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Museums, archives, and libraries share many goals and functions. Their mandate is to exhibit and preserve the collection of the best assets that represent the story and chronology of a culture or a society. The items that museums, archives, and libraries collect reflect the human spirit. Highlighting a collection’s best assets.
We are very excited to connect with the amazing people who work hard to amplify the online museum experience at this year’s virtual MuseWeb 2021 conference in April. In this session, we will explore a brand framework for developing a lasting and unique brand story by seeing your institution through your audiences’ eyes.
In this post, you’ll learn why diversifying your funding matters and get tips and ideas for starting the conversation with your counterparts in development. This model isn’t just for gyms or museums—it can work for advocacy groups, community organizations, and more. Tell a compelling story that pulls at the heartstrings.
My latest contribution to the Stanford Social Innovation Review is now posted – you can read the post and join the conversation on the SSIR opinion blog , or in full below. Museums, tour groups, and history societies could all make use of Historypin for sharing tours and routes, complete with images and stories.
Excurio For bringing virtual reality experiencesand audiencesto museums Excurio builds immersive, historically accurate installations that feature a shared virtual reality for up to 100 simultaneous attendees. Other exhibits focus on the history of Notre Dame and the evolution of life on Earth across nine eras and landscapes.
It gave me a chance to really think about how we have been opening up our museum and what it means for our community. It's only 15 minutes, so I encourage you to watch it , but here are the crib notes for the video-adverse without the hilarious stories and charming photographs. Museums can be incredible catalysts for social change.
A new company in New York, Museum Hack , is reinventing the museum tour from the outside in. They give high-energy, interactive tours of the Metropolitan Museum and the American Museum of Natural History (AMNH). The tours are pricey, personalized, NOT affiliated with the museums involved… and very, very popular.
You can check out the post and conversation there , or read a copy of the post below. Global use of social media is also a great way to amplify voices, ideas, and stories. My latest post is up on the Stanford Social Innovation Review opinion blog. Meetup Everywhere. Don’t forget the global context!
Recently, we''ve been talking at our museum about techniques for capturing compelling audio/video content with visitors. It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. How and why did Object Stories come to be?
Last week, I visited the Wing Luke Asian Museum in Seattle. I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). I'm always a bit nervous when I visit a museum I love from afar. She told family stories.
Dear Museum 2.0 As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). I am closing down my consulting business at the end of April, but the Museum 2.0 Here are a few things that make the MAH an exciting museum to me: It's small.
About a month ago, Candid was tagged in a social media post from someone who had visited the Smithsonian’s National Museum of American History. Rubenstein Curator of Philanthropy at the Smithsonian’s National Museum of American History. Can you give a little bit of background on the exhibition Giving in America ? .
This Black History Month, we reflect on the strategy work that our team does through our partnership with the Smithsonian National Museum of African American History and Culture —much of which centers around expanding access. And for those who have, they quickly understand that the Museum has much more to offer than can be absorbed in a day.
Note from Beth: If you’ve been following my blog lately, you know I’ve been having this conversation with Marnie Webb about abundance. A month or two ago, museums and galleries around the world participated in a Twitter event called Ask a Curator. How did you get 340 museums to participate?
Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. A year ago, I put my consultant hat on the shelf and decided to jump into museum management (a sentence I NEVER would have imagined writing five years ago). I'm open to any questions you want to raise in the comments.
Last week''s New York Times special section on museums featured a lead article by David Gelles on Wooing a New Generation of Museum Patrons. In the article, David discussed ways that several large art museums are working to attract major donors and board members in their 30s and 40s. David describes himself as a "museum brat."
Lots of museums these days have video comment booths to invite visitors to tell their stories, but how many of those booths really deliver high-impact content? Last week, I talked with Tina Olsen, Director of Education and Public Programs at the Portland Art Museum, about their extraordinary Object Stories project.
I come across so many great conversations, ideas, and resources all over the web every day. You can join the conversations in the comments, or click through to the original posts to find what others are saying. Here are some of the most interesting things I’ve found recently (as of February 1st).
Take for example the # AskACurator hashtag created by a digital expert who works with museums almost five years ago and still active today. Someone sent out a tweet wondering if London’s Natural History Museum and Science Museum went to war, which would win. Here’s an example of using Moments from a Museum.
I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. We talk a lot at our museum about empowering our visitors, collaborators, interns, and staff by making space for them to shine. QUESTIONS ON MY MIND: As we grow, how can we do as much growing as possible outside the museum''s walls?
The Smithsonian National Museum of African American History and Culture. To provide tools and guidance to empower people’s journeys and inspire conversation about race, the Smithsonian National Museum of African American History and Culture (NMAAHC) developed “Talking About Race.”
One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 First up is Beck Tench, a "simplifier, illustrator, story teller, and technologist" working at the Museum of Life & Science in Durham, NC. As a person who works for a science museum, I work in an environment that supports play.
Below, I’ve shared my keynote remarks and slides and I hope you’ll share your ideas and further the conversation in the comments. I want to start, first, with a story…. What are they like: what are the demographics, the data, the stories? Libraries: The Oldest New Frontier for Innovation.
The Western Museum Association was kind enough to invite me to speak on a panel about engagement at their annual meeting in Boise. Phillip’s early remark about museums was an invocation for everyone. As an outsider, he immediately saw that museums were operating “under a business model that doesn’t work.”
When I tell stories about how the MAH builds community, I emphasize the importance of deep partnerships and relationship-building. We connect with people both professionally and personally, at the museum and on the street. This weekend, I got my answer in Seoul--the 18th biggest city in the world--at Hello Museum.
Mary Warner, the Museum Manager at the Historical Society, wrote a series of moving articles for her museum newsletter and later for the AASLH’s Small Museum Online Community about her experiences tackling big issues in a small museum. Really, it was about which stories we had good objects for.
Use a Unique HashTag: A hashtag is a keyword that opens up a public conversation on Twitter. Have an amazing story? Some Tips: Tweet Before the Tweet Up To Build Excitement. You’ll want to designate one for your event and use it before, during, and after the event. How To Host Successful Tweetups. What’s A Tweet Up?
This month we’ve been thinking about “What is a museum?” (I'm I’ve been visiting museums my whole life. Does that make me the best judge of museums? People are the defining characteristics of museums. I’ve worked with and at plenty of museums that can sometimes feel empty. I'm not alone there.
Photo Source: Indianapolis Museum of Art Blog. But we also know that numbers don't tell us the whole story - whether we headed in the right overall strategic direction, taking the right road, and how to get back on course if we get lost. . It was met by with both positive and negative reactions from nonprofit and museum professionals.
Jasper Visser and his colleagues at the not-yet-physically-open National Historisch Museum of the Netherlands have impressed me with their innovative, thoughtful approach to developing a dynamic national museum. Last weekend my museum presented itself at the Uitmarkt in Amsterdam.
Monday, May 18th is International Museum Day , the mission of which is to raise awareness of the fact that, “museums are an important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples.”. 2019 saw more than 55,000 museums across 150 countries participate.
This August/September, I am "rerunning" popular Museum 2.0 This post is even more relevant today to the broader conversation about audience diversity in the arts than when it was published three years ago. Most large American museums are reflections of white culture. Diane told an amazing story in response.
In three weeks, Kathleen McLean and I are co-hosting a freewheeling talk show at the American Alliance of Museums conference. Kathy and I have each spent a lot of time advocating for experimental practice and risk-taking in museums, both as consultants and on staff. Please share your story in the comments.
This post summarizes the content I shared in my presentation and offers some reflection on the conversational keynote. I started my talk with a story about why I liked Twitter: It allows me to connect with people in my professional field and have a great conversations or ad hoc collaborations that improve practice.
El Museo Reimaginado is a collaborative effort of museum professionals in North and South America to explore museums' potential as community catalysts. I'm generalizing grossly here, but for the most part, I find European museums to be conservative. I find North American museums to be risk-averse.
On a recent trip to the Children's Museum of Pittsburgh, I noted a discussion board in the "Nursery" gallery. The questions are written for parents and caregivers to share tips, ideas, and stories with each other. For the Nursery discussion board, it's other adult visitors to the Children's Museum. What's the next step?
Like Seema, I've been looking for ways to increase active resistance of racism, hate, and bigotry--both as an individual and as the leader of a museum. Seema and I have started an open google doc to assemble ideas for specific things museums and museum professionals can do to resist oppression. Museums are ideas.
Yesterday, NTEN;s Holly Ross hosted an online conversation with Seth Godin and me, along with Roxy Allen and 100 plus NTEN members. This conversation came about after Seth's provoking post " The Problem with Non " took a swing at nonprofits for lack of adoption of social media, saying it was all due to fear.
Two weeks ago, my museum was featured in a Wall Street Journal article by Ellen Gamerman, Everybody''s a Curator. I''m thrilled that our small community museum is on the map with many big institutions around the country. I''m glad to see coverage about art museums involving visitors in exhibitions. Community is not a commodity.
I’m looking at “counting metrics” here – and I don’t have all the details of the overall results and the rest of their strategy – nor do I have other metrics - for example referral traffic and conversion rates for donations or purchases. SFMOMA love. View more presentations from NTEN.
This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.
American Jazz Museum Platinum – Cultural Websites Located in the Historic 18th & Vine Jazz District in Kansas City, MO, the American Jazz Museum showcases the sights and sounds of jazz through interactive exhibits and films, and features live music in their venues, The Blue Room, and Gem Theater.
He didn’t do the “sage of the stage&# thing, he gave ample opportunities for the audience digest the ideas he shared as well as engage them in conversation. Alison Carl White from NPower Seattle has a good summary on her blog. There are people who just want an expert on the stage to share their wisdom.
YBCA:YOU is an intriguing take on experiments in membership and raises interesting questions about what scaffolding people need to have social and repeat experiences in museums. Again, the conversations were complex and diverse as the cohort itself, but one trope kept coming up over and over: “It’s not you, it’s me.”
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