This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
Dear Museum 2.0 As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). This is a big change for me--professionally and personally--and I'm thrilled and humbled by the opportunity to take on this position in the city I call home.
Recently, James wrote about some interesting ways museums are using Twitter for offline/online engagement. The San Francisco Bay Area has seen some extraordinary museum openings over the past several years. This provides a new level of transparency for the museum worker, and a higher degree of exposure.
Is your museum running on interns? It is a strong, museum-focused complement to an excellent three-parter on Createquity about the ethics and future of unpaid arts internships. I got my first real job in a museum (at the Guggenheim) after a life-changing internship. It''s probably a path you had to navigate too.
A month or two ago, museums and galleries around the world participated in a Twitter event called Ask a Curator. I asked Jim Richardson, who blogs at the Museum Next Blog and is the brainchild behind the event, a couple of questions: How did #askacurator come about? How did you get 340 museums to participate?
Is that really a reason to study , talk about , and define a professional identity of a "nonprofit sector?" Better maybe, for the different pieces to keep to themselves, with their own methods, language, and professional development programs? So, these things are all defined under one section of a messy tax code. Look at it this way.
Lynda Kelley I'm here in Sydney, Australia and just finished an informal workshop and discussion with Powerhouse Museum staff and other museums. Will post reflections shortly) I met Dr. Lynda Kelly, a blogger and the Head of Audience Research for the Australia Museum. The site is called Museum 3.0.
Gretchen Jennings convened a group of bloggers and colleagues online to develop a statement about museums'' responsibilities and opportunities in response to the events in Ferguson, Cleveland and Staten Island. Museums are a part of this educational and cultural network. Where do museums fit in? Here is our statement.
Last week, my museum hosted Hack the Museum Camp , a 2.5 day adventure in which teams of adults--75 people, of whom about half are museumprofessionals, half creative folks of various stripes--developed an experimental exhibition around our permanent collection in our largest gallery.
Last week''s New York Times special section on museums featured a lead article by David Gelles on Wooing a New Generation of Museum Patrons. In the article, David discussed ways that several large art museums are working to attract major donors and board members in their 30s and 40s. David describes himself as a "museum brat."
These are the questions that underpin Museum Camp 2014 , a professional development experience in which diverse people from the arts, community activism, and social services will measure the immeasurable together. This is the second year that the Santa Cruz Museum of Art & History (MAH) is hosting Museum Camp.
At the end of the month, I’ll be facilitating a workshop at the 92nd Street Y in NYC call “ Social Media Mindsets and Toolsets for Nonprofit ,” an interactive workshop is for executive directors and organizational leaders that work for nonprofits and want to learn tips and techniques for scaling social in their organizations.
want to move to Santa Cruz and work at my museum? We are looking for an obsessively detail-oriented, highly resourceful, financially savvy, culture-loving individual to be the Administrative Manager of The Museum of Art & History. A resume with at least one professional reference.
We connect with people both professionally and personally, at the museum and on the street. This weekend, I got my answer in Seoul--the 18th biggest city in the world--at Hello Museum. Nestled in a forest of high-rise apartment buildings, this small museum connects children and families with contemporary art.
Here in Santa Cruz, we''re brushing off our tents and lining up the counselor whistles for Hack the Museum Camp , a 2.5 We have 75 campers here from around the world who will be working in teams to develop exhibits based on artifacts from our permanent collection that challenge museum conventions and traditional exhibit design practice.
posted by Maureen O'Brien Development Director Musical Instrument Museum. I was able to participate thanks in part to professional development grants from Arizona Commission on the Arts and Sigma Alpha Iota. I also enjoyed a presentation by Alice Black, Deputy Director of the Design Museum in London.
posted by Maureen O''Brien Development Director Musical Instrument Museum I recently had the opportunity to travel to Paris, France to attend the 5ème conférence de fundraising pour le secteur culturel (5th conference on fundraising for the cultural sector) put on by the Association Française des Fundraisers (French Association of Fundraisers).
bbcon 2021 Virtual , happening October 13–15, will bring together thousands of arts & cultural professionals from zoos, museums, aquaria, performing arts organizations, gardens, and beyond for three days of cutting-edge thought leadership, virtual peer networking and unforgettable experiences.
Nina Simon, a long time colleague and author of the Museum 2.0 blog and executive director, Santa Cruz Museum of Art and History , told me about this amazing and fun co-created card game to help you think about self-care activities called the The Space Deck.
Photo Source: Indianapolis Museum of Art Blog. The Indianapolis Art Museum has been doing just that by sharing its institutional dashboard out for everyone to view. It was met by with both positive and negative reactions from nonprofit and museumprofessionals. Two years later, we might have some answers.
Jay Geneske, a social media professional, shares his experience from a recent Tweetup. In early January, the American Museum of Natural History announced that it would hold a Brain Tweetup for 75 of its Twitter followers. When I attend a museum alone, I like to take my time reflecting on the collection and the space.
This week, I''m celebrating three years on the job as the executive director of the Santa Cruz Museum of Art & History. This spring marked a big conceptual shift for me and the museum. Our Director of Development will be a close partner to me and a strategic weaver of inclusion, participation, and fundraising.
Ever wish for a low-cost, energizing professional development experience where you can work intensely with diverse colleagues in a risk-tolerant environment? Three of them are being hosted at my museum , and one at a mystery location. You Can't Do That in Museums Camp - July 10-12, 2013. and this one is going to be awesome.
Yesterday, I had the pleasure of co-facilitating a half-day “Digital Strategies&# seminar with Vince Ford, Director of Digital Media from the New York Philharmonic and leading a peer session for major orchestra marketing staff and youth orchestra executive directors with Makala Johnson who does Social Media for the Mayo Clinic.
. “There’ll be a corner store, and we have one name for it, and then people remember all of the owners over time,” says John Marks, curator of collections and exhibits at Historic Geneva , a museum in Geneva, New York, that operates a Facebook page with frequent historic discussions.
During 2010, I been able to read, blurb, write reviews, do blog giveaways, or author guest posts and interviews for a lot of terrific books that would be useful to nonprofit professionals in the social media, marketing, and ICT areas. She is the founder and executive director of the Meta-Activism Project.
He is Deputy Director for the Contemporary Jewish Museum , and an expert in using social media in a museum setting. We were lucky enough to have a fabulous space for the workshop in the Contemporary Jewish Museum. He is Deputy Director for the Contemporary Jewish Museum, and an expert in using social.
Speakers included Chicagoans like Rayid Ghani , founder of the Data Science for Social Good Summer fellowship; Mark Mathyer of the Museum of Science & Industry; and Lauren Haynes of GiveForward. We sold out our 120 seats over a month before the conference and had over 60 people on a waiting list wanting to come. I loved that.”.
What are you willing to risk to pursue your professional dreams? Last week, at the annual meeting of the American Association of Museums in Houston, I was honored to chair a fabulous panel on empowering museum staff to take creative risks ( slides here ). Beck beautifully described her entry into museum work.
I just got home from the Museums and the Web conference in Indianapolis. I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. Instead, I found a standard art museum. Impersonal guards.
Two weeks ago, my museum was featured in a Wall Street Journal article by Ellen Gamerman, Everybody''s a Curator. I''m thrilled that our small community museum is on the map with many big institutions around the country. I''m glad to see coverage about art museums involving visitors in exhibitions. Community is not a commodity.
The Western Museum Association was kind enough to invite me to speak on a panel about engagement at their annual meeting in Boise. Phillip’s early remark about museums was an invocation for everyone. As an outsider, he immediately saw that museums were operating “under a business model that doesn’t work.” We need to change.
Professionals in the field are aware that this viewpoint is too simplistic to truly encompass what it takes to build and lead a volunteer workforce. O penly share your professional experiences, credentials, and decision-making process so that volunteers understand your expertise and see where your decisions are coming from.
This post was written by Jaime Kopke , the founder/director of the Denver Community Museum , a pop-up community-generated institution that ran from Oct 2008-April 2009. The Denver Community Museum (DCM) was a grassroots operation in almost every sense. This post shares her reflections on the project, its design, and its impact.
There are professional grant writers that can be hired to prepare your application’s proposal and give you a leg up on the other nonprofits competing for the grant. According to the National Center for Charitable Statistics, the income gained from service fees and other sales account for 47.5 Federated Funds.
is the executive director of NTEN and expert in everything nonprofit tech. Michele Martin writes about career development and professional development for nonprofit professionals. is the author of the popular Museum 2.0 Blog that covers how museums are using social media. Holly Ross. Nina Simon.
I once asked Elaine Gurian how museums can change. She said it happens in one of two ways: either the place is small and inconsequential enough that no one is watching, or there's a passionate, gutsy director willing to risk his or her job. Where's the opportunity for risk in museums that are too big to avoid the media microscope?
I feel strongly that there are huge issues with racial and ethnic diversity in museums and arts organizations that deserve a million more posts. One was a conference on pushing our practice in art museums. In library- and museum-land, the participants were 80-90% women. I don't know if gender diversity deserves more posts.
In addition to the summary, the music director is blogging about on how the story can combine with some music and acting and singing to become a finished piece. Maybe being able to say that you contributed a line to a professional opera gives you a sense of achievement. The story is line is being summarized regularly on the blog.
In the Netherlands, State Secretary for Culture Halbe Zijlstra slashed 200 million euros from the national budget for the arts, leading to the close of the innovative National History Museum project and crippling many superbly inventive and inspiring organizations like Mediamatic and the Waag Society. Well, they only cost me $8 apiece.
And the good news is that if you've never created web videos before and don't have the big bucks to hire a professional, there is enough time to learn. The Museum of the Moving Image is hosting the 2006 Machinima Festival this weekend in NYC. NTEN has just announced the first NTC video competition.
TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. We heard again and again that the museum was cold and uncomfortable.
North Carolina Museum of History 1988.39.4 I’m always amazed when my colleagues tell me that the biggest barrier they face to “opening up” the content at their museums is from registrars—the people who care for collection objects. Followers of Museum 2.0 To me, this seems both discouraging and ungenerous to visitors.
There were so many fabulous recommendations for the next Museum 2.0 This book, suggested by Susan Wageman, looks like a fabulous, off-beat, and highly pertinent read for librarians, museum folk, and cultural professionals of all sorts. For four weeks starting in January, each Tuesday there will be a Museum 2.0
Instagram, the popular Millennial photo sharing site, is gaining traction with world leaders, government leaders and nonprofit executive directors. The visual nature makes it a perfect channel for executive directors to engage with their stakeholders. The audience is obviously Met donors and visitors as well as professional colleagues.
We organize all of the trending information in your field so you don't have to. Join 12,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content