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Museum shops can and should be more than just walls of collection postcards and bins of branded pencils. With captive audiences, a link to the creative, and consistent footfall, shops in museums have ample opportunity to maximise retail potential by offering products that appeal to visitors and have a clear connection to collections. .
We are very excited to connect with the amazing people who work hard to amplify the online museum experience at this year’s virtual MuseWeb 2021 conference in April. Speakers: Christina Crawley , Managing Director, Marketing, Forum One Steven Bond , Strategy Director, Forum One. What are the priorities? Register here.
Holocaust Museum Houston needed a volunteer management solution to help them recruit, engage, and manage volunteers, following expansion. Opened in 1996, Holocaust Museum Houston has become a valuable resource for community residents and people around the world. Expansion led to an increased need for volunteers and software.
Brendan McGetrick, the creative director of Museum of the Future, came to Austin, Texas, with a traveling exhibit for the first time recently. Read More
Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. A year ago, I put my consultant hat on the shelf and decided to jump into museum management (a sentence I NEVER would have imagined writing five years ago). I'm open to any questions you want to raise in the comments.
Try joining an organization or association in your community, taking part in neighborhood cleanups, or volunteering at your local senior center, animal shelter, or museum. This might include joining a nonprofit board of directors , volunteering more hours, or taking on a volunteer leadership role. Start small. Love gardening?
Photo by American Art Museum Note from Beth: This week I'm trying to understand crowdsourcing and nonprofits, hopefully with a crowd of other folks. It is an open study/storage facility displaying about thirty-three hundred objects from the collection of the Smithsonian American Art Museum. We are storage, after all.
They build wings in museums, sponsor new research at hospitals, and provide large amounts of financial support for special projects. That’s why it’s crucial to inform your Executive Director, Director of Development, and your board so they can reach out and personally thank large donors in a timely manner.
This is the casual attendance data from my first full month as the Executive Director of The Museum of Art & History in Santa Cruz. This graph is making me change the way I think about what our museum is for and how we should market it. First Fridays are raucous and fabulous events. They are made for people to enjoy.
Dear Museum 2.0 As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). I am closing down my consulting business at the end of April, but the Museum 2.0 Here are a few things that make the MAH an exciting museum to me: It's small.
A year ago, I wrote a post speculating about whether events (institutionally-produced programs) might be a primary driver for people to attend museums, with exhibitions being secondary. Many museums, big and small, thrive on events. At our museum, about 68% of casual visitors (non-school tours) attended through events this year.
The glass vial used in the first US COVID-19 vaccination has been acquired by the Smithsonian’s National Museum of American History. Hartig, the museum’s Elizabeth MacMillan director, in a statement Tuesday. Since April 2020, a special task force at the museum has been seeking out objects and documentation related to COVID-19.
Once upon a time, there was a beloved children’s museum in the middle of a thriving city. The brilliant team at the museum set out to find a bigger space and ran a successful capital campaign to expand to a much larger location. Like the set of the movie Night at the Museum , these guests had the whole museum to themselves.
Is your museum running on interns? It is a strong, museum-focused complement to an excellent three-parter on Createquity about the ethics and future of unpaid arts internships. I got my first real job in a museum (at the Guggenheim) after a life-changing internship. It''s probably a path you had to navigate too.
A month or two ago, museums and galleries around the world participated in a Twitter event called Ask a Curator. I asked Jim Richardson, who blogs at the Museum Next Blog and is the brainchild behind the event, a couple of questions: How did #askacurator come about? How did you get 340 museums to participate?
Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.
Gretchen Jennings convened a group of bloggers and colleagues online to develop a statement about museums'' responsibilities and opportunities in response to the events in Ferguson, Cleveland and Staten Island. Museums are a part of this educational and cultural network. Where do museums fit in? Here is our statement.
Lynda Kelley I'm here in Sydney, Australia and just finished an informal workshop and discussion with Powerhouse Museum staff and other museums. Will post reflections shortly) I met Dr. Lynda Kelly, a blogger and the Head of Audience Research for the Australia Museum. The site is called Museum 3.0.
Last week''s New York Times special section on museums featured a lead article by David Gelles on Wooing a New Generation of Museum Patrons. In the article, David discussed ways that several large art museums are working to attract major donors and board members in their 30s and 40s. David describes himself as a "museum brat."
Recently, James wrote about some interesting ways museums are using Twitter for offline/online engagement. The San Francisco Bay Area has seen some extraordinary museum openings over the past several years. This provides a new level of transparency for the museum worker, and a higher degree of exposure.
We’ve heard and recognize that immersive experiences with VR headsets are not always accessible to all learners,” writes Jennifer Holland, Google’s director of education program management. “As Its tours included 360-degree panoramas capturing museums, festivals, and far-flung wonders of the world.
Rembrandt would have definitely done it more beautifully, but this comes very close,” museumdirector Taco Dibbits said. It means that when visitors are able to view the restored painting over the coming months at the Rijksmuseum in Amsterdam, they’ll be able to see new details in the margins of the painting.
We connect with people both professionally and personally, at the museum and on the street. This weekend, I got my answer in Seoul--the 18th biggest city in the world--at Hello Museum. Nestled in a forest of high-rise apartment buildings, this small museum connects children and families with contemporary art. million people.
Recently, we''ve been talking at our museum about techniques for capturing compelling audio/video content with visitors. It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. We ended up with a gallery in the museum instead. That is more curated.
Here in Santa Cruz, we''re brushing off our tents and lining up the counselor whistles for Hack the Museum Camp , a 2.5 We have 75 campers here from around the world who will be working in teams to develop exhibits based on artifacts from our permanent collection that challenge museum conventions and traditional exhibit design practice.
This August/September, I am "rerunning" popular Museum 2.0 It’s an uncomfortable truth which is forcing me to examine my arguments for inclusivity, access, and populism in museums. I realize that I have more frequently advocated for Yellowstone-style museums than Grand Teton-style ones. blog posts from the past. It’s true.
Last week, my museum hosted Hack the Museum Camp , a 2.5 day adventure in which teams of adults--75 people, of whom about half are museum professionals, half creative folks of various stripes--developed an experimental exhibition around our permanent collection in our largest gallery.
These are the questions that underpin Museum Camp 2014 , a professional development experience in which diverse people from the arts, community activism, and social services will measure the immeasurable together. This is the second year that the Santa Cruz Museum of Art & History (MAH) is hosting Museum Camp.
C ompanies with three or more digitally savvy directors had 17-percent higher profit margins, 38-percent higher revenue growth, 34-percent higher return on assets and 34-percent higher market cap. I recently discussed what it means to be a “museopreneur” in a feature article published by American Alliance of Museums.
Audience segmentation and research has become a hot topic in museums, especially when it comes to crafting appealing offerings that are customized to different kinds of visitors. I sat down with Kristen Denner, Director of Membership and Annual Fund, to learn more about the program's development and the museum's goals for its future.
Photo Source: Indianapolis Museum of Art Blog. The Indianapolis Art Museum has been doing just that by sharing its institutional dashboard out for everyone to view. It was met by with both positive and negative reactions from nonprofit and museum professionals. Two years later, we might have some answers.
“This is an American story about freedom, liberty, and the pursuit of happiness, and I hope that in these brown faces many Americans can see themselves,” said Google’s Angelica McKinley, the Doodle’s lead art director in an accompanying video describing its creation.
This week, I''m celebrating three years on the job as the executive director of the Santa Cruz Museum of Art & History. This spring marked a big conceptual shift for me and the museum. Our Director of Development will be a close partner to me and a strategic weaver of inclusion, participation, and fundraising.
Speakers: Christina Crawley , Managing Director, Marketing, Forum One Aaron Miller , Account Manager, Forum One [Sessions] Conducting Inclusive Audience Research Wednesday, April 5, 2023: 2:30 – 3:30 pm Many cultural institutions understand the value of speaking directly to their audiences. Find out more and register here.
Kate McGroarty's month living at the Museum of Science and Industry in Chicago is over. The young actress and teacher beat out 1,500 other applicants and spent 30 days exploring exhibits, participating in live demos, talking to visitors (both in-person and online), and romping through the museum at night. Lisa's goals were met.
I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. This is a perfect example of a museum using participation as a design solution. Our colleagues in the Museum of Natural History were eager collaborators. It is great to feel more of a part of the museum!" "All
At the end of the month, I’ll be facilitating a workshop at the 92nd Street Y in NYC call “ Social Media Mindsets and Toolsets for Nonprofit ,” an interactive workshop is for executive directors and organizational leaders that work for nonprofits and want to learn tips and techniques for scaling social in their organizations.
This Black History Month, we reflect on the strategy work that our team does through our partnership with the Smithsonian National Museum of African American History and Culture —much of which centers around expanding access. And for those who have, they quickly understand that the Museum has much more to offer than can be absorbed in a day.
It's time to make your dreams a reality and apply to become the next executive director of the Santa Cruz Museum of Art & History (MAH). Our board, staff, and community are seeking a new director to join the MAH in 2019. When you check out the job description , you'll see the MAH is not looking for museum-director-as-usual.
We could not achieve our goals and provide the support we do to the community without our volunteer’s commitment to the cause,” said Mary Bachman, Director of Volunteer Resources, Catholic Charities of St. . “The value that volunteers provide our organization is tremendous. Paul and Minneapolis. “I Matthew’s House. “We
Geir Klover, director of the Fram Museum in Oslo, Norway, where the original polar ship is on display, hopes the trip will draw more attention to climate change and the melting polar caps. A polar orbit is ideal for climate and Earth-mapping satellites as well as spy satellites.
In early January, the American Museum of Natural History announced that it would hold a Brain Tweetup for 75 of its Twitter followers. The event promised an after-hours look at their special exhibition Brain: The Inside Story , a chat with its curators, a behind-the-scenes tour of the museum, and an opportunity to meet other fans of AMNH.
What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? But for museum and art wonks, it could be. Will the bureaucracy of the institution drown the artists in red tape?
He is Deputy Director for the Contemporary Jewish Museum , and an expert in using social media in a museum setting. We were lucky enough to have a fabulous space for the workshop in the Contemporary Jewish Museum. He is Deputy Director for the Contemporary Jewish Museum, and an expert in using social.
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