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I am putting the finishing touches on another social media lab designed for arts organizations. I had too look no further than Shelley Bernstein's blog over at the Brooklyn Museum to find some thoughtful experimentation and useful examples. In addition, the Museum has taken those tips and created a mashup with the YELP api.
website that are covered in dents and scratches, old stickers, and luggage tags. At it’s retrospective museum exhibit to celebrate its 125th anniversary, it displayed the well-worn suitcases of celebrities like Patti Smith to Roger Federer to Spike Lee. That is not Rimowa’s strategy.
Here are a few of the hashtags I''ve seen applied to photographs of museum objects on Instagram lately: #heytherebigfella #biggysmallistheillest #forbrightfuture #myfavorite #instagood #bestday #withmyhomies #whatever #learnedfromthebest #revolutionary #nowicandie These tags all do a great job capturing the magic of exploring a museum.
online exhibit developed by the Maxwell Museum of Anthropology at the University of New Mexico and Ideum. I picked up the phone and got a hold of Jim Spadaccini, founder of Ideum, whose blog post I discovered via a discussion thread on flickr and museums on the museum technology list. Nina Simon from the Museums and Web2.0
This post reflections on the training design as well as my content notes. Before the session, I spent some time reviewing Museum Facebook Pages – luckily the MIDEA project has them organized into this handy list. I had hoped to find a good example of a museum or an arts organization with a custom landing tab.
space on the web dedicated to exploring museums, objects, design. Britt Bravo at Netsquared posted on the community blog about museums and podcasting. Technorati Tags: net2 , nptech , art_museums , museums , podcasting Mode is a new. and exhibitions. A work in progress, it is intended that mode.
Last week, I visited the Wing Luke Asian Museum in Seattle. I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). I'm always a bit nervous when I visit a museum I love from afar. What if it isn't what I expected?
and with it flocks of museum studies / education / exhibit planning graduate interns. I’m always curious when I meet these folks, who are about my age, choosing a different entry path into the museum world. The value proposition of museum grad programs is cloudy in my mind. Sure, it’s great to learn museum theory and history.
Recently, James wrote about some interesting ways museums are using Twitter for offline/online engagement. The San Francisco Bay Area has seen some extraordinary museum openings over the past several years. This provides a new level of transparency for the museum worker, and a higher degree of exposure.
You’ll want to designate one for your event and use it before, during, and after the event. Name Tags: Make sure you have name tags and if are you hosting, be a good host and introduce people. Tags: Tips Tools and Tactics online-offline tweet up. Some Tips: Tweet Before the Tweet Up To Build Excitement.
Are museum visitors "customers?" I attended a workshop by Bob Gibbs, an urban planner who designs malls and shopping districts around the US. What followed was a fascinating assortment of statistics and tidbits about how design influences how people shop. Some bits were familiar from my experience in exhibit design (i.e.
Gretchen Jennings convened a group of bloggers and colleagues online to develop a statement about museums'' responsibilities and opportunities in response to the events in Ferguson, Cleveland and Staten Island. Museums are a part of this educational and cultural network. Where do museums fit in? Here is our statement.
I'm a huge fan of work and the way she thinks - especially after she road the Scare House ride on the Santa Cruz boardwalk with me and did a brilliant reflection on its design. Nina has written a fantastic book engagement called The Participatory Museum. I've purchase a two copies, one for me and one to give away.
Dear Museums on Twitter, Thanks for experimenting in a new and largely uncharted online environment. So here is a list of suggestions that hopefully will improve the way your museum thinks about using Twitter. Or it's rainy so you suggest I visit the museum? I am a museum of Native Cultures and Art!" You could do better.
For example, Jay Baer’s and Amber Nashlund’s new book, The Now Revolution , uses Microsoft’s version of QR codes called Tag technology , so readers can scan pages and get additional bonus materials on their phones. QR Codes: fab or a fad for Museums? View more presentations from Museums Computer Group.
On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggles with in applying participatory design techniques to museum practice. The most reliable question I'm using works in art museums.
Photo Source: Indianapolis Museum of Art Blog. The Indianapolis Art Museum has been doing just that by sharing its institutional dashboard out for everyone to view. It was met by with both positive and negative reactions from nonprofit and museum professionals. Two years later, we might have some answers.
A car museum would do well to select a vintage car; a mountain bicycling association would be successful with the latest high-end mountain bike as their prize. If your nonprofit has a brick and mortar presence (for example, if you’re a museum, or you have an office that the public visits), display your prize! Are they outdoorsy types?
I spent last week in the glorious country of Taiwan, hiking, eating, and working with museum professionals and graduate students at a conference hosted at the Taiwan National Museum of Fine Arts. It's not topic-specific; I've done these exercises with art, history, science, and children's museums to useful effect.
I often talk about the idea of taking social technology out of the Web and putting it into physical museums as part of our exhibitions and programs. Recently, I learned about an innovative, super-low tech tagging pro ject in a library that does this beautifully. First, some background on tagging. Sounds complicated?
Photo from my flickr stream View the Tagging Screencast Presented by NTEN. I'm pleased to announce that my screencast about tagging has been released and showcased by NTEN ! I created it for the screencast to illustrate the definition of tagging. If you have questions about tagging or want to share your organization???s
When a technologist calls me to talk about their brilliant idea for a museum-related business, it's always a mobile application. There are lots of wonderful (and probably not very high margin) experiments going on in museums with mobile devices. Most visitors to museums attend in social groups.
Margaret shared these thoughts about "museums for use" on her blog , and I asked her to adapt a version for the Museum 2.0 Should a museum be a destination or a place for everyday use? I immediately recalled a phenomenon I witnessed as a student at the Rhode Island School of Design (RISD).
I've written about how nonprofits can use it , including arts organizations like the Brooklyn Museum as chronicled on Shelley Bernstein's blog. Back in December, the Brooklyn Museum started to experiment with FourSquare running a promotion to get people to check in and get a free membership.
So, I designed a training curriculum that embraces thoughtful do-it-yourself social media experiments and a process for learning from them. The whole idea got started a year ago when James Leventhal who is Deputy Director for the Contemporary Jewish Museum asked me if I would design some trainings for the local arts community.
Submitted by Nina Simon, publisher of Museum 2.0 On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggl es with in applying participatory design techniques to museum practice. That's why I asked.
In the most extreme cases, I've talked to folks from museums that are government-mandated to provide all content in multiple languages who say they are unable to invite visitors to make comments because they'd have to translate all of them and simply can't dedicate the resources to do so. Tags: design usercontent inclusion.
Also found in the NpTech tag stream and a good backdrop to this conversation is " When the best tool for the job. context: How are museums encouraging stickiness and user investment in their proposed and in some cases, already developed, post 2.0 situation unless museums can get the ???stickiness??? public information???
For example, just take a look at the explosion of mobile apps for museums. Tags: mobile. But using the service to create the application is only one third of the process. You need to get it approved and published on iTunes for distribution and, of course, you have to promote outside of the iTunes.
I just got home from the Museums and the Web conference in Indianapolis. I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. Instead, I found a standard art museum. Impersonal guards.
The kiosks prompted visitors to take a personalized tag and ID card from bins nearby for “their” hero. Staff reported that the profiles were popular and that many visitors wore their tags with pride, talking with friends and strangers about their heroes. Tags: exhibition personalization design.
Despite the fact that we often think of welcoming places as being designed "for everybody," the places where we actually feel most welcomed and comfortable are often designed not for everyone but instead feel like they are made just for us. If your institution has a killer roof garden, why wouldn't you promote it?
He is Deputy Director for the Contemporary Jewish Museum , and an expert in using social media in a museum setting. One thing led to another and I designed a social media lab for arts organizations. We were lucky enough to have a fabulous space for the workshop in the Contemporary Jewish Museum. I said yes.
Written by Seema Rao Last month, I shared some of my thoughts about the best of museums over the last decades. (I I'll mention now, Kate Livingston, listed Museum Twitter as one of the best things, and I definitely thought this as I read people's responses. Many respondents talked about a fundamental shift in museums from them to us.
When I was in Taiwan, I heard again and again from museum professionals: "We are very conservative in Taiwanese museums. This post is a photo essay focusing on an area at the Taiwan National Museum of Fine Arts called the Digiark. The Digiark was also designed cleverly for flexible use. This may be true.
In the final installment of Museum 2.0’s s four part series on comfort in museums, we get down to the basics: creature comfort. So for this last piece, we look at going the other way: making museums more physically comfortable. And on the walls, my friend explained, was art from the museum itself. There was funky music.
Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations. They’re tagging with yarn.
As many of you know, I've been working for the past year+ on a book about visitor participation in museums, libraries, science centers, and art galleries. The Participatory Museum is a practical guide to visitor participation. The Participatory Museum is an attempt at providing such a resource. Want to buy a book ?
" Mal Booth, Head of Research Centre, at the Australian War Memorial Museum comes word of museum podcasting from down under. These are designed to accompany a 'treasure trail' in our museum over summer (in the southern hemisphere). Technorati Tags: museums , podcasting , nptech , net2
Jasper Visser and his colleagues at the not-yet-physically-open National Historisch Museum of the Netherlands have impressed me with their innovative, thoughtful approach to developing a dynamic national museum. In this post, Jasper shares some lessons learned from a recent experiment to design a more social comment station.
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.
This post was written by Jaime Kopke , the founder/director of the Denver Community Museum , a pop-up community-generated institution that ran from Oct 2008-April 2009. This post shares her reflections on the project, its design, and its impact. The Denver Community Museum (DCM) was a grassroots operation in almost every sense.
Which of these descriptions exemplifies participatory museum practice? Museum invites community members to participate in the development and creation of an exhibit. Museum staff create an exhibit by a traditional internal design process, but the exhibit, once open, invites visitors to contribute their own stories and participation.
This is the final segment in a four-part series about writing The Participatory Museum. This posts explains why and how I self-published The Participatory Museum. COST: Museum books tend to be expensive - because they are printed in small runs, the price for a 400-page paperback can be as high as $40. Why Self-Publish?
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