Museum 2.0

JULY 16, 2019

Visitor (though, really my child) at the Maritime Museum, Greenwich, UK As I said, last week, I’ve been to a travelin’ girl for the last couple of years. So, instead, I am offering 3 posts this month about what I learned from visiting more than 300 museums. Last week, I talked about what I learned about museum workers.

Museum 27

Museum Photography Phone Children 27

Museum 2.0

DECEMBER 14, 2009

Unsurprisingly, some of my favorite museums are small, funky places run by iconoclasts—but that’s not useful to most professionals who work for organizations in which they have little control over size or leadership matters. There are several good resources on evaluating participation. It’s nice to have both.

Project 22

Project Museum Teen North Carolina 22

Museum 2.0

MAY 20, 2008

What makes an exhibit “social?” Today, we look inward for a how-to on one type of participatory design as applied to museum exhibits. The photos above were provided by Paul Martin of the Science Museum of Minnesota from their award-winning exhibition RACE. Exhibits that induce pointing are social in a couple of ways.

Design 21

Design Participatory Social Museum 21

Museum 2.0

NOVEMBER 10, 2009

Exhibit labels in science centers ask more questions than any other kinds of museums, and yet the questions are often awful--teacherly, overly rhetorical, and totally meaningless. asked by a cop or mother, garners the full attention of asker and askee alike, museum questions like "what is nanotechnology?," Download my slides here.

Reflection 20

Reflection Research Question Museum 20

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

NOVEMBER 20, 2007

This is the final installment of Museum 2.0’s s book club on Visitor Voices in Museum Exhibitions , a collection of essays edited by Wendy Pollock and Kathy McLean. Ultimately, the arguments against including visitor voices come down to a lack of respect for visitors as meaning-makers in museums.

Voice 20

Voice Case Study Museum Map 20

Amy Sample Ward

FEBRUARY 28, 2011

Earlier this week, I had the opportunity to speak at the Minnesota Council for Nonprofits annual conference; and after my presentation, I spent a couple hours speaking with folks from various nonprofits, vendors and service organizations. I want to start, first, with a story…. Who’s the community? But think about it in more detail.

Library 241

Library Model Adopt Community 241