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A year ago, I wrote a post speculating about whether events (institutionally-produced programs) might be a primary driver for people to attend museums, with exhibitions being secondary. Many museums, big and small, thrive on events. At our museum, about 68% of casual visitors (non-school tours) attended through events this year.
Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.
Last week''s New York Times special section on museums featured a lead article by David Gelles on Wooing a New Generation of Museum Patrons. In the article, David discussed ways that several large art museums are working to attract major donors and board members in their 30s and 40s. David describes himself as a "museum brat."
5) Tony Shaw Tony Shaw (charityworks.net) is the Director of Philanthropy for CharityWorks Auction Company, the most distinguished charity auction service in California, he has dedicated himself to charity auctions full time for over 10 years. Jude, Make A Wish, American Cancer Society, and The Museum of African American History.
As YBCA Executive Director Ken Foster told ArtsFwd , "When we first started we were in love with the gadgets. The DallasMuseum. museum, expanding access to the mobile tours even further. Museum of African American History's mobile web app likewise runs on most mobile devices with a web browser.
This past weekend, I had the opportunity to give one of the closing talks at the Theater Communications Group annual conference in Dallas. TCG is the industry association for non-profit theaters, the way AAM is for museums. When I came to the museum in May of 2011, we were on the brink of closure financially. They looked junky.
culture might affect museums. The true story is that I desperately wanted to find a way to engage in discussions with some of my museum heroes. Kathy McLean is one of my heroes who motivated the start of Museum 2.0, And that's true. but it's not the whole story. I am shy in large groups.
There are plenty of great arguments out there for WHY to make museums free. It''s much easier for art and history museums than for those museums that rely on admissions for a majority of their income (science, children''s). Nationally, admissions income generates only 1-4% of most art museums'' annual revenue.
I've written before about the inspiring work that the Brooklyn Museum of Art is doing with their community-focused efforts. Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations.
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