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Texas A&M University has brought AR/VR production into its celebrated Visualization program , letting students learn to build state-of-the-art virtual productions before they leave college. The businesses in Fast Company s Most Innovative Companies in AR/VR reflect that trend.
“The majority” of its tours will be migrated to Google’s separate Arts & Culture app, letting users view them via web or mobile device. Google published the news in a blog post that was spotted by 9to5Google , and it framed the decision around making Expeditions tours more accessible to students during the coronavirus pandemic.
Dear Museum 2.0 As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). I am closing down my consulting business at the end of April, but the Museum 2.0 Here are a few things that make the MAH an exciting museum to me: It's small.
Forum One’s 11 awards included two platinum, five gold, and four silver awards across focus areas, including cultural institutions, health and wellness, environmental awareness, and government. These awards honored Forum One’s work in building websites, digital tools, and virtual experiences for our clients. Endowed by Dr. Ruth J.
There is so much to learn about Black history and culture and how it has shaped our world, and there are several ways you can support Black businesses and organizations in celebration of Black History Month. Keep reading to learn more about Black History Month and how you can get involved! Donate to support their mission here.
These two adages were both in my mind last week when I asked people for the worst museum trends. In this decade museums worst trends were in labor and tech: 1. Now, many see the downsides, including crushing student debt along large numbers of credentialed people with few open jobs. good riddance to museum studies programs! .
Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.
In early January, the American Museum of Natural History announced that it would hold a Brain Tweetup for 75 of its Twitter followers. The event promised an after-hours look at their special exhibition Brain: The Inside Story , a chat with its curators, a behind-the-scenes tour of the museum, and an opportunity to meet other fans of AMNH.
I spend a lot of time talking to people about social media--how it can be a model for real-life content venue interactions and how it can connect museums and cultural institutions to users in new ways. This is the reason that many museums and cultural organizations decided they needed websites in the late 1990s and early 2000s.
There are billions of historical documents housed in archives, museums, and libraries around the world. The vast majority of these documents do not have full-text transcriptions or indexed data, making them difficult to search and largely inaccessible to historians, students, scholars, and the general public.
This August/September, I am "rerunning" popular Museum 2.0 Diane is both visionary and no-nonsense about deconstructing the barriers that many low-income and non-white teenagers and families face when entering a museum. Most large American museums are reflections of white culture. YES students defy expectations.
Here in Santa Cruz, we''re brushing off our tents and lining up the counselor whistles for Hack the Museum Camp , a 2.5 We have 75 campers here from around the world who will be working in teams to develop exhibits based on artifacts from our permanent collection that challenge museum conventions and traditional exhibit design practice.
I've been spending time recently interviewing people who run unusual cultural and learning venues. From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences. Skill-sharing free schools. Community science workshops.
Studies of how arts participation affects student test scores. Consider the recent research at the University of Arkansas about the value of school field trips to cultural institutions. The study was extensive and methodologically robust, and the results are making the rounds of museum and art publications and blogs.
Not only do you need to be listening and taking action, but as an organization, you need to have a culture that supports collaboration. I agree that every organization, city, region, and culture have differences that make us unique. And I’m glad we do. Getting Started.
Have you ever been to a museum with no permanent exhibits ? On a recent trip to Chicago, I checked out the Museum of Contemporary Art. Plus, I know the next time I’m in Chicago, the museum will be a totally different experience, so I’m highly motivated to go back. Use Your Space Creatively.
This achievement highlights our commitment to providing top-tier digital solutions for nonprofits, cultural institutions, and other mission-driven organizations. Through interactive content and immersive storytelling, Wild Hope brings education to life, inspiring both students and educators to explore and learn in new ways.
El Museo Reimaginado is a collaborative effort of museum professionals in North and South America to explore museums' potential as community catalysts. I'm generalizing grossly here, but for the most part, I find European museums to be conservative. I find North American museums to be risk-averse.
Virtual tours for museums. Your local museums may not be open for admission, but that doesn’t mean you can’t explore all they have to offer. Partner with your local museums to offer virtual tours to your donors, complete with fun, educational facts and some behind-the-scenes action. Student art show. Online tutoring.
Diane is both visionary and no-nonsense about deconstructing the barriers that many low-income and non-white teenagers and families face when entering a museum. Most large American museums are reflections of white culture. What started with 15 students in 1997 has grown to support 200 students per year.
Parker, a Seneca Indian who worked as the director of the Museum of Arts and Science in Rochester, N.Y. National Native American Heritage Month was created with the intention to provide a platform for American Indians to share and honor their culture, traditions, music, art, dance, beliefs, and ways of life.
Like a lot of organizations, my museum struggles with two conflicting goals: The museum should be for everyone in our community. At the Santa Cruz Museum of Art & History , we''re approaching this challenge through a different lens: social bridging. Museum of Art and History programs social bridging'
Imagine you've just been tasked with developing an innovative, future-thinking national museum for your country's history. Blueprint is the story of a group of people who tried to create a Dutch Museum of National History (INNL). The Museum directors released Blueprint as a showcase for these plans. Where would you start?
DLR Groups upcoming conversion of a department store into the Albany Museum of Art, meanwhile, will avoid about 65% of the embodied carbon emissions (in this case, about 1,600 metric tons) of a new building. Explore the full 2025 list of Fast Companys Most Innovative Companies , 609 organizations that are reshaping industries and culture.
Despite this preparation--and the years I'd spent in similar gyms as a college student--it took almost all my willpower not to turn around and walk out the door immediately after entering. And yet for many cultural professionals, "threshold fear" is a hazy term. The vibe was friendly and aggressive. How scary or confusing could it be?
Technology students at the University of Nebraska at Omaha. This was a great way for the students to contribute to their community. The Dallas Museum. museum, expanding access to the mobile tours even further. Museum of African American History's mobile web app likewise runs on most mobile devices with a web browser.
The Western Museum Association was kind enough to invite me to speak on a panel about engagement at their annual meeting in Boise. Phillip’s early remark about museums was an invocation for everyone. As an outsider, he immediately saw that museums were operating “under a business model that doesn’t work.”
I'm trying to reposition our museum as a cultural hub supporting creative and intellectual community growth. Our conversation made me reflect on the museums that most inspire me from a public service perspective--institutions with missions that stretch far beyond their walls. These museums work differently.
I feel strongly that there are huge issues with racial and ethnic diversity in museums and arts organizations that deserve a million more posts. One was a conference on pushing our practice in art museums. In library- and museum-land, the participants were 80-90% women. I don't know if gender diversity deserves more posts.
You gravitated toward the museum, zoo, gallery, symphony, cultural management organization because of your roots. Instead of an event, create a little scavenger hunt for kids to complete as they walk through your historic mansion or art museum, to make it fun for kids to explore and learn. Read about it here.
Culture, arts, and environmental organizations live and breathe memberships. Schools have students and alums. Collaborate with other nonprofits to cross-promote membership programs; for example, an art museum could partner with a local theater to offer joint memberships or discounts. What is a membership model?
Last week Ginny Fitzgerald, the Director of Visitor Services and Membership at Chicago History Museum, joined us to host a webinar about how she prepares her team for peak attendance times. Chicago History Museum defines their summer season as June 1 through August 31. Ginny has over 17 years of experience in visitor services.
Robinson Museum and is listed on the Louisiana African American Heritage Trail. Grambling also advances the study and preservation of African American history, art, and culture. . who was inducted into the College Football Hall of Fame in 1997 and is memorialized in a campus museum. It’s the home of the Eddie G.
Center for the Future of Museums: Khan Academy & Cultural Understanding : Smarthistory at Khan Academy is used by museum visitors, independent learners, professors, teachers and their students.
But this job is really important to the future of our museum, and I’m hoping that you or someone you know might be a great fit for it. We are hiring for a School Programs Coordinator to wrangle the 3,500+ students and their teachers who come to the museum every year for a tour and hands-on experience in our art and history exhibitions.
Or produce an art exhibit with elementary school students. But then I started finding more humble projects related to broader issues, and I began to see Kickstarter as a potentially fascinating space for museums and cultural institutions. Why should cultural and arts organizations care about Kickstarter?
Yesterday, I enjoyed three hours of graduate students' presentations of social media plans for museums in the Pacific Northwest. It can be used internally by staff, or externally (as in the students' cases) as a consultant with a partner organization. Here is the process I offered them for developing and writing these plans.
A former superintendent of such a district, he explained the basic premise to me: each student, from kindergarten on, has a personal laptop. The schools have open wireless internet, so each student has continual access to the Web. To understand more, I turned to Elaine Gurian's article The Molting of Children's Museums?
This guest post was written by Rebecca Lawrence, Museum Educator, Schwenkfelder Library & Heritage Center in Pennsylvania. You can join the conversation in the blog comments, or on the Museum 2.0 The Schwenkfelder Library & Heritage Center (SLHC) is a small museum located in Pennsburg, Montgomery County, Pennsylvania.
The good news is that digital literacy is becoming part of lesson plans for K-12 students in public schools. Unfortunately, like public libraries, public schools are also constrained by tightened budgets and smaller staffs and can't always provide the individual attention that some students require. The Role of Schools.
Museums have been grappling with this question for years ( here's a 2007 roundup of such projects ), most aggressively in zoos and natural history museums where staff hope to inspire conservation and in history/concept museums that focus on civic engagement and activism. No small task for a museum exhibition.
At the end of February, I attended the first of (what I hope will be) many Museums Advocacy Days (MAD) on Capitol Hill in Washington, DC. There was something magical about the combination of something I love – museums – with something that scares me: US politics. around something I’ve suspected for a long time: everyone loves museums.
Last week, I gave a talk about participatory museum practice for a group of university students at UCSC. During the ensuing discussion, one woman asked, "Which audiences are least interested in social participation in museums?" So what's a museum to do--especially one that is funded to encourage youth and teen participation?
At the Santa Cruz Museum of Art & History, we take our interns seriously, give them real responsibility, creative challenges, and meaningful work opportunities. You don't have to be a student to be eligible. Second, and highly experimental, is the Museum Camp Internship. and the cycle continues. Exciting, right?
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