Museum 2.0

SEPTEMBER 12, 2012

The content focuses on the question of WHY we collect and how our collections reflect our individual and community identities. This exhibition represents a few big shifts for us: We used a more participatory design process. Without further ado, here's what we did to make the exhibition participatory. We had some money.

Participatory 44

Participatory Museum History International 44

Museum 2.0

MARCH 3, 2011

In 2009 , students built a participatory exhibit from scratch. Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. This post shares my reflections on the projects and five things I learned from their work.

Participatory 51

Participatory Arts Audience Museum 51

Museum 2.0

SEPTEMBER 18, 2013

I''ve seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Museum 45

Museum Question Participatory Vietnam 45

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Question 49

Question Participatory Museum Vietnam 49

Museum 2.0

NOVEMBER 16, 2010

This was reflected again in a great encounter I had at the Walter's Art Museum later in the weekend, when a silver-haired, well-coiffed lady (the perfect image of a traditional museum goer) told me "I get so annoyed by how quiet museums are. But a few people seemed nervous that we were trying to trick or evaluate them.

Experiment 44

Experiment Lesson Museum Learning 44

Museum 2.0

APRIL 16, 2008

On the web, a jury of the masses (anyone) can evaluate the photographs in terms of aesthetic quality and relevance to the exhibition theme. All evaluations are private; all artists are unnamed. This may sound obvious, but we all fall victim to featuritis when we get seduced by the idea of live bodies. What makes Click special?

Museum 24

Museum Participatory Artist Arts 24

Museum 2.0

DECEMBER 14, 2009

What new projects might allow you to better reflect those aspirations? This may sound obvious and natural, but it’s easy to underestimate the power of institutional culture. There are several good resources on evaluating participation. Another source of resources comes from the growing body of social media evaluation tools.

Project 22

Project Museum Teen North Carolina 22