Museum 2.0

OCTOBER 18, 2011

The Santa Cruz Surfing Museum recently loaned us some fabulous surfboards that tell the co-mingled history of surfing and redwood trees in Santa Cruz. They’re no longer “an exhibit” per se—more of an evocative design element that hints at an important story told elsewhere in the museum.

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Participatory San Diego Museum History 48

Museum 2.0

MARCH 4, 2015

This week marks five years since the book The Participatory Museum was first released. HUMANS ARE THE BEST AGENTS OF PARTICIPATION When I wrote the book, I was coming from the perspective of an exhibit designer. Over the past four years, I''ve been running a small regional art and history museum in Santa Cruz, CA.

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Participatory Museum Empowerment Facilitation 20

Museum 2.0

JANUARY 18, 2012

If you design interactives for kids, adults recognize that the experience is not for them, and they don't engage. There are many participatory experiences that appeal primarily to adults, and they are designed distinctly for adults. People of all ages are sensitive to the messages that design sends. The colors are muted.

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Interaction Design Museum Participatory 47

Museum 2.0

MAY 22, 2012

Imagine you've just been tasked with developing an innovative, future-thinking national museum for your country's history. Blueprint is the story of a group of people who tried to create a Dutch Museum of National History (INNL). The early participatory projects are terrific. Immersive design. Where would you start?

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Museum History Netherlands Create 36

Museum 2.0

DECEMBER 28, 2011

We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. I loved Jasper Visser's list of 30 "do's" for designing participatory projects earlier this month. This isn't even participatory. People will talk about what they are writing or making.

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Design Participatory Learning Instructional 45

Museum 2.0

JUNE 24, 2010

The institution is community-funded, staffed, and designed. The new building was designed to meet neighborhood needs--not just in the content covered, but in the inclusion of spaces made for particular kinds of activities sought by locals (i.e. and then recounted some related fact or history. What if it isn't what I expected?

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Museum Participatory Model Seattle 51

Museum 2.0

JULY 23, 2014

The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. They see this as directly related to the founding principles of the Mill as a place of experimentation, design, creating, and making. design inclusion institutional change participatory museum' It''s serious.

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Museum Product Participatory Community 53

Museum 2.0

JANUARY 13, 2011

The best participatory projects are useful. The participatory activity in question is part of the new Unfinished Business gallery, a room in which the museum engages with a contemporary issue related to the passion and work of Jane Addams and the historic Hull-House activist residents. Yes, this activity is political.

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Participatory Museum Action Experiment 44

Museum 2.0

NOVEMBER 21, 2012

We decided to show a selection of Danny's lists in a hallway surrounded by a participatory element where we invite visitors to contribute to new lists on evocative themes ("Things we forget," "The best feelings in the world," etc.) One of the collections on display is a set of "found lists" collected by a local farmer, Danny Lazzarini.

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Participatory Difference Analysis Museum 39

Museum 2.0

SEPTEMBER 26, 2012

Visitors bond and bridge through participatory experiences at MAH. To apply the results of my analysis to produce a community-driven program design specifically for implementation at the Santa Cruz Museum of Art & History (the MAH). You can download and read the full version of my thesis here.

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Museum Program Participatory Community 49

Museum 2.0

MAY 24, 2011

Ken is a game designer and writer who develops narrative, collaborative augmented reality experiences about serious issues. The goal was to design an audio tour for people who never do audio tours. Lesson: what myths are working for you in your game or participatory project? And widely accessible. If none, why the heck not?

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Lesson Game San Diego Design 49

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

I'm a huge fan of work and the way she thinks - especially after she road the Scare House ride on the Santa Cruz boardwalk with me and did a brilliant reflection on its design. Nina has written a fantastic book engagement called The Participatory Museum. I've purchase a two copies, one for me and one to give away.

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Model Activities Activism Active 98

Museum 2.0

FEBRUARY 4, 2010

I want to share a few fabulous evaluation and research studies that have greatly informed my work (and specifically, the development of The Participatory Museum , which is going to the printer this weekend). A paper on "Evaluating participatory, deliberative, and co-operative ways of working," put out by the InterAct group in England.

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Participatory Evaluation Project Report 20

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 7, 2014

I’m preparing for a webinar and with any training I begin the instructional design with surveying participants to understand their level, learning goals, and attitudes about the subject matter. Use Participatory Research Techniques To Discover Engagement Topics. Billboard (@billboard) April 4, 2014.

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Social Media Headline Media Social 102

Museum 2.0

MARCH 5, 2014

It measures whether the design of the talkback is sufficiently clear and compelling. This is especially useful in exhibitions or areas with multiple different talkbacks; it allows us to do A/B comparisons across talkbacks and learn which of our designs worked best (presumably, for the same group of visitors).

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Test Museum Participatory History 43

Museum 2.0

APRIL 26, 2018

One that has found remarkable success is California’s Santa Cruz Museum of Art & History. On the side of practice, there's a much longer history and body of organizations working on audience age and income diversity than on race. This is both an issue of practice and of media coverage. Conference sessions on reaching young people.

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Washington Audience Museum Intergenerational 49

Museum 2.0

NOVEMBER 6, 2012

In a straightforward way, Marilyn explains how her team developed a participatory project to improve engagement in a gallery with an awkward entry. This is a perfect example of a museum using participation as a design solution. Our colleagues in the Museum of Natural History were eager collaborators.

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Museum Arts Problem Design 45

Museum 2.0

JULY 11, 2012

I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. Ze Frank is a participatory artist who creates digital projects that are explicitly about creating and enhancing authentic interpersonal connections. This project excites me for a number of reasons: Our values are aligned.

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Museum Participatory Artist History 45

Museum 2.0

MARCH 28, 2012

At the Santa Cruz Museum of Art & History (MAH), we've started experimenting with a "community first" approach to program development. We asked the whole group to brainstorm communities/constituencies who they thought could make a stronger connection with art, history, and culture. Six goals for MAH community programs.

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Program Community Design Museum 49

Museum 2.0

FEBRUARY 11, 2015

INTERNSHIPS If you want to join us in Santa Cruz for more professional learning, consider an internship at the Santa Cruz Museum of Art & History. We''re offering internships this summer in: Participatory Exhibition Design. Help take the participatory elements of this permanent gallery to the finish line. Video/Photo.

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Participatory Museum Community History 20

Museum 2.0

JANUARY 11, 2012

I can't say that any one experience--working on a collage with other visitors, swinging on a hammock, discovering a participatory display for pocket artifacts in the bathroom--directly contributed to increased attendance and giving. They all have in concert, and they build on each other.

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Audience Participatory Museum History 47

Museum 2.0

OCTOBER 24, 2012

To that end, our exhibitions are full of participatory elements. That's all fabulous, but it's also all by design. And when I think back on the past year, some of the most magical things that have happened at the museum have NOT been designed by us. The magic isn't by design.

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Platform Open Museum Participatory 41

Museum 2.0

APRIL 4, 2012

Museums have been grappling with this question for years ( here's a 2007 roundup of such projects ), most aggressively in zoos and natural history museums where staff hope to inspire conservation and in history/concept museums that focus on civic engagement and activism. There was no specific instruction with the dots.

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Story Participatory Museum History 47

Museum 2.0

SEPTEMBER 18, 2013

Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean''s book Visitor Voices in Museum Exhibitions.

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Museum Question Participatory Vietnam 45

Museum 2.0

APRIL 10, 2013

The weather is hopefully the least of the reasons you should want to come work with us here at the Santa Cruz Museum of Art & History. These are unpaid, part-time internships in which you will make a significant contribution to our work, and at the same time, learn a heck of a lot about participatory design and community engagement.

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San Francisco Participatory Artist Museum 23

Beth's Blog: How Nonprofits Can Use Social Media

MAY 26, 2015

As trainers, Andrea and I both know the value of “modeling the model,” so we wanted to use and model best practices for designing effective meetings on their preferred platforms. Design must comes first. Designing A Participatory Hook for a Virtual Meeting. Finally, you identify next steps and follow up.

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Facilitation Virtual Arts Participatory 50

Museum 2.0

NOVEMBER 13, 2012

We can change that by embracing participatory culture and opening up to the active, social ways that people engage with art, history, science, and ideas today. The difference in what we contribute is in the design of the invitation conferred onto us. How can we make museum objects more like dogs?

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Museum Open Charlotte Participatory 55

Museum 2.0

SEPTEMBER 4, 2012

This simple participatory project invites visitors to contribute their own small objects in little alcoves in our bathrooms. We have seven participatory elements in our current exhibitions on three floors, ranging from voting to talkback walls to an in-depth "make a memory jar" craft activity. and I hope you share them in the comments.

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Museum Difference Examples Participatory 47

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 8, 2016

Last week I was honored to be a counselor at Museum Camp , an annual professional development event hosted by the Santa Cruz Museum of Art & History (MAH). Nina Simon, the executive director of the museum, is an expert in participatory design and fantastic facilitator.

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Causes Change Museum Social 50

Museum 2.0

FEBRUARY 15, 2012

We've gotten a little more organized at The Museum of Art & History , and we've now released opportunities for summer internships. These are unpaid part-time and full-time opportunities to help design public programs, develop new uses for the museum, perform visitor research, and pursue unusual projects.

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Museum Participatory Arts Attitude 34

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? History Museums OPPORTUNITIES - History museums are in many ways the best-suited for visitor participation.

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Museum Difference Participatory History 29

Museum 2.0

MAY 8, 2013

We''re more successful when we target particular communities or audiences and design experiences for them. At the Santa Cruz Museum of Art & History , we''re approaching this challenge through a different lens: social bridging. How do you reconcile inclusion and targeting in program design? And rarely the twain shall meet.

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Museum Social Arts History 55

Museum 2.0

AUGUST 25, 2009

Answers will differ depending on who's asking, but they are also influenced by the designed environment in which questions are asked. The outcome of our conversations is dependent on the diversity of designed environments in which they occur. "Where were you last night?" If someone asked you that question, how would you answer?

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Design Goal Difference Platform 31

Museum 2.0

DECEMBER 19, 2012

We're looking for an Exhibitions Manager to join our team here at the Santa Cruz Museum of Art & History. This is a highly collaborative role, and we are looking for the perfect blend of strong design skills with a generous enthusiasm for amateur and professional co-creation. Come to Camp. This camp will be a 2.5

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Participatory Museum Blended History 32

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

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Question Participatory Museum Vietnam 49

Museum 2.0

JANUARY 16, 2013

Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. This past weekend, in conjunction with our exhibition about Ze Frank's current participatory project, A Show , we hosted " Ze Frank Weekend "--a quickie summer camp of workshops, activities, presentations, and lots of hugging.

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Reflection Community Museum Participatory 43

Museum 2.0

OCTOBER 2, 2013

Proposals involve sculpture, performance, participatory-projects, videos, and installation that use and respond to the museum’s collection. The artists’ challenge after a short three days on the ground is to design a response to the museum, press their experimentation with materials, and transform both object and artwork.

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Artist Museum Proposal Participatory 49