Museum 2.0

DECEMBER 7, 2017

This small, startup cultural project in Rotterdam works directly and intimately with community members to share their stories. It is a platform for social bridging and cultural exchange. In its short existence (it opened in 2013), the place has made a name for itself as a successful community-driven, innovative cultural initiative.

Storytelling 39

Storytelling Story Social Museum 39

Museum 2.0

MAY 24, 2011

When I worked briefly with the Balboa Park Online Collaborative to conceptualize a mobile phone-based game to connect visitors to the park to its cultural institutions and history, I knew Ken would be the perfect person to make it happen. It’s a great storytelling arc, but. Now, that game, GISKIN ANOMALY , is live.

Lesson 49

Lesson San Diego Learning Design 49

Beth's Blog: How Nonprofits Can Use Social Media

MAY 3, 2010

Our strategy has relied upon being part of a larger mission, providing meaningful and valuable content, curating information and content for the community, using a legal framework that allows for a participatory culture and lastly, in time, providing a space for the community to assist in the mission by creating content themselves.

Strategy 99

Strategy Social Skype Remix 99

Museum 2.0

JULY 17, 2012

We created programming specifically targeted to families with young kids and adults looking for casual, intriguing, affordable cultural experiences on Friday nights and Saturdays. We've been toying with a participatory future-casting program and or a storytelling series to start moving in this direction.

Museum 47

Museum Arts Change History 47

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 20, 2015

government and encouraging participatory democracy. Never Alone (Kisima Ingitchuna) is a critically acclaimed video game and interactive record of Alaskan Native culture. Nearly 40 Alaska Native elders, storytellers, and community members contributed to the development of the game. Games for Change Festival.

Game 50

Game Tech Support Module 50

Connection Cafe

APRIL 21, 2014

Participatory fundraising often starts with events that allow people to get involved causally with a small time commitment. Participants typically have a story and by raising money for the event they can dip their toe into the storytelling waters with one or two sentences about why they are participating. Make it fun!

Arts 37

Arts Story Org Personal 37

Museum 2.0

SEPTEMBER 7, 2010

By calling ourselves a museum, we respond to those cultural institutions that have separated practice from production, exhibition from process, and work from play. Often people exclaim, “I had this,” laying claim to a personal memory contained in a mass-produced object while relating the infinitely distributable value of storytelling.

Collaboration 36

Collaboration North Carolina Museum Artist 36

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 29, 2006

These programs involved cultural, educational and training efforts that used interactive theater and storytelling. whether the collaboration is across sectors, disciplines and organizations, or within a given organization, with participatory decision-making and teamwork.

Arts 50

Arts Community Online Teach 50

Everyaction

OCTOBER 5, 2016

The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. Nonprofit Storytelling Conference. Nov 10 - 11.

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Conference Calendar Nonprofit DC 111

Media Cause

AUGUST 9, 2021

The idea of including stakeholders in the process is often referred to as co-designing, or participatory design. Ethical storytelling: It is not just about telling the right stories, but also telling the stories the right way. . As we look to make an impact, how can we invite community members to create with us from the start?

Design 52

Design Experiment Nonprofit Challenge 52

Museum 2.0

SEPTEMBER 8, 2008

To tap into maker culture. While other major non-commercial ARGs (for example, World Without Oil and the forthcoming Superstruct ) are focused on saving the world, Ghosts of a Chance is perhaps the first ARG to use material culture and interpretation as the basis for the experience. Tags: storytelling Museums Engaging in 2.0

Game 20

Game Museum Arts Audience 20

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 10, 2014

I’ve been following it for a while now and it is very inspiring on many different levels. The laboratory gives Greenpeace and its partners a space to design, test, iterative, and roll out new strategies and techniques for participatory campaigns or what has been called “People Powered.”

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Journal Learning Change Social 103