This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
" I'm trying to walk the walk and talk the talk of Remixing Content for nonprofits. One thing you'll notice is that the presentation itself is a remix of a remix. I remixed it from an earlier prsentation called Associations 2.0 Mashup or: Why educators should learn to stop worrying and love the remix.
Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of ParticipatoryCulture: Media Education for the 21st Century." Some argue that young people acquire these key skills by interacting with popular culture. vlogging, and podcasting). .
As a blogger and social media maker, I have a strong interest in the future of my work and participatoryculture. As an activist and evangelist for creative commons ' values and tools, I want to play a major role in helping to ensure that our culture remains as free and accessible as possible.
Next week I'm doing a Webinar for Extension Professionals , a remix of 10 Steps to Association 2.0 which was a remix of Marnie Webb 's Ten Ways Nonprofits Can Change the World. My initial remix thought (wrong) was to look for examples that were related to agriculture, but the extension is so much more. I'm nervous. It's messy.
Also, for our Creative Commons licensed books to be remixed/repurposed by the community in whatever way they wish to. Flickr : Documentation of the work we do and also to upload our Creative Commons licensed illustrations so that they can be remixed/reused. (See See this blog post from Creative Commons ).
He made this point: But, participatoryculture is changing the nature and topology of ours. We also get to make these works matter to one another: That we can surface and pass around the video or the prose so that it becomes a shared cultural object also changes the nature of the ours. An outline of what he said is here.
The next step, of course, is to throw in a little remix and participatory media culture into it! They are encouraging people to tag into del.icio.us, flickr, YouTube, etc. and then aggregating tagged content on their site. The content aggregation is not moderated. Let's examine this as a community-driven tagging project.
I have a strong interest in the future of my work and participatoryculture. As an activist and evangelist for Creative Commons' values and tools, I want to do my part in helping to ensure that our culture remains as free and accessible as possible. That's why I also remixed the fundraising widget.
In the beginning, TechSoup’s Marnie Webb, Daniel Ben-Horin, and Billy Bicket created NetSquared to "remix the web for social change." which heralded a new, participatory web culture. " The year was 2005. TechSoup was then called CompuMentor. The Iraq War was raging. The buzzword then was Web 2.0,
To me, an open photo policy is a cornerstone of any institution that sees itself as a visitor-centered platform for participatory engagement. I know that many people are uncomfortable with the growing culture of self-documentation, but no one should let their own aesthetic preferences dictate others' behavior without good reason.
It's a discussion of bike and pop culture and socializing the good with these Interweb tools” 10. Across the country, geeks inside and outside of government are developing a new model for a participatory and transparent Federal, State and Municipal governments. But it wasn't here to enterain, no. Karaoke came to unite us in song.
While I originally wrote this post to advocate for more participatory practice (i.e. And in a world where visitors want to create, remix, and interpret content messages on their own, museums can assume a new role of authority as "platforms" for those creations and recombinations. It's based on creation and delivery of experiences.
There was strong interest in the NAS report addressing the specific value and use of museums and libraries as part of the cultural, educational, and civic landscape of the U.S. If museum and library content is licensed, not owned, how can we work within those licenses to allow visitors to use and remix to their heart’s content?
We organize all of the trending information in your field so you don't have to. Join 12,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content