Museum 2.0

APRIL 2, 2014

It is what it sounds like: a book of original sheet music, beautifully designed and complemented with artwork and text. In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. There are twenty songs in Song Reader.

Participatory 52

Participatory Arts Music Learning 52

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 1, 2013

Colleagues Allyson Kapin who founded a web agency called Rad Campaign (they designed my blog) and Amy Sample Ward, who the NTEN Membership Director (and I’ve known since 2007 ) have published a new how to book called “ Social Change Any Time Every Where.” Click to see larger version.

Campaign 97

Campaign Online Chapter Model 97

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 23, 2010

Hands-On Social Marketing: A Step-by-Step Guide to Designing Change for Good by Nedra Kline Weinreich. I love the checklists, her thoughts about the impact of social media and behavior change, and the DIY market research techniques. 9 The Participatory Museum by Nina Simon. I’ve been a fan her work since 2006.

Amazon 116

Amazon Nonprofit Social Media Oregon 116

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 14, 2010

So, I designed a training curriculum that embraces thoughtful do-it-yourself social media experiments and a process for learning from them. On Friday, I facilitated the final face-to-face workshop for the Social Media Lab for 25 arts organizations inspired by Thomas Edison’s approach. Contemporary Jewish Museum.

Social Media 99

Social Media Media San Jose Social 99

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 4, 2010

He is Deputy Director for the Contemporary Jewish Museum , and an expert in using social media in a museum setting. One thing led to another and I designed a social media lab for arts organizations. We were lucky enough to have a fabulous space for the workshop in the Contemporary Jewish Museum. I said yes.

Social Media 94

Social Media Reflection Learning Social 94

Museum 2.0

MARCH 12, 2009

April 5 is the first day of a class I’m teaching called Social Technology, in which we are focusing on designing an exhibition that features social objects , that is, exhibits or artifacts that inspire interpersonal dialogue. For example, my dog , while a highly evolved social matchmaking device, is not deliberately designed for that task.

Design 20

Design Experiment Seattle Social 20

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 8, 2011

Last week, I facilitated an interactive keynote in Seattle at 2011 Tech for Good Leadership Summit sponsored by Microsoft Community Affairs , in partnership with NPower Seattle. By all accounts , the event held the space for peer learning. As the facilitator, you have design questions so they illicit stories.

Knowledge 97

Knowledge Seattle Social Media Measure 97

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 26, 2010

Last week, I had the pleasure of facilitating a Networked Nonprofit and Social Media workshop at the Independent Sector Annual Conference “ Forging A Stronger Future Together &# in Atlanta. There was an excellent discussion about silo busting techniques and the role of leaders in bringing down the cubicle walls.

Blackbaud 93

Blackbaud Conference Reflection Atlanta 93

Museum 2.0

SEPTEMBER 11, 2013

This week''s guest post is written by Julie Bowen, VP of Experience and Engagement at the Canadian Museum of Nature in Ottawa. Years ago, I was running a workshop at a conference introducing a creativity technique to museum professionals. But it would never work in my museum because my boss would never go for it.”

Place 52

Place Museum Environment Problem 52

Museum 2.0

AUGUST 29, 2007

Thanks to Kyle Evans, who forwarded me the fascinating, lengthy master’s dissertation.art: Situating Internet Art in the Modern Museum by Karen Verschooren at the MIT Comparative Media Studies program. In it, Karen provides a survey of the evolving relationship of Internet art to art museums. Citizen science programs. On the website?

Museum 20

Museum Web Arts Internet 20

Museum 2.0

JUNE 13, 2008

Whether you want memories or insights, offer comment books or touchscreens, it's hard to design ways to invite meaningful visitor submissions. And this week, I had an aha moment about a designed listening technique: conversations with computers. But Storycorps still requires facilitators, and it asks a lot of its participants.

Reflection 20

Reflection Interaction Game Facilitation 20

Museum 2.0

JUNE 12, 2012

Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. So many museum exhibitions relegate the participatory bits in at the end. The Love Lounge I LOVE. with sharpies.

Participatory 51

Participatory Museum Blackboard Game 51

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 16, 2010

I’ve had the pleasure working with Diana Scearce , from Monitor Institute, who has been facilitating and weaving this network. Social media tools for engaging and capturing the work of crowds include: wikis, custom platforms or web sites that facilitate voting, rating, giving feedback, adding content, or funding.

Measure 96

Measure Fund Impact Minnesota 96

Museum 2.0

AUGUST 13, 2014

While MuseumCamp is an unusual event, I''ve learned a lot from it about designing workshops, charrettes, and meetings--pretty much any gathering where you want to encourage playful, creative, risky thinking in groups. I first learned about this technique from Sam Kaner''s excellent book, Facilitator''s Guide to Participatory Decision-Making.

Facilitation 36

Facilitation Professional Learning Participatory 36

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 23, 2015

Carlos Miranda, the host, did a great job facilitating and designing the sessions. Here’s a few notes. She shared an example of how charity:water and museums have been using these for engagement of supporters for social good. He is working on a social good strategy for Facebook. Workshop/Training Reflections.

Conference 50

Conference Learning Social Photo 50

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 24, 2016

We co-authored the “ Emerging Leaders Playbook ,” and I designed and facilitated a peer learning project. So, this trip was a gift in terms of getting new ideas for instructional design. When you are a trainer, you are a designer and facilitator of learning experiences. Exercise #1: Herding Sheep.

Leadership 50

Leadership Develop Exercise 50

Museum 2.0

SEPTEMBER 29, 2010

Now, after attending with museum friends from around the country, I'm hooked. Unlike most museum experiences, where people quietly absorb the work in a room, people were very comfortable pulling each other to specific pieces and extolling their merits or less inspiring qualities. Very few wrote in typical museum or even gallery-speak.

Arts 52

Arts Experiment Artist Social 52

Museum 2.0

MARCH 11, 2007

On Musematic , Holly Witchey has rigorously recorded her recent experience at WebWise, a " IMLS/RLG/OCLC/Getty sponsored conference" on Libraries and Museums in the Digital World that was held March 1-2. To museum ears, this is fairly blasphemous--the idea that people want to use our content, not our exhibits. content providers.

Library 20

Library Museum Arts Aggregator 20

Museum 2.0

JULY 31, 2007

This is the penultimate installment of Museum 2.0's s book club on Elaine Gurian's collection of essays, Civilizing the Museum. As Elaine puts it in the essay, When I was last involved in such an endeavor, it was when the Boston Children's Museum was small, insignificant, and unselfconscious. have portrayed Indians inaccurately."

Culture 20

Culture Storytelling Challenge Museum 20

Museum 2.0

JANUARY 25, 2010

no tour guides or game masters), you need to start by designing personal services for users, then linking up users through shared interests or objects to promote interpersonal connections. You don't start by designing "for the crowd." Instead, you design ways for each person to feel acknowledged and valued as an individual.

Design 34

Design Museum Social Participatory 34