Museum 2.0

DECEMBER 14, 2009

For this reason, I spoke specifically about how to make dream projects possible at real institutions. Unsurprisingly, some of my favorite museums are small, funky places run by iconoclasts—but that’s not useful to most professionals who work for organizations in which they have little control over size or leadership matters.

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Project Museum Teen North Carolina 22

Museum 2.0

JULY 30, 2019

Me at the Norman Rockwell Museum Before we get to today’s topic, I want to start with a thank you. This month, I started with looking at some broad reflection on our field and visitors before looking at some of the great ways that we do participation in our spaces. The rise in audience evaluation is promising, certainly.

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Museum Comment Evaluation Audience 27

Museum 2.0

JUNE 12, 2013

TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. We heard again and again that the museum was cold and uncomfortable.

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Museum Learning History Arts 55

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 3, 2009

Photo Source: Indianapolis Museum of Art Blog. The Indianapolis Art Museum has been doing just that by sharing its institutional dashboard out for everyone to view. It was met by with both positive and negative reactions from nonprofit and museum professionals. What motivated the dashboard project?

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Public Indianapolis Museum Organization 94

Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" We're hearing on a daily basis that the museum has a new role in peoples' lives and in the identity of the county.

Audience 47

Audience Museum Participatory History 47

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

One of the best projects that illustrates the basic idea of Web2.0 - listening and conversation and stakeholders creating their own experience with your organization - comes from the Brooklyn Museum of Art. On the web, anyone can evaluate the photographs in terms of aesthetic quality and relevance to the exhibition theme.

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Arts Social Media Examples Artist 74

Museum 2.0

MARCH 3, 2011

Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. You can explore the projects in full on the class wiki. This post shares my reflections on the projects and five things I learned from their work.

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Participatory Arts Audience Museum 51

Museum 2.0

AUGUST 25, 2010

When it comes to user participation in cultural institutions and the arts, it's popular to launch projects that pit visitors against experts. at the Brooklyn Museum, where you could track how people of various levels of art expertise rated crowd-contributed photographs. Projects interactives. There was Click!

Audience 38

Audience Music Artist Museum 38

Museum 2.0

AUGUST 18, 2008

I've long believed that museums have a special opportunity to support the community spirit of Web 2.0 This month brings three examples of museums hosting meetups for online communities: On 8.6.08, the Computer History Museum (Silicon Valley, CA) hosted a Yelp! Me: Have you ever been to this museum? meetup for Elite Yelp!

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Museum Hosting Model Community 22

Museum 2.0

JANUARY 28, 2015

I''ve been thinking about all of this recently because I''m in the midst of negotiating a partnership with a for-profit real estate developer to enhance a public plaza adjacent to my museum. He cares about the social impact of his projects, but at the end of the day, he uses financial profit to measure their success.

Museum 20

Museum Measure Evaluation Profit 20

Museum 2.0

NOVEMBER 16, 2010

How do you find your way around a multi-faceted museum? I spent some time playing with this question last week at the Milwaukee Art Museum, a large general museum that is moving toward redesign of the permanent galleries. But a few people seemed nervous that we were trying to trick or evaluate them. Get deliciously lost?

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Experiment Lesson Museum Learning 44

Museum 2.0

MARCH 15, 2010

People often ask me which museums are my favorite. I visit lots of perfectly nice, perfectly forgettable museums. In some cases, that's based on subject matter, as at the Museum of Jurassic Technology or the American Visionary Art Museum. Some are scrappy and iconoclastic, like the City Museum in St.

Support 41

Support Museum St. Louis NSF 41

Museum 2.0

MARCH 25, 2015

This is the first in a two-part series about the Santa Cruz Museum of Art & History’s new theory of change. This week, Ian David Moss and I are each writing blog posts about our collaborative process to develop a theory of change at the Santa Cruz Museum of Art & History. For three years, we hit the gas at my museum—hard.

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Process Change Develop Museum 20

Museum 2.0

SEPTEMBER 11, 2013

This week''s guest post is written by Julie Bowen, VP of Experience and Engagement at the Canadian Museum of Nature in Ottawa. I met Julie almost ten years ago, when she was leading the Agents of Change project at the Ontario Science Center , and I have admired her ever since. The comment that brought me up short was “This was great.

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Place Museum Environment Problem 52

Museum 2.0

APRIL 16, 2008

I've written before about the inspiring work that the Brooklyn Museum of Art is doing with their community-focused efforts. This post provides an overview of the project, what makes it stand out, and some analysis of the strategic implications. All evaluations are private; all artists are unnamed. What makes Click special?

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Museum Participatory Artist Arts 24

Museum 2.0

SEPTEMBER 12, 2012

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. The content focuses on the question of WHY we collect and how our collections reflect our individual and community identities.

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Participatory Museum History International 44

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? But for museum and art wonks, it could be. And the projects themselves are brilliant.

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Artist Museum Project Public 39

Qgiv

OCTOBER 27, 2021

They take care of your facility, give tours of your museum, welcome attendees to your annual gala, and pass out medals at fundraising races. Take the time to assess your operations and evaluate any gaps that volunteer work could fill. Volunteers are the backbone of any nonprofit organization. Collaborate with local businesses.

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Volunteer Strategy Guide Local 98

Museum 2.0

JUNE 13, 2008

The fabulous Storycorps project partially sidesteps these problems by requiring participants to bring their own conversation partner to the booths in which they record life stories. As one of the evaluators commented, visitors want to make meaning out of their interactions with Daisy. The problems are scale and comfort.

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Reflection Interaction Game Conversation 20

Museum 2.0

NOVEMBER 20, 2007

This is the final installment of Museum 2.0’s s book club on Visitor Voices in Museum Exhibitions , a collection of essays edited by Wendy Pollock and Kathy McLean. The best visitor voices projects don’t come out of marketing blitzes or grudging concessions to visitors. They don’t have anything interesting to say.

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Voice Case Study Museum Map 20

Museum 2.0

DECEMBER 8, 2006

Elisa’s focus is interactive arts, media design, and cultural management, and she has been involved in many pertinent projects, such as MUVI (the Virtual Museum of the Collective Memory of Lombardia). I’d like to start by asking you to tell us a little more about your current project, the Silence of the Lands.

Interview 20

Interview Museum Culture Sound 20

Beth's Blog: How Nonprofits Can Use Social Media

JULY 13, 2006

We created and ran the web site for the Liberal Arts College in an atmosphere which, upon reflection is a lot like Linden Lab. When I graduated in 2003, I moved out here to California and worked with the San Jose Museum of Art before getting a job with Linden Labs. I learned a lot from San Jose Art Museum. It's amazing.

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Second Life Life Interview San Jose 50

Museum 2.0

AUGUST 7, 2008

For many museums, visitor research--how people use the museum, navigate exhibits, and understand content--may be an equally important arena in which to adopt groundswell listening techniques. I spent an hour this morning "brand listening" to what the online world says about one of my favorite museums, the Exploratorium.

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Museum Teen Second Life Discussion 20

Museum 2.0

JUNE 3, 2009

The imaginative context of the workshops allowed us to get past petty sticking points and tackle big questions like how to balance creativity into your work, how to feel good about creating without evaluating the product, and how to deal with the tensions of working in teams. We had fun. We got inspired.

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Conference Professional PowerPoint Evaluation 21

Museum 2.0

JUNE 16, 2020

Andrea has been a leader in the museum technology field. Among other highlights, it was an honor to lead the ambitious AR project Lumin , which helped us, and the field at large, to confirm that it is possible to create meaningful AR experiences , even when technology has some catching up to do. Both projects received awards by AAM.

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Museum Detroit Arts Leadership 22

Museum 2.0

APRIL 11, 2019

This guest post is written by Martin Brandt Djupdræt , Head of research and presentation and a member of the management at the Danish open-air museum Den Gamle By (The Old Town). Den Gamle By (“The Old Town” in Danish) is an open-air museum about urban life and the local museum of the city of Aarhus. Falk and Lynn D.

Audience 40

Audience Research Museum Interview 40

Museum 2.0

NOVEMBER 5, 2013

"The words we use in attempting to change museum directions matter. Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. I am glad this conversation is happening and that both museum professionals and local Santa Cruzans are engaged. But we do have ''and.''

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Participatory Museum Arts History 53

Museum 2.0

OCTOBER 16, 2013

When you count attendance to your museum, do you include: people who eat in the cafe? It''s about museum attendance and how the five big, free museums in St. Summertime concerts at the history museum? Outdoor movies at the art museum? If a kid gets dragged to a museum with their parents, do they count?

St. Louis 55

St. Louis Impact Museum Denver 55

Museum 2.0

JUNE 15, 2009

You can explore the project wiki where we coordinated the exhibit, including the project overview , our six-week plan to get it all done, and individual sections for development of concept , content , interaction , graphics , marketing , fabrication , installation , and evaluation. But the exhibit team did something novel.

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Advice Museum Student Facilitation 31

Museum 2.0

DECEMBER 11, 2008

This guest post was written by Georgina Bath Goodlander, the Interpretative Programs Manger for the Luce Foundation Center at the Smithsonian American Art Museum. The “Ghosts of a Chance” alternate reality game (ARG) ran from July 18 until October 25, 2008 and was a collaboration between the Smithsonian American Art Museum and CityMystery.

Museum 20

Museum Game Evaluation PDF 20

Museum 2.0

OCTOBER 22, 2008

There are lots of things visitors can’t do in museums. But what about the things that museum professionals can’t (or feel they can’t) do? This week at the ASTC conference, Kathy McLean, Tom Rockwell, Eric Siegel and I presented a session called “You Can’t Do That in Museums!” And so my question is, why are we keeping them away?

Museum 20

Museum Professional Teen Map 20

Museum 2.0

DECEMBER 19, 2008

Every museum has a number for its operating cost per visitor. Most museums don't strategically set this number--too many operating costs are fixed by building needs--but they can use it to assess how expensive each visitor interaction is and evaluate the efficacy of programs. So where do online initiatives fit in?

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Virtual Museum North Carolina Flickr 20

Museum 2.0

JULY 11, 2008

No, these are neither the words of a self-important curator nor a well-spoken museum director. the crowd-curated photo exhibition now open at the Brooklyn Museum of Art. It’s a research project about crowd-based decision-making—one so well-executed and interesting that Jeff Howe can’t help but get excited. Because Click!

Museum 20

Museum Artist Photography Arts 20

Museum 2.0

MAY 13, 2010

I talked with Sarah Rich , one of the project’s instigators and staff members, to learn more about 48 Hour Magazine and its implications for other participatory media projects. You had a huge response to this project. He set up an infrastructure for people to evaluate submissions by giving it a yes, no, or maybe, with comments.

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Participatory Journal San Francisco Interview 36