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“Black & Proud”

M+R

While “Say it Loud (I’m Black and I’m Proud)” addresses Black love, joy, and empowerment, the proud (on my t-shirt) is focused on self-affirmation, dignity, and equality. Taken together “Black & Proud” is a recognition that we live intersectional lives. That is, there are folks who both identify as Black and queer.

Florida 98
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Teenagers, Space-Makers, and Scaling Up to Change the World

Museum 2.0

This week, my colleague Emily Hope Dobkin has a beautiful guest post on the Incluseum blog about the Subjects to Change teen program that Emily runs at the Santa Cruz Museum of Art & History. Subjects to Change is an unusual museum program in that it explicitly focuses on empowering teens as community leaders.

Teen 45
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The Art of Relevance Sneak Peek: Part Ex-Con, Part Farmer, Part Queen

Museum 2.0

One of the nonprofits that inspires me locally here in Santa Cruz is a youth empowerment and food justice organization called "Food, What!?" FoodWhat's staff and teens have taught me a lot about what it really means to be relevant to people who are often overlooked or ignored. Doron doesn’t work with A students or B students.

Teen 25
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3 Ways Your Creative Can Move Your Social Movement Forward

Connection Cafe

Make sure your creative includes all of the following: Images: Timely and relevant; telling the narrative of the individual instead of the crowd; featuring faces of real people who are seeking opportunity (the empowerment the gifts are directed toward). Video: Content that focuses on the individual, not the organization.

Teen 20
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4 bbcon Takeaways for Philanthropic Organizations to Power 2019 Planning

Connection Cafe

Foster a data culture, and a testing culture . The program relies on multiple partners including the city of Boston, Boston University, local nonprofits, EVERFI , Boston’s Center for Teen Empowerment , and others. Know your audience . Align with the goals of the organization and people you serve .

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Meditations on Relevance, Part 3: Who Decides What's Relevant?

Museum 2.0

Here are two examples: Our Youth Programs Manager, Emily Hope Dobkin, wanted to find a way to support teens at the museum. Emily started by honing in on local teens' assets: creativity, activist energy, desire to make a difference, desire to be heard, free time in the afternoon. She surveyed existing local programs.

Teen 20
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The Participatory Museum, Five Years Later

Museum 2.0

I wrote The Participatory Museum for two reasons: to explore the "how" of participatory design in museums, cultural centers, libraries, and science centers to create a version of this blog that was more "shareable" with organizational leaders and trustees By many measures, the book has been a success. Empowerment? Social bridging?