This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
Slots on the list were first-come first-served, though newbies were usually placed early in the set so they would have a gentle onramp (and so seasoned poets could skip the kiddie pool if they chose to). If there are implied rules or idiosyncrasies (and in the best cultures, there are), they are not completely shrouded in mystery.
This is the first installment of a book discussion about Ray Oldenburg’s book The Great Good Place. Like many museum and library professionals, I am enamored of the idea of cultural institutions as “third places” – public venues for informal, peaceable, social engagement outside of home or work. Facebook discussion board here.
It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. Note: you can view these photos of the exhibition on Flickr here.)
Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. Constrain the input, free the output.
This person is writing about a participatory element (the "pastport") that we included in the exhibition Crossing Cultures. Crossing Cultures features paintings by Belle Yang that relate to her family''s immigration experiences. We created a "pastport" - a small booklet with evocative prompts related to identity and place.
Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. I’ve been using these participatory categories to talk about how we’d like users to participate in different projects.
With all these options, we wanted to look back and highlight some of the Issue Lab community’s most popular publications in 2022, featuring a wide array of topics ranging from education to participatory grantmaking and beyond. Expanding Equity: Inclusion & Belonging Guidebook , by the W.K.
In our quest to make the public areas of the museum more reflective of Santa Cruz culture, we moved these boards from a comprehensive display in the history gallery into a main stairwell, prominently visible from the lobby and throughout the building. We decided to approach the label-writing for these boards in a participatory way.
Deciding Together Shifting Power and Resources Through Participatory Grantmaking. Empowering Communities: Participatory Grantmakers Say We Must Go beyond Feedback. A Place Where You Can Speak Your Mind to That Foundation. Evaluating a Culture. Cultural Organizing Needed for Equity: A Framework of Belonging.
Establish local networks of individuals and organizations using social media to help build stronger organizations and more participatory societies. Everyone was asked to share five words or “hash tags&# on sticky notes and place them on the wall. Experience with Middle Eastern Culture and no experience. Efficiency.
As a designer, I'm always trying to ensure that participatory activities, however casual, impact both the participant and the organization. If fundraisers are so keen on relationships, why weren't they the first into social media and participatory projects on behalf of their organizations?
Skeptical because Candid is a nonprofit that describes its work ethic and culture as similar to that of the tech sector, which could mean either mission-driven with an innovative mindset, or appropriating the rhetoric of social movements while engaging in extractive practices.
For funders, nonprofits, and institutions across industries to effectively participate in the global movement to break the cycle of intergenerational poverty, they must first transform internal organizational culture and capacity to advance access, equity, and justice. Disrupt Power Imbalances.
I just received my copy of Henry Jenkin's Convergence Culture which has been on my list ever since I heard him speak at the launch of the MacArthur Foundation's Digital Learning and Media Initiative. ve created something that has some impact in the culture. The are people here from very different places. Is it just a fad?"
The Participatory Museum is a practical guide to visitor participation. The Participatory Museum is an attempt at providing such a resource. I hope it opens up a broader conversation about the nuts and bolts of successful participatory projects. Now, after long last, the book is here!
Clay’s book talks about the implications of a society shifting from passive consumption of media to creators of media or being participatory. Like all good stories, they story of Ushahidi holds several different lessons: People want to do somethiung to make the world a better place. They will help when they are invited to.
Downhill Battle , which is an organization people interested in the whole "copyfight" issue should know about, has a new project, called ParticipatoryCulture. They’ve just released a beta version (sorry, Mac only, for once) of a new platform for internet video, called DTV. This is very cool.
Note From Beth: Yesterday, I attended a convening called “ Beyond Dynamic Adaptability ” for arts organizations about cultural participation in the arts. But there is also a quiet revolution taking place in the field of documentary film. Guest Post by Vincent Stehle.
It is open, participatory, and peer-driven. Instead of donating via a big institution like United Way that parcels out money on donors’ behalf, people can support a specific family in a specific place affected by a specific problem. Once gained, it is jealously guarded, and the powerful have a substantial store of it to spend.
Needless to say, I’m sad about what is taking place in the region and disappointed that my trip to Tunisia has been rescheduled. ” Perspective of trainers and capacity builders of networked nonprofits and social media from other places in the world talked about importance of integrating peace building and non-violent approaches.
One person had brought up the idea of open source as a model for egalitarian participatory economics, and I made a brief comment that it wasn’t all that egalitarian, really. I think that the culture barrier is a really big deal, especially when it comes to dealing with very technical issues. But it needs addressing. {
For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" We started the summer with no money and a strategic vision to be a thriving, central gathering place.
We went through a dramatic financial turnaround and redefined our relationship with our community through a series of experimental participatory projects and new programmatic approaches. From day 1, I believed that we needed to focus in our first year on creating new participatory events to engage the community.
Lee Rainie, Director, Internet & American Life Project, Pew Research Center took us through the impact that the use of online digital tools is having on us personally, professionally, and society. His presentation was called “Personal, Portable, Participatory, and Pervasive.” 2: Mobile Usage. #3: 3: Social Networking.
because the session will take place in Second Life and will also be webcasted. Henry Jenkins , Director of the MIT Comparative Media Studies Program and author of Convergence Culture: Where Old and New Media Collide and Fans, Bloggers and Gamers: Exploring ParticipatoryCulture. Howard Gardner , the John H.
This is the fifth installment of a book discussion about Ray Oldenburg’s book The Great Good Place. Both of us latched onto the popular notion of "third places," applying it to LAMs, and were surprised to learn how narrowly Ray Oldenburg defined the term in his original work. Eric: Unapologetically so.
The best way I can really push my own participatory practice and thinking is to operate an institution and work with a community I care about over time. I also believe that small and mid-sized museums are the leaders when it comes to innovation, particularly around participatory engagement. I knew we were moving somewhere nice.
I placed the photo of me wearing my newest Creative Commons T-Shirt on blog - and of course added it to my Facebook profile and on Twitter , you'll see the Creative Commons Logo with a donate message. I have a strong interest in the future of my work and participatoryculture. But that's not all.
This week marks five years since the book The Participatory Museum was first released. I thought the pinnacle of participatory practice was an exhibit that could inspire collective visitor action without facilitation. Since 2010 I have seen, again and again and again, how valuable human facilitation is to the participatory process.
From cultural showcases that dazzle to educational initiatives that deepen understanding, discover how your next event can be a cornerstone of celebration and a powerful catalyst for change. This not only educates the broader community but also brings together AAPIs of all backgrounds to reinforce cultural bonds.
There's a constant dialogue in participatory work about how to make peoples' contributions meaningful. I've written about different structures for participatory processes (especially in museums), and recently, I've been interested in how we can apply these structures to the design of public space.
Elsewhere is at the top of my list of places I would most like to visit. Proposals involve sculpture, performance, participatory-projects, videos, and installation that use and respond to the museum’s collection. risk participatory museum guestpost Unusual Projects and Influences' We welcome that.
Datamaking, as an aspect of knowledge building , can even contribute to civic engagement and participatory democracy. The following image conveys what this looked like in practice for the same cultural intermediary that used the matrix tool above. These are the opportunities for asking: Who is involved in determining the questions?
To that end, our exhibitions are full of participatory elements. It's not unusual for me and our public programming staff members to have several short interactions every week with newcomers who walk in the door with idiosyncratic visions for cultural engagement. We don't have to convince them that it's their museum.
When basketball players are offering more cogent commentary on racial issues than cultural institutions, you know we have a cultural relevance problem. Museums are a part of this educational and cultural network. Colleges are addressing greater cultural and racial understanding in various courses. Things must change.
The renovation of an old community center to serve as a library and discussion place should help in this effort. A preliminary health survey showed that by far the most serious problem confronting the village is malaria, and that is the area where work will begin.
For me, the goal is for people to have an enjoyable, educational, cultural, social experience. An unnamed art museum once created an incredible interactive and participatory installation related to a temporary exhibition. It demonstrates that we're on our way to becoming the "thriving, central gathering place" in our strategic plan.
Last week, I gave a talk about participatory museum practice for a group of university students at UCSC. Teenagers are often the target for participatory endeavors, and they definitely have high interest in creative expression, personalizing museum experiences, and using interactive or technological tools as part of their visit.
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? For this reason, I see history museums as best-suited for participatory projects that involve story-sharing and crowdsourced collecting (e.g.
Specifically, we analyze the relative social behavior of people on buses versus those on trains, and look for clues as to what design elements contribute to different kinds of participatory behavior. In contrast, the subway is often a sterile world of passing through, a place where people ignore each other studiously. We see it on TV.
Brands are participatory, so you create your own brand story at launch, but others define it as you grow. When it comes to company building, some things can’t be retrofitted — they have to be set in place from day one.
I would love to develop more indepth training workshop or webinar on this topic, geared more for nonprofits and participatory campaigns, perhaps incorporating the Creative Commons Open Content Game. But instead of instructors being sidelined by automation, this process places them in the roles of creators, or remixers.
Gladwell’s assertion that social movements are based on tight ties and online efforts on, say, Facebook, are participatory efforts based on loose ties is simply not true. My co-author, Allison Fine and I found many great examples of successful activism using these tools as part of multi-channel campaigns in our book The Networked Nonprofit.
Reason #258 I'm glad to live in California: Cultural Connections. Cultural Connections is a group of museum professionals who meet up a few times a year and host excellent programs on a variety of topics. I was captivated by Chris Alexander 's story about participatory online/onsite efforts at the San Jose Museum of Art (SJMA).
We organize all of the trending information in your field so you don't have to. Join 12,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content