Museum 2.0

OCTOBER 18, 2011

The Santa Cruz Surfing Museum recently loaned us some fabulous surfboards that tell the co-mingled history of surfing and redwood trees in Santa Cruz. We decided to approach the label-writing for these boards in a participatory way.

Participatory 48

Participatory San Diego Museum History 48

Museum 2.0

MARCH 4, 2015

This week marks five years since the book The Participatory Museum was first released. I thought the pinnacle of participatory practice was an exhibit that could inspire collective visitor action without facilitation. Over the past four years, I''ve been running a small regional art and history museum in Santa Cruz, CA.

Participatory 20

Participatory Museum Empowerment Facilitation 20

Museum 2.0

MAY 22, 2012

Imagine you've just been tasked with developing an innovative, future-thinking national museum for your country's history. Blueprint is the story of a group of people who tried to create a Dutch Museum of National History (INNL). The early participatory projects are terrific. Hooks based on popular culture.

Museum 36

Museum History Netherlands Create 36

Museum 2.0

FEBRUARY 23, 2010

Yesterday, I had the delightful opportunity to participate in the 3six5 project , a yearlong participatory project in which 365 people write 365 journal entries for every day of 2010. The reasons to do so are many, particularly for a history-focused institution. Could your institution make the change?

Participatory 34

Participatory Project Museum Journal 34

Museum 2.0

NOVEMBER 5, 2014

I meet them doing research in the archives, collaborating on cultural festivals, and contributing stories to exhibitions. The whole process of being interviewed for the story made me question the stories we tell and words we use to describe participatory work. What is the metaphor for participatory arts? Not a crowd. The circus?

Journal 54

Journal Participatory Museum Community 54

Museum 2.0

APRIL 26, 2018

One that has found remarkable success is California’s Santa Cruz Museum of Art & History. I'm also always interested in how the national media portrays changes in the cultural sector. On the side of practice, there's a much longer history and body of organizations working on audience age and income diversity than on race.

Audience 49

Audience Washington Museum Intergenerational 49

Museum 2.0

JANUARY 25, 2018

For the past five years, each summer, the Santa Cruz Museum of Art & History has hosted MuseumCamp. Develop compelling, powerful participatory offers and promises for your prospective partners. Tour MAH participatory exhibitions and shadow MAH community events. We'd love to have you here for this pilot year.

Community 31

Community Participatory Museum Registration 31

Museum 2.0

JULY 1, 2011

I've now been the Director of The Museum of Art & History in Santa Cruz for two months. Her goal is nothing less than to remake the MAH as the primary cultural touchstone of the Santa Cruz community, the place that best embodies the unique cultural vibe of Santa Cruz. "We

Museum 31

Museum History Arts Work 31

Museum 2.0

NOVEMBER 5, 2013

We need translators within each cultural context. Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. We always knew that the inclusion of participatory and community-centered practices in arts institutions was controversial. But we do have ''and.''

Participatory 53

Participatory Museum Arts History 53

Museum 2.0

SEPTEMBER 26, 2012

Visitors bond and bridge through participatory experiences at MAH. To apply the results of my analysis to produce a community-driven program design specifically for implementation at the Santa Cruz Museum of Art & History (the MAH). You can download and read the full version of my thesis here.

Museum 49

Museum Program Participatory Community 49

Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" but I didn't have numbers to back it up. They all have in concert, and they build on each other.

Audience 47

Audience Participatory Museum History 47

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. Despite its long history, few researchers studied the use and impact of citizen science until the 1980s.

Model 98

Model Active Activism Activities 98

Museum 2.0

SEPTEMBER 18, 2013

Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean''s book Visitor Voices in Museum Exhibitions.

Museum 45

Museum Question Participatory Vietnam 45

Museum 2.0

DECEMBER 15, 2014

When basketball players are offering more cogent commentary on racial issues than cultural institutions, you know we have a cultural relevance problem. Museums are a part of this educational and cultural network. Colleges are addressing greater cultural and racial understanding in various courses. Things must change.

Museum 52

Museum Blogger Cleveland Missouri 52

Beth's Blog: How Nonprofits Can Use Social Media

MAY 26, 2015

Designing A Participatory Hook for a Virtual Meeting. Guidestar has a history of doing walking meetings, especially one on ones and at its Williamsburg location. One thing I noticed during the meeting is that I was sitting more than I normally would because of the video and the cultural norm having the video on the whole time.

Facilitation 50

Facilitation Virtual Arts Participatory 50

Museum 2.0

OCTOBER 24, 2012

To that end, our exhibitions are full of participatory elements. What started as a fun personal project for her will hopefully become part of our permanent history gallery--a space we are trying to make more interactive over the coming years. Visitors can comment on how we can improve or what they would like to see.

Platform 41

Platform Open Museum Participatory 41

Museum 2.0

OCTOBER 30, 2013

Earlier this fall, I read this headline: "Stanford study: Participation in a cultural activity may reduce prejudice." When the music video was focused on Mexican culture, the researchers found that the white and Asian participants demonstrated a decrease in prejudice against Latinos, both immediately after the activity and six months later.

Measure 47

Measure Arts People Museum 47

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). Yes and no.

Question 49

Question Participatory Museum Vietnam 49

Museum 2.0

OCTOBER 2, 2013

Proposals involve sculpture, performance, participatory-projects, videos, and installation that use and respond to the museum’s collection. Successful” artworks draw out qualities in the collection, reflect material histories, and show the artists’ process and conceptualization. Restoration is a formal gesture for most museums.

Artist 49

Artist Museum Proposal Participatory 49

Museum 2.0

APRIL 4, 2012

Museums have been grappling with this question for years ( here's a 2007 roundup of such projects ), most aggressively in zoos and natural history museums where staff hope to inspire conservation and in history/concept museums that focus on civic engagement and activism. There was no specific instruction with the dots.

Story 47

Story Participatory Museum History 47

Museum 2.0

JULY 23, 2013

We are hiring for a School Programs Coordinator to wrangle the 3,500+ students and their teachers who come to the museum every year for a tour and hands-on experience in our art and history exhibitions. We are transforming our history gallery to be a more dynamic platform for civic engagement.

Program 39

Program Museum Work History 39

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 8, 2016

Last week I was honored to be a counselor at Museum Camp , an annual professional development event hosted by the Santa Cruz Museum of Art & History (MAH). Nina Simon, the executive director of the museum, is an expert in participatory design and fantastic facilitator. A mature employee knows how to manage up.

Causes 50

Causes Change Museum Social 50

Museum 2.0

MAY 21, 2014

I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. We work hard to name and build our culture in many ways. Institutional culture is something I never really understood before and I am now completely fascinated by how it can shape work. Naming our goals and our culture.

Museum 49

Museum Director Teen History 49

Museum 2.0

MAY 2, 2012

Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. We went through a dramatic financial turnaround and redefined our relationship with our community through a series of experimental participatory projects and new programmatic approaches. 85% of our visitors attend through events.

Museum 55

Museum Director Participatory Culture 55

Museum 2.0

FEBRUARY 15, 2012

We've gotten a little more organized at The Museum of Art & History , and we've now released opportunities for summer internships. This internship is for the truly self-motivated person out there with a brilliant idea for making museums more participatory, welcoming, community spaces who just lacks an institution at which to try it out.

Museum 34

Museum Participatory Arts Attitude 34

Museum 2.0

JULY 17, 2012

But we've just compiled all our attendance data for the past year at the Santa Cruz Museum of Art & History (our fiscal year ends on June 30), and several people have written to me asking for the numbers behind our turnaround. design new programs with a focus on history. I promise--after this post, I'll stop writing about this.

Museum 47

Museum History Arts Artist 47

Museum 2.0

NOVEMBER 13, 2012

We can change that by embracing participatory culture and opening up to the active, social ways that people engage with art, history, science, and ideas today. Right now, they're often seen as elitist organizations serving an diminishing percentage of our population.

Museum 55

Museum Open Charlotte Participatory 55

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 25, 2011

Note From Beth: Yesterday, I attended a convening called “ Beyond Dynamic Adaptability ” for arts organizations about cultural participation in the arts. But that is only the jumping off point for the inquiry.

Guatemala 94

Guatemala Movie Artist Award 94

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? History Museums OPPORTUNITIES - History museums are in many ways the best-suited for visitor participation.

Museum 29

Museum Difference Participatory History 29

Museum 2.0

MAY 8, 2013

At the Santa Cruz Museum of Art & History , we''re approaching this challenge through a different lens: social bridging. Museum of Art and History programs social bridging' It can lead to parallel programming: bike night for hipsters, bee night for hippies, family night for kiddies. And rarely the twain shall meet.

Museum 55

Museum Social Arts History 55

Museum 2.0

SEPTEMBER 27, 2017

This argument became one of the foundations of The Participatory Museum. Traditionally, museums and cultural organizations offer programs. This is the participatory platform model. Now that we've opened Abbott Square , we have a goal to offer free cultural programming almost every day of the week.

Platform 31

Platform Impact Childhood Museum 31

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 20, 2015

government and encouraging participatory democracy. They work together in varied group sizes to consider historic issues, significant moments in the Senate’s history and current policies affecting the country. Never Alone (Kisima Ingitchuna) is a critically acclaimed video game and interactive record of Alaskan Native culture.

Game 50

Game Tech Support Module 50

Museum 2.0

JANUARY 18, 2012

Major research studies by the NEA and others demonstrate that adults well into their 60s are highly motivated to participate actively with cultural experiences. There are many participatory experiences that appeal primarily to adults, and they are designed distinctly for adults. But I don't think that theory holds up.

Interaction 47

Interaction Design Museum Participatory 47

Museum 2.0

AUGUST 9, 2011

It's a little living room in a lobby area that invites people to lounge on comfortable chairs, leaf through magazines and books related to art and Santa Cruz history, and generally hang out. For me, the goal is for people to have an enjoyable, educational, cultural, social experience. People love petting zoos.".

Museum 51

Museum Arts History Columbus 51

Museum 2.0

FEBRUARY 24, 2010

with cultural professionals, I like to use Tim O'Reilly's simple definition: software that gets better the more people use it. There are many participatory kiosks that are functional black holes--visitors make videos or draw pictures or write stories, drop them in a slot, and. When I talk about Web 2.0 nothing happens.

Participatory 35

Participatory Museum YouTube Rate 35

Museum 2.0

MARCH 14, 2017

This is the second installation in a series of posts on the Santa Cruz Museum of Art & History (MAH)'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. The MAH fundamentally has two jobs: we bring art and history out into our community, and we invite our community in. We want to break out.

Public 27

Public Museum Arts History 27

Museum 2.0

JULY 30, 2014

Our work to transform the Santa Cruz Museum of Art & History into a participatory and community-centered place has been heavily supported by the James Irvine Foundation. But especially for organizations where cultural competency is in its infancy, those starting points and case statements are still necessary.

Report 52

Report Malaysia Memphis Museum 52