Is twice at the Hammer Museum. Why would I want to talk about Iraq on a visit to an art museum? Even for me, the barriers were too high.

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Museum 2.0

JULY 31, 2007

This is the penultimate installment of Museum 2.0's s book club on Elaine Gurian's collection of essays, Civilizing the Museum. NMAI opened to the public in fall of 2004, and has endured very mixed reviews for its presentation of the Indian experience largely from the perspective of native communities, not curators or historians.

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Museum 2.0

JUNE 11, 2014

This post was written by my colleague Nora Grant, Community Programs Coordinator at the Santa Cruz Museum of Art & History. Pop Up” has become an international buzz term to describe ephemeral, experimental projects--from pop up restaurants to pop up boutiques--but a “Pop Up Museum” is still somewhat mystifying.

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Non Profit Quarterly

NOVEMBER 17, 2021

Facilitating personal bonds between local producers, consumers, and suppliers can increase resiliency in periods of global supply chain disruption while cutting the carbon footprint of shipping. Beyond these benefits, running a local currency on an app opens even more potential for experimentation.

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