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You’ve read about participatory grantmaking—and maybe even heard about other organizations using this model to distribute control of their funding strategy and grants decisions to the communities they serve. But it is a different way of thinking for most grantmakers, so it can be difficult to know where to start. Is this you?
That’s where participatory grantmaking comes in. What is Participatory Grantmaking? Whether organizations start with a single grant program or incorporate a participatory approach across all their funding, there are a variety of ways to practice participatory grantmaking. And several ways not to do it.
I also had an opportunity to attend a couple of sessions that used participatory facilitation techniques. If you are new to participatory facilitation techniques, use the Spectagram as an opener and use it to better understand skill levels in the room. Here’s what I learned. Spectragram. Next, try provocative statements.
I always learn something from his participatory style, humor, and techniques. Here’s a few things I learned. Good participatory design and instructional design for that matter needs a closure exercise. There are usually two aspects of this. The first is on a practice level – what should happen next?
There are different ways to design a participatory workshop. The assessment helps nonprofits look at eight different areas: Technology, Content, Channels/Devices, Audiences, Analytics, User Experience, and Governance. It is also used in education, although it is called something different, “ The Human Continuum.”.
Unfortunately, the COVID-19 pandemic isn’t going to completely disappear with the ball drop—meaning New Year’s Eve celebrations will have to look a little different this year. Virtual events have become the norm for so many of us this year so why should it be any different during the holiday season? Virtual Tasting.
When I facilitate meetings or workshops for nonprofits, not matter the topic, I incorporate many participatory approaches and design thinking methods. ” This is a simple process for getting participants to prioritize ideas or decisions. You use this to follow a brainstorming activity which may yield an abundance of new ideas.
offers personal insights in opening up to new ideas and letting go of information, hierarchy and "proprietary" thinking. Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century."
It was fascinating to see people--across social differences--responding to representations of love in the paintings, images, objects and narratives that were part of the installation. It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement.
Today, after several years of researching and writing, Timms and Heimans have finally published their book called “ New Power: How Movements Build, Businesses Thrive, and Ideas Catch Fire in Our Hyperconnected World.” It is open, participatory, and peer-driven. It is a sector must read. It is closed, inaccessible, and leader-driven.
Over the last 25 years I’ve been doing training, I’ve learned different and applied different methods from either being a “student” in a training facilitated by someone using a method, being trained in the method, co-designing with others, and designing and facilitating my own sessions. Reflective Practice.
He casts the whole idea of a great jazz jam in the context of the tragedy of the commons--like a poetry open mic, the jazz club is a community whose experience is fabulous or awful depending on the extent to the culture cultivates and enforces a healthy participatory process. The process is unequal. Only the extremists remain.
Last month, the Irvine Foundation put out a new report, Getting In On the Act , about participatory arts practice and new frameworks for audience engagement. I've often been asked about examples of participatory practice in theater, dance, and classical music, and this report is a great starting point.
The event will end with an “ Idea Accelerator ” where participants will have an opportunity to develop and pitch an actionable idea for feedback and funding. What great about this conference is that we will have creative immersion and change to “sleep on our ideas.”
In 2009 , students built a participatory exhibit from scratch. This year, we took a different approach. Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. I suspect these big ideas were opaque to most visitors.
Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. Constrain the input, free the output.
Source: Share Your Ideas. Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. I've purchase a two copies, one for me and one to give away.
I come across so many great conversations, ideas, and resources all over the web every day. " Monitoring and Evaluation NEWS » Most Significant Change (MSC) – "The most significant change (MSC) technique is a form of participatory monitoring and evaluation. " The internet: is it changing the way we think?
When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. Forrester created the “social technographics” profile tool to help businesses understand the way different audiences engage with social media (and you can read more of my thoughts on it here ). Consider a mural.
This simple participatory project invites visitors to contribute their own small objects in little alcoves in our bathrooms. But people have participated in completely different ways. Here are three possible explanations for this gender divide: Men and women use bathrooms differently. But not so much in the men's bathroom.
When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. Forrester created the “social technographics” profile tool to help businesses understand the way different audiences engage with social media (and you can read more of my thoughts on it here ). Consider a mural.
This person is writing about a participatory element (the "pastport") that we included in the exhibition Crossing Cultures. Each prompt was tied to a different artwork in the exhibition. The idea was that people would spin the wheel and start a conversation. Each of these activities invited contribution on a different level.
This exhibition represents a few big shifts for us: We used a more participatory design process. Our previous big exhibition, All You Need is Love, was highly participatory for visitors but minimally participatory in the development process. Without further ado, here's what we did to make the exhibition participatory.
The session was an introduction to design thinking methods and to generate ideas for instructional modules for networked leadership development. Heather facilitated this exercise as a series of share pairs where we discussed each question with a different partner for a few minutes. Our prototype idea was “The Groan Zone Scare House.”
Which of these descriptions exemplifies participatory museum practice? But the difference between the two examples teases out a problem in differentiating "participatory design" from "design for participation." In the first case, you are making the design process participatory. The exhibit opens.
Amplified Leicester is a city-wide experiment designed to grow the innovation capacity of Leicester by networking key connectors across the city’s disparate and diverse communities in an incentivised participatory project enabled by social media. Ideally, you’d run this workshop with your team, organization, community group, etc.
What if you tried different processes to increase engagement or productivity? When I design and facilitate meeting for clients, board meetings, or as part of a workshop, webinar or other training, I’m always looking for new ideas for design and processes. The facilitation methods are participatory.
When I design and facilitate meeting for clients, board meetings, or as part of a workshop, webinar or other training, I’m always looking for new ideas for facilitation and interactive processes. The facilitation methods are participatory.
Since social media encompasses many different types of tools, and each tool has specific characteristics and a steep learning curve, a toolkit approach can quickly become overwhelming. Different thinkers and practitioners use different terms to describe similar tools and practices. So, let’s look at these 4Cs in some detail.
teams of kids have attended seminars (in Second Life) from UNICEF on world issues, and the kids are building exhibits with their ideas for solutions. s about being able to bring together people from many different spaces and have them co-exist together and have a kind of communication that???s More here on the event. s what we???re
The event also included plenary speakers, including a provocative talk about data methods from Alexandra Samuels and cross-track sessions from traditional panels to unconference. The culmination of these two and half very intense days was an Idea Accelerator Lab. Pivots can make the difference between a successful session and disaster.
But it never hurts to review what information you’re asking for and whether it can be shortened or be collected in a different way. Think through whether these templates should be required or if your applicants can submit the same information—which they probably have from a different grant application—in a different format.
Yesterday, I had the delightful opportunity to participate in the 3six5 project , a yearlong participatory project in which 365 people write 365 journal entries for every day of 2010. Museums and traditional institutions are not typically set up to manage participatory projects at such a high level of detail.
Quality Shakespearian theater is different from quality contemporary dance. It is not code for one idea. Here, in no particular order, are ten different kinds of quality in arts experiences: AESTHETIC: is it beautiful? PARTICIPATORY: can people get involved or contribute to it? Ideas cultural competency design'
Unfortunately, the COVID-19 pandemic isn’t going to completely disappear with the ball drop—meaning New Year’s Eve celebrations will have to look a little different this year. Virtual events have become the norm for so many of us this year so why should it be any different during the holiday season? Virtual Tasting.
Measurement springs from many different motivations. With all the new and fashionable ways to tackle evaluation, we’re frequently leaping to the how without asking ourselves the hard questions that make such a difference to the design of our efforts, the scope of the work, and the commitment to how the results will be used.
Clay’s book talks about the implications of a society shifting from passive consumption of media to creators of media or being participatory. As Clay Shirky says, “A society where everyone has some kind of access to the public sphere is a different kind of society that one where citizens approach media as mere consumers.&#
Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. We always knew that the inclusion of participatory and community-centered practices in arts institutions was controversial. It''s a unique opportunity to learn from people with different perspectives.
This is the final segment in a four-part series about writing The Participatory Museum. This posts explains why and how I self-published The Participatory Museum. From the very beginning, I knew I wanted to license The Participatory Museum using Creative Commons and give away the content for free online. Why Self-Publish?
Note: the title of this post pays homage to Elaine Heumann Gurian's excellent and quite different 1981 essay of the same title. In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.
This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. So, some of that is about power, about the idea that I might be able to influence something, as well as just being heard."
The whole process of being interviewed for the story made me question the stories we tell and words we use to describe participatory work. What is the metaphor for participatory arts? But if we want a different frame, we have to work for it. Ideas Museum of Art and History Museums Engaging in 2.0 Not a crowd. The circus?
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? For this reason, I see history museums as best-suited for participatory projects that involve story-sharing and crowdsourced collecting (e.g.
Hanafi, AhmEd Hamaza, Chema Gargouri, and Nada Hamzeh who I had the pleasure of working with closely on the e-mediat project shared their ideas – especially a sense that training is so important to building networks. It is very difficult to talk in social networks with people who think the opposite of you.” ” Widad E.
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