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Enabling a Participatory Culture using Creative Commons Licenses

Beth's Blog: How Nonprofits Can Use Social Media

Enabling a Participatory Culture using Creative Commons Licenses by Gautam John. This is where our challenge lies – to massively scale the production of high quality, low-cost children’s books for a massively multi-lingual and multi-cultural market.

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Grantmaking: What’s Participation Got to Do with It?

sgEngage

Lots of grantmakers are intrigued by participatory grantmaking. Participatory grantmaking invites to decision-making tables people who have historically been excluded. Why Would a Grantmaker Choose a Participatory Grantmaking Approach? So, what does participatory grantmaking look like in practice? Those at the top decide.

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Trainer’s Notebook: The Digital Nonprofit: A Participatory Workshop

Beth's Blog: How Nonprofits Can Use Social Media

There are different ways to design a participatory workshop. A more participatory approach, and one that Allen Gunn uses, is to crowdsource provocative questions from participants. Culture and mindset (governance): We have digital expertise within the senior leadership team and board of trustees. Reflection and Takeaways.

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The Participatory Nonprofit?

Beth's Blog: How Nonprofits Can Use Social Media

Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century." Some argue that young people acquire these key skills by interacting with popular culture. vlogging, and podcasting). .

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Great Participatory Processes are Open, Discoverable, and Unequal

Museum 2.0

He casts the whole idea of a great jazz jam in the context of the tragedy of the commons--like a poetry open mic, the jazz club is a community whose experience is fabulous or awful depending on the extent to the culture cultivates and enforces a healthy participatory process. The process is discoverable. The process is unequal.

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Making Participatory Processes Visible to Visitors

Museum 2.0

In many cases, once the final project is launched, it's hard to detect the participatory touch. Not every participatory process has to scream "look at me!" But it's a shame when visitors can't experience the energy that went into the making of a participatory project--when the product of a living process is a dead thing.

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Will They Play in Pyongyang? Culture, Geography, and Participation

Museum 2.0

I saw how participatory techniques were working in diverse museums around the world. It is not culturally-determined. What may be culturally-determined, however, is HOW people want to participate. Cultural differences can play out on local levels as well. In this frame, cultural starting points matter a lot.

Culture 49