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Lots of grantmakers are intrigued by participatory grantmaking. Participatory grantmaking invites to decision-making tables people who have historically been excluded. Why Would a Grantmaker Choose a Participatory Grantmaking Approach? So, what does participatory grantmaking look like in practice? Those at the top decide.
gThe above video is one of the many social networking strategies that The Genocide Intervention Network used to transform itself from a small student group to national non-profit. A participatoryculture is also one in which members believe their contributions matter, and feel some degree of social connection to one another.
This morning Allison Fine and I got up extra early for a Bagels and Books Event for The Networked Nonprofit at the National Conference on Volunteering and Service here in NYC. Tags: Networked Nonprofit Organizational Culture. I’m often asked for practical advice on how to move past the fear. Opening up [.].
Join us for a discussion and exploration of how social media are being used to accelerate our transition to a global sustainable culture. Publishing plust interactivity, participatory. Examples: National Phrenology Network: asking people to report blooming data in their area. Presenters: Emily Gertz - Change.org. Jon Lebkowsky.
My colleagues at The Monitor Institute just published a study called “ Disruption: Evolving Models of Engagement and Support ,&# a national study of member-based advocacy organizations. View more documents from Working Wikily. The study was funded by the David and Lucile Packard Foundation, The John S. and James L. and James L.
Note From Beth: Yesterday, I attended a convening called “ Beyond Dynamic Adaptability ” for arts organizations about cultural participation in the arts. Every Memory Matters is expected to go live in January, 2012, when Granito is broadcast nationally on the PBS series POV.
We study and develop scalable, rigorous, and evidence-based solutions using data analysis, human rights, and participatory frameworks. The uniqueness of the Impact Lab’s goals is its multidisciplinary approach and the diversity of experience, including both applied and academic research.
Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? The other three are cultural, and I'm not sure how accurate they are.
The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. 2016 Alliance National Conference. Nonprofit Management.
Our strategy has relied upon being part of a larger mission, providing meaningful and valuable content, curating information and content for the community, using a legal framework that allows for a participatoryculture and lastly, in time, providing a space for the community to assist in the mission by creating content themselves.
When basketball players are offering more cogent commentary on racial issues than cultural institutions, you know we have a cultural relevance problem. Museums are a part of this educational and cultural network. Colleges are addressing greater cultural and racial understanding in various courses. Things must change.
The best way I can really push my own participatory practice and thinking is to operate an institution and work with a community I care about over time. I also believe that small and mid-sized museums are the leaders when it comes to innovation, particularly around participatory engagement. I knew we were moving somewhere nice.
Understanding the benefits of building social capital may be effective in creating a participatoryculture. In addition to encouraging collaboration and shared purpose, nonprofit organizations should ultimately aim to achieve sustained engagement and a participatoryculture (Atlee, 2009). There is no golden standard.
The one BerkShare note honors the local Mohican nation; W.E.B. As a platform for such local activity, more participatory forms of engagement are already envisaged—an area “culture pass” for museums and arts institutions is one exciting example—to further stimulate local activity.
Imagine you've just been tasked with developing an innovative, future-thinking national museum for your country's history. Blueprint is the story of a group of people who tried to create a Dutch Museum of National History (INNL). The early participatory projects are terrific. Hooks based on popular culture.
The plan is to make the recommendations that came out of the final dialogue publicly available online, to provide a starting point for a regional or even national conversation about data and evaluation. Fostering a data-friendly, continuous learning culture within nonprofit organizations. Both groups can help by: .
I'm also always interested in how the national media portrays changes in the cultural sector. This list doesn't include many approaches that I see transforming museum audiences, like political activism, multilingual programming, intergenerational events, or cultural festivals.
Particularly in an age of cultural and political division, Bedoya argues that leaders in the arts need to responsibly and boldly intermediate among many voices, using a combination of ethics and aesthetics to make policy and artistic decisions. If you care about how participatory art experiences can shape civic processes, read Bedoya's post.
Sure, I admire cultural organizations that have a strong mission to change education or diversify access or transform the role of art in everyday life, but I'm an insider. A national election is the ultimate participatory project. It seems wonky and possibly confusing to talk strategy with visitors.
These programs involved cultural, educational and training efforts that used interactive theater and storytelling. From Cornell I went to the intergenerational, national nonprofit called Magic Me. A premise for this work is that we need to be better at working collaboratively???whether
Soccer did not transition into a national phenomenon in the US based solely (or even mostly) on school participation. When we talk about embracing participatory experiences at non-professional levels, arts professionals often get worried that the best work will get drowned out in mediocrity. Who their role models are. Consider soccer.
Jasper Visser and his colleagues at the not-yet-physically-open National Historisch Museum of the Netherlands have impressed me with their innovative, thoughtful approach to developing a dynamic national museum. The Uitmarkt is an annual festival that opens the new cultural year.
Many of the talks are related to The Participatory Museum and I will have books for sale on all of these forays. I'm giving a free talk at the Smithsonian American Art Museum on the evening of the 22nd, and then a free workshop on the 23rd at the National Postal Museum on designing better mechanisms for visitor feedback and response.
It's a discussion of bike and pop culture and socializing the good with these Interweb tools” 10. Across the country, geeks inside and outside of government are developing a new model for a participatory and transparent Federal, State and Municipal governments. But it wasn't here to enterain, no. Karaoke came to unite us in song.
They heavily overrepresent cultural artifacts produced in the Global North. They heavily overrepresent cultural artifacts produced by the wealthy and people who had access early on to digital technologies and the bandwidth to digitize their activities online. The data heavily overrepresent men.
Last month, I gave the closing keynote at the National Digital Forum in New Zealand. Third, you need to align your idea with institutional culture. This may sound obvious and natural, but it’s easy to underestimate the power of institutional culture. You can see or download my slides and you can watch the video of the talk.
We invite diverse locals to share their creative and cultural talents with our greater community at the museum. Does community participation work for big cultural destinations too? People participate in national and local politics--and they do so completely differently. National politics are sweeping, remote.
This relationship bit helped me think about how different kinds of folks will be involved with a highly participatory, community-co-created project in the long-term. B Corp is newer--right now it's a national trustmark (a certification, like organic), though Maryland just passed a law making "benefit corporation" a legal designation.
Photo Sharing around an organization's programs/mission - Global and National Youth Day. Step 8: Understand The Power Remix Culture and User-Generated Content. Remix culture is a term used by the Creative Commons founder Larry Lessig to describe a society which allows and encourages derivative works. Fundraising presentations.
ers, Next week, I'll be going to DC for a meeting convened by the National Academy of Sciences and the Institute of Museum and Library Services on "Museums and Libraries in the 21st Century." The popular option at this time is to try to beat the experiential competition and ignore the Web-based cultural shift. Dear Museum 2.0-ers,
And in an international city like Amsterdam, in a museum focused on one girl's extreme story that has touched the whole world, it seems to me there is an enormous opportunity to go to the next level and facilitate cross-cultural discussion. How is it related to your nationality, your age, your gender, your experience?
Disability Inclusion Fund is another powerful example of participatory grantmaking. Resource participatory funds and engage disabled people at every level of decision making. Commit to deep re-education and collaborative re-envisioning of whom and how your organization funds. All that requires deep investment.
To tap into maker culture. While other major non-commercial ARGs (for example, World Without Oil and the forthcoming Superstruct ) are focused on saving the world, Ghosts of a Chance is perhaps the first ARG to use material culture and interpretation as the basis for the experience. Why would an art museum create an ARG?
We need translators within each cultural context. Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. We always knew that the inclusion of participatory and community-centered practices in arts institutions was controversial. But we do have ''and.'' Staffing: We have 2.25
which heralded a new, participatory web culture. Net Tuesdays became a series of national and international face-to-face meetings connecting industry and nonprofit techies. TechSoup was then called CompuMentor. The Iraq War was raging. Pope John Paul II died, and Hurricane Katrina devastated New Orleans.
I think at the national level we're always going to have The New York Times , CNN, and The Washington Post to do national investigations, but what we really are threatened to lose in the next year to five years is local investigations and local reporting. It is traditionally very guarded. Where did the idea come from?
It's run by Becky Mangiotta and Joe McCannon, two brilliant nerds who led national movements in homelessness and public health and then decided to teach others how to do it. I attended because I'm seeking new ways to share the MAH's model and support the development of more community-centered cultural institutions around the world.
The IMLS (Institute for Museum and Library Services) has commissioned a preliminary proposal for an NAS (National Academy of Sciences) report on museums and libraries in the 21st century. What’s in the crystal ball for museums and libraries? How do you measure and articulate the value of museums and libraries?
And the way that they are changed over time can signal cultural shifts. From the renaming of the Gulf of Mexico to the Gulf of America , to the return of Forts Bragg and Benning and the newly re-renamed Mount McKinley in Alaskas Denali National Park, we are witnessing a consequential shift in the politics of place naming.
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