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Or have a private conversation in public without other people hearing you? For example, museums could provide different audio guides to visitors without headphones, and libraries could allow students to study with audio lessons without disturbing others. Audio enclaves could enable personalized audio in public spaces.
We are very excited to connect with the amazing people who work hard to amplify the online museum experience at this year’s virtual MuseWeb 2021 conference in April. Conversational Marketing: Can Chatbots Increase Engagement with Your Museum? Read the full description. Read the full description.
The theme of TEDxSantaCruz was "Open." It gave me a chance to really think about how we have been opening up our museum and what it means for our community. Museums can be incredible catalysts for social change. The first way we open up is by inviting active participation. But they're not there yet.
According to the Open Data Project , of the 89% of nonprofits worldwide that use social media in their digital marketing and fundraising strategy, 75% of those use Instagram. If you are a location-based nonprofit, such as a museum or zoo, then also add your address. Related Webinar: Social Media Best Practices for Nonprofits.
This month, we're thinking about the way we do work in museums. As someone texted me recently, Art History grad school didn't teach us anything about working with others in museums. Sharing articles that work is a great reason to stay on Museum Twitter by the way. walking meetings to open up our lungs and our thinking).
Have you ever been to a restaurant, museum or shopping mall and needed to use the bathroom? You halt the conversation and break away from your loved ones. This action will open a new window, this action will open our app). You begin by looking up and around for any sort of signage. Clarification on actions (Are you sure?
Pop-Up Museum [n]: a short-term institution existing in a temporary space. a way to catalyze conversations among diverse people, mediated by their objects. Over the past few years, there have been several fabulous examples of pop-up museums focusing on visitor-generated content. The goal is promoting conversations.
Dear Museums on Twitter, Thanks for experimenting in a new and largely uncharted online environment. So here is a list of suggestions that hopefully will improve the way your museum thinks about using Twitter. Or it's rainy so you suggest I visit the museum? I am a museum of Native Cultures and Art!" You could do better.
A new company in New York, Museum Hack , is reinventing the museum tour from the outside in. They give high-energy, interactive tours of the Metropolitan Museum and the American Museum of Natural History (AMNH). The tours are pricey, personalized, NOT affiliated with the museums involved… and very, very popular.
You can check out the post and conversation there , or read a copy of the post below. The Brooklyn Museum has done a lot with FourSquare, like sharing promotions and building visible community; check out the write up on the FourSquare blog or on the Museum’s site. Meetup Everywhere. Don’t forget the global context!
Once upon a time, there was a beloved children’s museum in the middle of a thriving city. The brilliant team at the museum set out to find a bigger space and ran a successful capital campaign to expand to a much larger location. Like the set of the movie Night at the Museum , these guests had the whole museum to themselves.
This post was written by my colleague Nora Grant, Community Programs Coordinator at the Santa Cruz Museum of Art & History. Pop Up” has become an international buzz term to describe ephemeral, experimental projects--from pop up restaurants to pop up boutiques--but a “Pop Up Museum” is still somewhat mystifying.
Last week, I visited the Wing Luke Asian Museum in Seattle. I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). I'm always a bit nervous when I visit a museum I love from afar. I avoid them.
Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. A year ago, I put my consultant hat on the shelf and decided to jump into museum management (a sentence I NEVER would have imagined writing five years ago). I'm open to any questions you want to raise in the comments.
What does "big data" look like for museums? Several museums around the world have worked hard to make their data accessible by providing free access to datasets, applying Creative Commons licenses to digital content, or creating APIs (application programming interfaces) that allow programmers to build their own software on the museum''s data.
I asked Wendy Pollock and Kathleen McLean, authors of the new book The Convivial Museum , to share a guest post about the book. At first glance, our new book, The Convivial Museum , is about the most simple ideas. comfort opens the door to other positive experiences. Nothing new here!" readers might say.
It's a good day for museum technologists. The New York Times special museum section focuses on "the spirit of sharing" and how museums are using social media to connect with visitors in new ways. If you were going to write a special section on museums and social media, what would you include?
This Black History Month, we reflect on the strategy work that our team does through our partnership with the Smithsonian National Museum of African American History and Culture —much of which centers around expanding access. And for those who have, they quickly understand that the Museum has much more to offer than can be absorbed in a day.
Below, I’ve shared my keynote remarks and slides and I hope you’ll share your ideas and further the conversation in the comments. Your capacity for change and the opportunities to collaborate are visible through open communication and public information. Libraries: The Oldest New Frontier for Innovation.
Photo Source: Indianapolis Museum of Art Blog. The Indianapolis Art Museum has been doing just that by sharing its institutional dashboard out for everyone to view. It was met by with both positive and negative reactions from nonprofit and museum professionals. Two years later, we might have some answers.
About a month ago, Candid was tagged in a social media post from someone who had visited the Smithsonian’s National Museum of American History. Rubenstein Curator of Philanthropy at the Smithsonian’s National Museum of American History. Giving in America opened on Giving Tuesday 2016. . We reached out to Amanda Moniz, Ph.D.,
The fourth, Atrium Health Lake Normal Hospital in Cornelius, North Carolina, opens in 2025, while the fifth, Carolinas Medical Center Critical Care Tower, has just completed its framing. The formerly decaying multilevel parking garage now contains restaurants, retail, and a sprawling series of open-air gathering spaces.
We connect with people both professionally and personally, at the museum and on the street. This weekend, I got my answer in Seoul--the 18th biggest city in the world--at Hello Museum. Nestled in a forest of high-rise apartment buildings, this small museum connects children and families with contemporary art. million people.
We thought this would be an easy part of the book to write – all we’d have to do is find examples of how boards online, opening up decisionmaking to outside influences. We had an amazing conversation about the ideas in the Networked Nonprofit around social culture, transparency, and simplicity.
My conversation with the Albert Einstein Bot. You can discuss life, love, and science—although he’s quick to warn that “I become absent-minded during light conversations that do not involve the physical properties of light.”. Obviously, this is a custom programmed Facebook Messenger Bot designed for a conversational experience.
Use a Unique HashTag: A hashtag is a keyword that opens up a public conversation on Twitter. Some Tips: Tweet Before the Tweet Up To Build Excitement. You’ll want to designate one for your event and use it before, during, and after the event.
Our participants came from a variety of sectors including museums, advocacy, arts, religion, and education. Take a look at all of your numbers, did open or click through rates increase or drop? Teeny Conversation on Feb. The first question asked was “What changes have you seen in your audience during 2020? What was positive?
El Museo Reimaginado is a collaborative effort of museum professionals in North and South America to explore museums' potential as community catalysts. I'm generalizing grossly here, but for the most part, I find European museums to be conservative. I find North American museums to be risk-averse.
This August/September, I am "rerunning" popular Museum 2.0 This post is even more relevant today to the broader conversation about audience diversity in the arts than when it was published three years ago. Most large American museums are reflections of white culture. blog posts from the past. Why can''t new visitors do the same?
Yesterday, NTEN;s Holly Ross hosted an online conversation with Seth Godin and me, along with Roxy Allen and 100 plus NTEN members. This conversation came about after Seth's provoking post " The Problem with Non " took a swing at nonprofits for lack of adoption of social media, saying it was all due to fear.
Like Seema, I've been looking for ways to increase active resistance of racism, hate, and bigotry--both as an individual and as the leader of a museum. Seema and I have started an open google doc to assemble ideas for specific things museums and museum professionals can do to resist oppression. Museums are ideas.
I like to ask myself this question periodically, challenging myself to find substantive ways for visitors to contribute to our museum. And when I think back on the past year, some of the most magical things that have happened at the museum have NOT been designed by us. We don't have to convince them that it's their museum.
Jasper Visser and his colleagues at the not-yet-physically-open National Historisch Museum of the Netherlands have impressed me with their innovative, thoughtful approach to developing a dynamic national museum. Last weekend my museum presented itself at the Uitmarkt in Amsterdam.
What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? But for museum and art wonks, it could be. Will the bureaucracy of the institution drown the artists in red tape?
I just got home from the Museums and the Web conference in Indianapolis. I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. Instead, I found a standard art museum. Impersonal guards.
The article opens with a question that visitors to Disney theme parks frequently ask of Disney employees, “What time is the 3 o’clock parade?” Reading this immediately reminded me of my years working in museums, developing exhibitions and training and supporting volunteers who worked as interpreters in our blockbuster shows.
This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.
This could also potentially open the conversation with grantees about how they are sharing their findings/lessons learned with others. One that stood out to me (perhaps because of my proud Indy background) was the public dashboard at the Indianapolis Museum of Art. It is the same dashboard that the Board of Directors receives.
This post summarizes the content I shared in my presentation and offers some reflection on the conversational keynote. I started my talk with a story about why I liked Twitter: It allows me to connect with people in my professional field and have a great conversations or ad hoc collaborations that improve practice.
Forum One’s recent design work with the Smithsonian National Museum of African American History and Culture (NMAAHC) Simmons Talks series was a dream come true: an opportunity to put passion behind a design that I believe in and honor the work of others who inspire me. Endowed by Dr. Ruth J.
A lot of the conversation is about NFTs as an evolution of fine art collecting , only with digital art. Could I pull off a museum heist to steal NFTs? Part of the allure of blockchain is that it stores a record of each time a transaction takes place, making it harder to steal and flip than, say, a painting hanging in a museum.
As a Historic Interpreter for Telfair Museums, I would lead visitors through the Owens-Thomas House and Slave Quarters on a 45 minute guided tour of antebellum Savannah history discussing politics and urban slavery. When the Museum closed I was expecting the next few weeks to be different. I set up digital lunches.
This August/September, I am "rerunning" popular Museum 2.0 I''ve been thinking recently about how I originally got interested in talking to strangers in museums. Working in museums as floor staff cracked open the social stranger door for me. I was sought out and could initiate conversations. It was blue.
This week we're hearing from Eastman Museum's Kate Meyers Emery. And, with her, I've had conversations that stick with me. I honestly still think about a conversation I had with her years ago about interpretation. I honestly still think about a conversation I had with her years ago about interpretation.
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