Beth's Blog: How Nonprofits Can Use Social Media

APRIL 18, 2007

Next week I'm doing a Webinar for Extension Professionals , a remix of 10 Steps to Association 2.0 which was a remix of Marnie Webb 's Ten Ways Nonprofits Can Change the World. My initial remix thought (wrong) was to look for examples that were related to agriculture, but the extension is so much more. I'm nervous. It's messy.

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Tech Soup

SEPTEMBER 11, 2014

For example, if you're looking for music, artwork, or other content that you can freely remix, republish, and reuse as part of your digital story, there's a Creative Commons license for that, too. How can we use memes while still respecting copyright and making sure content creators get appropriate credit? Your Questions.

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Beth's Blog: How Nonprofits Can Use Social Media

MAY 3, 2010

Also, for our Creative Commons licensed books to be remixed/repurposed by the community in whatever way they wish to. Flickr : Documentation of the work we do and also to upload our Creative Commons licensed illustrations so that they can be remixed/reused. (See See this blog post from Creative Commons ).

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Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 26, 2007

The pro remix message: Culture is well-served by liberal rules that let one person remix another's creation. The anti remix message: The exhibition policy on photos: no photos are allowed in the exhibit. Does it want to inspire us to remix Magritte, or warn us off the idea of reproduction without permission?

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Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 12, 2006

So, of course I wanted to remix it. Update: Here's an email response I received from Amalyah who is an IP for museums expert: Munch's works are still protected by copyright, the term of which runs not. Munch died in 1944, so he is "in copyright" until 2014. is that violating copyright?) so guess I can't.

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Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 31, 2006

So, for Halloween, I went searching on youtube for some Halloween videos and all I saw what looked copyrighted material and some crap. He uses some music that a group has authorized for remix - yet another idea for music that you can use without breaking copyright laws. Imogen Heap Info For Remixers. Music by Imogen Heap.

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TechCrunch

OCTOBER 18, 2022

and Midjourney, to name a few) Rogenmoser pitches it as an art-generating system specifically designed for marketing applications, like creating copyright-free stock photos. While a number of free and paid alternatives to Jasper Art exist (see Stable Diffusion, Pixelz.ai

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Tech Soup

APRIL 3, 2012

In the simplest terms, SOPA would've created a "de facto blacklist of sites accused of infringing on copyright," Reitman said. Let's say you or even one of your supporters remixed a video that included a sample of copyrighted music, and this video was linked from your website. Why Should You Care?

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Beth's Blog: How Nonprofits Can Use Social Media

MARCH 28, 2007

Brett's Remix of Lessig's Words. Here's his description: Open Source Cinema is the web platform for the creation of a feature documentary film about Copyright titled Basement Tapes. Brett Gaylor is a amazing! His newest project is Open Source Cinema. OpenSourceCinema.org to help make it.

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Beth's Blog: How Nonprofits Can Use Social Media

MARCH 6, 2009

You let others copy, distribute, display, and perform your copyrighted work — and derivative works based upon it — but only if they give credit the way you request. Also, it is great to close the loop and have the opportunity to remix a remix. The license deed and language do not specify what that means.

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Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 21, 2006

The original photo was published as "all rights reserved" because that's the flickr default and in 2005, I was pretty clueless about Creative Commons and copyright issues. I was able to use little tool to remix the photo because of the license that Michelle used. There is some irony to this story. I've now become convinced.

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Beth's Blog: How Nonprofits Can Use Social Media

MARCH 12, 2007

Participants are encouraged to bring their own open content ideas, questions and challenges to the dialog So, for demonstration of the value of open content, I am remixing two existing games for these session: The Social Media Game from David Wilcox. Lucy Chilli's Copyright and Commons Publishing Game.

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NTEN

FEBRUARY 18, 2009

Remixing the content: Government content can't be copyrighted, so you're free to grab and reuse any government created content on the site. So far, the Recovery.org site only features the standard " Share Your Story " feature. You need to do at least that, preferably more.

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Museum 2.0

MAY 18, 2007

Tuesday When on Tuesday morning I found the sessions “Museums Remixed Part One: Creating Visitor-Authored Experiences” and “Museums Remixed Part Two: Can we allow users to become participants?” The Museum Remixed panelists presented projects and concepts that invited visitors to participate in interpreting collections.

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The Verge

FEBRUARY 10, 2022

Remixed it. The strongest case for copyright protection would be “look and feel” — and Cirulli’s game, with its autumnal palette, was a far cry from Wohlwend’s tri-color animations. But that guy’s version had no animations, and a color scheme that Cirulli didn’t like. Personalized it. How does one respond to imitators?

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Museum 2.0

APRIL 1, 2010

There are four tiers of restriction possible with Creative Commons licenses: attribution (must credit author), noncommercial (can't make $$ off of reuse), no derivatives (can't cut, remix, adapt), and share alike (must redistribute with same license). Do you know what the numbers on the copyright page mean?

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The Verge

NOVEMBER 24, 2021

Recording and producing electronic dance music under the name 3LAU — pronounced “blau,” like his surname — he produced original tracks and remixes for artists including Rihanna, Katy Perry, and Ariana Grande, among others. You promote remix culture. In 2016 he launched his own record label, Blume Records.

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Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 24, 2006

Mike Seyfang, a nonprofit technology consultant in Austraila, tells us to avoid YouTube if you want to get remixed and mashedup. " Looks like MySpace is also getting sued for copyright violation. The See3 Blog points us to a video on YouTube that demonstrates the power of online video and will put your heart in throat!

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