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Last week at the Packard Foundation, I participated in a conversation with Peter Laugharn, the Executive Director of Firelight Foundation about participatory learning agendas. This approach is not about counting dollar signs, but about feedback loops which is discussed in Michael Quinn Patton’s new book on Developmental Evaluation.
With this clarity of purpose, the nonprofit can focus on its culture. This is where participatory practice comes in to play. Once we have built a culture that is connected and engaged, nonprofit leadership is primed to use the insights of this culture to build a strategic plan that everyone is invested in.
For funders, nonprofits, and institutions across industries to effectively participate in the global movement to break the cycle of intergenerational poverty, they must first transform internal organizational culture and capacity to advance access, equity, and justice. Disrupt Power Imbalances.
Yesterday, I had the delightful opportunity to participate in the 3six5 project , a yearlong participatory project in which 365 people write 365 journal entries for every day of 2010. Museums and traditional institutions are not typically set up to manage participatory projects at such a high level of detail.
Last week at the Packard Foundation, I participated in a conversation with Peter Laugharn, the Executive Director of Firelight Foundation , about participatory learning agendas. Some of the techniques include analyzing narrative data in a structured way to test and refine a theory of change.
For example, storytelling. How To Make Internet TV : From the participatoryculture foundation, an step-by-step guide. There's partner program where your can apply for a camera - it's called Flip Video Spotlight. There's also a YouTube Channel with some how-to videos and lots of other useful information. Editing Software.
Datamaking, as an aspect of knowledge building , can even contribute to civic engagement and participatory democracy. The following image conveys what this looked like in practice for the same cultural intermediary that used the matrix tool above.
This small, startup cultural project in Rotterdam works directly and intimately with community members to share their stories. It is a platform for social bridging and cultural exchange. In its short existence (it opened in 2013), the place has made a name for itself as a successful community-driven, innovative cultural initiative.
When I worked briefly with the Balboa Park Online Collaborative to conceptualize a mobile phone-based game to connect visitors to the park to its cultural institutions and history, I knew Ken would be the perfect person to make it happen. It’s a great storytelling arc, but. Now, that game, GISKIN ANOMALY , is live.
Our strategy has relied upon being part of a larger mission, providing meaningful and valuable content, curating information and content for the community, using a legal framework that allows for a participatoryculture and lastly, in time, providing a space for the community to assist in the mission by creating content themselves.
We created programming specifically targeted to families with young kids and adults looking for casual, intriguing, affordable cultural experiences on Friday nights and Saturdays. We've been toying with a participatory future-casting program and or a storytelling series to start moving in this direction.
government and encouraging participatory democracy. Never Alone (Kisima Ingitchuna) is a critically acclaimed video game and interactive record of Alaskan Native culture. Nearly 40 Alaska Native elders, storytellers, and community members contributed to the development of the game. Games for Change Festival.
Participatory fundraising often starts with events that allow people to get involved causally with a small time commitment. Participants typically have a story and by raising money for the event they can dip their toe into the storytelling waters with one or two sentences about why they are participating. Make it fun!
By calling ourselves a museum, we respond to those cultural institutions that have separated practice from production, exhibition from process, and work from play. Often people exclaim, “I had this,” laying claim to a personal memory contained in a mass-produced object while relating the infinitely distributable value of storytelling.
These programs involved cultural, educational and training efforts that used interactive theater and storytelling. whether the collaboration is across sectors, disciplines and organizations, or within a given organization, with participatory decision-making and teamwork.
The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. Nonprofit Storytelling Conference. Nov 10 - 11.
The idea of including stakeholders in the process is often referred to as co-designing, or participatory design. Ethical storytelling: It is not just about telling the right stories, but also telling the stories the right way. . As we look to make an impact, how can we invite community members to create with us from the start?
To tap into maker culture. While other major non-commercial ARGs (for example, World Without Oil and the forthcoming Superstruct ) are focused on saving the world, Ghosts of a Chance is perhaps the first ARG to use material culture and interpretation as the basis for the experience. Tags: storytelling Museums Engaging in 2.0
I’ve been following it for a while now and it is very inspiring on many different levels. The laboratory gives Greenpeace and its partners a space to design, test, iterative, and roll out new strategies and techniques for participatory campaigns or what has been called “People Powered.”
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