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Note from Beth: Lately, a question on my mind is whether or not the concept of Networked Nonprofits is a global one as I’ve had the opportunity to share some of the ideas beyond the US borders in Kenya and UK. I think Pratham Books , an NGO in India, is a networked nonprofit.
There are different ways to design a participatory workshop. A more participatory approach, and one that Allen Gunn uses, is to crowdsource provocative questions from participants. Participants volunteer their question for the Spectragram. Just A Little Content To Get Started . Reflection and Takeaways. Learning More.
The book includes a "Connected Quiz, a set of reflective questions that can help an activist think about how well they or their organization is connecting with others -- something to think about before jumping into the tools. Some argue that young people acquire these key skills by interacting with popular culture.
I saw how participatory techniques were working in diverse museums around the world. It is not culturally-determined. What may be culturally-determined, however, is HOW people want to participate. Cultural differences can play out on local levels as well. In this frame, cultural starting points matter a lot.
Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. Scientists design the test questions, steer the data collection, and analyze the results. Science has an answer.
It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. Note: you can view these photos of the exhibition on Flickr here.)
Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. Constrain the input, free the output.
This post shares some of the most interesting questions I've heard throughout these experiences. Feel free to add your own questions and answers in the comments! BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Are there certain kinds of institutions that are more well-suited for participatory techniques than others?
In our quest to make the public areas of the museum more reflective of Santa Cruz culture, we moved these boards from a comprehensive display in the history gallery into a main stairwell, prominently visible from the lobby and throughout the building. We decided to approach the label-writing for these boards in a participatory way.
Amplified Leicester is a city-wide experiment designed to grow the innovation capacity of Leicester by networking key connectors across the city’s disparate and diverse communities in an incentivised participatory project enabled by social media. What questions do you have? Get the game pieces here: Playing grid. Technology cards.
This person is writing about a participatory element (the "pastport") that we included in the exhibition Crossing Cultures. Crossing Cultures features paintings by Belle Yang that relate to her family''s immigration experiences. design exhibition Museum of Art and History participatory museum usercontent'
As you can see from the schedule overview , this is more of a participatory event versus the traditional conference with powerpoints and panelists. Of course that particular question will change, morph, and multiply based on the earlier session, but it will provide a rich framework for generating many useful and practical ideas.
With all these options, we wanted to look back and highlight some of the Issue Lab community’s most popular publications in 2022, featuring a wide array of topics ranging from education to participatory grantmaking and beyond. Expanding Equity: Inclusion & Belonging Guidebook , by the W.K.
On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggl es with in applying participatory design techniques to museum practice. I love this question. First, what do the right questions look like?
This post shares some of the most interesting questions I''ve heard throughout these experiences. Feel free to add your own questions and answers in the comments! BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Are there certain kinds of institutions that are more well-suited for participatory techniques than others?
On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggles with in applying participatory design techniques to museum practice. I love this question. First, what do the right questions look like?
This leads to another question: How can you transform anecdotes into useful data? Last week at the Packard Foundation, I participated in a conversation with Peter Laugharn, the Executive Director of Firelight Foundation about participatory learning agendas.
I'm particularly excited about two internships that relate to participatory exhibition design. First, there is the Participatory Exhibit Design Internship. These interns work with our curatorial team to develop interactive and participatory components for upcoming exhibitions. Exciting, right?
Nonprofits can post open-call questions on a discussion board and gain insight and assets from countless members of the global community; proximity never even enters the equation. Cultures have always been participatory, long before the Internet, with roots in democratic process, collective decision making, and cooperation for survival.
Establish local networks of individuals and organizations using social media to help build stronger organizations and more participatory societies. The debriefing question encouraged us to reflect on points of connection and reciprocity. Experience with Middle Eastern Culture and no experience. Some Connection Points: Learning.
I just received my copy of Henry Jenkin's Convergence Culture which has been on my list ever since I heard him speak at the launch of the MacArthur Foundation's Digital Learning and Media Initiative. I listened to the audio feed of him talking to the kids, answering their questions. Is it just a fad?" " I don???t
Clay’s book talks about the implications of a society shifting from passive consumption of media to creators of media or being participatory. How much of that social change are we going to grasp?&# (That is a question that the Networked Nonprofit asks.). The question is what we’ll do with those opportunities.
The Participatory Museum is a practical guide to visitor participation. The Participatory Museum is an attempt at providing such a resource. I hope it opens up a broader conversation about the nuts and bolts of successful participatory projects. Now, after long last, the book is here!
Any questions? The question that comes up every time, the question so big it deserves the impropriety of all caps: BUT WHAT ABOUT QUALITY? The word "quality" is often code for aesthetic quality, as judged by a specific set of cultural expectations and preferences. High participatory quality, low technical quality.
.” This would be a network or community of practice that freely shares and learns from one another about training and capacity building that is participatory , peer-learning , networked , makes use of design thinking , openly shared and a prelude to collective action. Dearth of resources/cultural practices around curriculum sharing.
Join us for a discussion and exploration of how social media are being used to accelerate our transition to a global sustainable culture. Publishing plust interactivity, participatory. Social Media Communities: as a community of thousands we can demand accountability, ask questions, etc. Presenters: Emily Gertz - Change.org.
We study and develop scalable, rigorous, and evidence-based solutions using data analysis, human rights, and participatory frameworks. These partnerships offer the opportunity to engage with multi-disciplinary experts on complex research questions related to how we center and understand equity using lessons from other domains.
We make information into data when we explicitly attach it to a question and explicitly or implicitly connect it to an approach for making sense of it. Datamaking can enhance capacity building efforts through group questioning and analysis. Information is everything that is coming at us. However, to have data requires intention.
I meet them doing research in the archives, collaborating on cultural festivals, and contributing stories to exhibitions. The whole process of being interviewed for the story made me question the stories we tell and words we use to describe participatory work. These questions don''t just apply to press coverage.
So, what better metaphor for this is to deconstruct the scare house by riding it with an expert in participatory exhibit design as my colleague, Nina Simon, who writes the Museum2.0 The very first question at the very meeting to discuss it should be “What’s the concern? In short, deconstruct it and face it head on.
We do this not only to stay in the spirit of the participatory engagement styles that are now emerging, but also because the findings represent only the present moment in a story that is far from concluding. The question: How are these large organizations making the transition to a connected world?
There are so many big questions about the connected world we live and how it transforms our society, as this opinion piece from CNN discusses. It is also raising questions about censorship on the Internet. Why aren’t we talking about nonviolent approaches to resolving conflict? ” Widad E.
I said to him: I can't really answer that question. The key question is, every step of the way: how can you invite people beyond yourself to help make this step better? This is the question I ask myself anytime I'm working on something with a participatory intent. It's a question of how they can make it BETTER.
Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? The other three are cultural, and I'm not sure how accurate they are.
This year I used a new tool recommended by colleague Alexandra Samuel, the “ Year Compass, a free downloadable booklet that provides a set of structured reflection questions. My colleague, Wendy Harman , was also inspired by Chris Brogan’s technique, but she takes it deeper and includes daily reflection questions.
For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" And the next time someone questions the benefits of letting audiences actively participate, send them to Santa Cruz.
This leads to another question: How can you transform anecdotes into useful data? Last week at the Packard Foundation, I participated in a conversation with Peter Laugharn, the Executive Director of Firelight Foundation , about participatory learning agendas.
Ask questions, introduce yourself, if you haven’t already. Steven: Want to give it a few more seconds and I’ll go to the next question? Okay, so the second question, why don’t you have a strategic plan? If you have a question, please put it in the chat. Strategic planning explores three key questions.
Lee Rainie, Director, Internet & American Life Project, Pew Research Center took us through the impact that the use of online digital tools is having on us personally, professionally, and society. His presentation was called “Personal, Portable, Participatory, and Pervasive.”
Visitors bond and bridge through participatory experiences at MAH. Design to Invite Active Participation Participatory design can be one of the most effective vehicles for developing relationships, building social capital and engaging with community members in museum programs. Cardboard tube orchestra at Radical Craft Night.
It’s been a wild and wonderful year—without question, my most challenging and stimulating yet. We went through a dramatic financial turnaround and redefined our relationship with our community through a series of experimental participatory projects and new programmatic approaches. The possible determinism of cultural geography.
What does the word "participatory" mean to you? This isn't just a rhetorical question. The various definitions of participatory projects can lead to confusion and misunderstandings. The scientists control the process, steer the data collection, and analyze the results.
This week marks five years since the book The Participatory Museum was first released. Across the museum field, the questions about visitor participation have gone from "what?" I thought the pinnacle of participatory practice was an exhibit that could inspire collective visitor action without facilitation. and "why?" to "how?".
When basketball players are offering more cogent commentary on racial issues than cultural institutions, you know we have a cultural relevance problem. Museums are a part of this educational and cultural network. Colleges are addressing greater cultural and racial understanding in various courses. Things must change.
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