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re not creating a billboard, but rather starting a conversation -- you have to be willing to respond." Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century." vlogging, and podcasting).
Next week I'm doing a Webinar for Extension Professionals , a remix of 10 Steps to Association 2.0 which was a remix of Marnie Webb 's Ten Ways Nonprofits Can Change the World. My initial remix thought (wrong) was to look for examples that were related to agriculture, but the extension is so much more. I'm nervous. It's messy.
In ongoing conversations with John Gautam on Twitter, I've learned more about how their overall social publishing strategy which balances their curated content or "branded" content with community conversations to co-create social content. He offered to write a guest post sharing more about how their social publishing strategy.
This question is a byproduct of the reality that most participatory projects have poorly articulated value. If you don't have a sense of an outcome--whether that be internal research, community conversation, or something else--you can't decide how or whether contributions should be documented or archived.
I have a lot of conversations with people that go like this: Other person: "So, you think that museums should let visitors control the museum experience?" We have to change the framing of this conversation. In these conversations, people often say, "don't expert voices matter?" Ideas participatory museum usercontent.
Change the World, Lives, with Bikes core conversation Tuesday, March 16 at 11:00 AM – “This core conversation will talk about how cycling, the bike, and social media are changing the world and lives. In fact, Karaoke is a core part of our reMix culture and this panel will show you how.
This week, I've had multiple conversations with colleagues in the arts, symphonies, and urban planning about the fear professionals have about "losing control" when opening up new opportunities for people to participate. While I originally wrote this post to advocate for more participatory practice (i.e. Me: "Sort of."
If museum and library content is licensed, not owned, how can we work within those licenses to allow visitors to use and remix to their heart’s content? The most upsetting moment of the meeting for me was when some participants expressed a willful disregard and derision for participatory scholarship on sites like Wikipedia.
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