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In this post, you’ll learn why diversifying your funding matters and get tips and ideas for starting the conversation with your counterparts in development. Why Funding Diversity Matters (and What Finance Can Do to Support It) Before diving into specific ideas, let’s talk about why having diverse funding is so critical.
We are very excited to connect with the amazing people who work hard to amplify the online museum experience at this year’s virtual MuseWeb 2021 conference in April. Conversational Marketing: Can Chatbots Increase Engagement with Your Museum? Read the full description. Read the full description.
Museums, archives, and libraries share many goals and functions. The items that museums, archives, and libraries collect reflect the human spirit. In archives, libraries, and museums, curators use their judgment to select and arrange artifacts to create a narrative, evoke a response, and communicate a message.
Have you ever been to a restaurant, museum or shopping mall and needed to use the bathroom? You halt the conversation and break away from your loved ones. This is the basic idea behind microcopy. Once your microcopy is written and your platform is ready to use, it’s a good idea to make sure it’s ready to be used by other people.
My latest contribution to the Stanford Social Innovation Review is now posted – you can read the post and join the conversation on the SSIR opinion blog , or in full below. Museums, tour groups, and history societies could all make use of Historypin for sharing tours and routes, complete with images and stories.
This month, we're thinking about the way we do work in museums. So many wonderful ideas, and I shared a few below. A few offered solid concrete suggestions that take the big idea of "advocacy" and make it concrete, like list wages on hiring requests and refusing to use unpaid interns. Read Fierce Conversations.
This includes summer art camps, museums, theaters, art galleries, and more. This would involve setting up one-on-one virtual conversations with your arts organization’s local celebrities. This idea is a way to not only make personal connections in your community, but raise money while you do it. Don’t be discouraged.
Pop-Up Museum [n]: a short-term institution existing in a temporary space. a way to catalyze conversations among diverse people, mediated by their objects. Over the past few years, there have been several fabulous examples of pop-up museums focusing on visitor-generated content. The goal is promoting conversations.
It gave me a chance to really think about how we have been opening up our museum and what it means for our community. Museums can be incredible catalysts for social change. We can change that by embracing participatory culture and opening up to the active, social ways that people engage with art, history, science, and ideas today.
You can check out the post and conversation there , or read a copy of the post below. Global use of social media is also a great way to amplify voices, ideas, and stories. My latest post is up on the Stanford Social Innovation Review opinion blog. Meetup Everywhere. Don’t forget the global context!
Dear Museum 2.0 As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). I am closing down my consulting business at the end of April, but the Museum 2.0 Here are a few things that make the MAH an exciting museum to me: It's small.
Once upon a time, there was a beloved children’s museum in the middle of a thriving city. The brilliant team at the museum set out to find a bigger space and ran a successful capital campaign to expand to a much larger location. Like the set of the movie Night at the Museum , these guests had the whole museum to themselves.
I asked Wendy Pollock and Kathleen McLean, authors of the new book The Convivial Museum , to share a guest post about the book. At first glance, our new book, The Convivial Museum , is about the most simple ideas. The book is organized around five main ideas: Conviviality is what it means to "be alive together."
Below, I’ve shared my keynote remarks and slides and I hope you’ll share your ideas and further the conversation in the comments. Another barrier is the idea that we are all so different. Libraries: The Oldest New Frontier for Innovation. You have to go beyond that and listen for action.
I come across so many great conversations, ideas, and resources all over the web every day. You can join the conversations in the comments, or click through to the original posts to find what others are saying. Here are some of the most interesting things I’ve found recently (as of February 1st).
Museum Management. Some nonprofits have surveyed their audiences on Facebook or Twitter in less structured ways to get feedback on content and engagement ideas. I’ve done so on my own Facebook Page. Surveys can help get data to form a baseline, benchmark, or inform strategy. Front of House team. Fundraising team.
One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 First up is Beck Tench, a "simplifier, illustrator, story teller, and technologist" working at the Museum of Life & Science in Durham, NC. As a person who works for a science museum, I work in an environment that supports play.
I use an RSS reader to aggregate articles to read, a bookmarking tool (pinboard) to save links of interest, and conversational tools (Twitter and Facebook) to share. At our museum, Pinterest is a primary tool for brainstorming and sharing ideas. At our museum, Pinterest is a primary tool for brainstorming and sharing ideas.
Dear Museums on Twitter, Thanks for experimenting in a new and largely uncharted online environment. So here is a list of suggestions that hopefully will improve the way your museum thinks about using Twitter. Or it's rainy so you suggest I visit the museum? I am a museum of Native Cultures and Art!" You could do better.
Over the past three years, the Detroit Institute of Art (DIA) has served as the museum poster child for the debate on the public value of the arts. Last year, the DIA was saved from financial crisis by voters in its three neighboring counties who elected to take on an additional property tax to support the museum.
I first met Amy Fox when she de-lurked on the Museum Computer Network listserv. " Indeed, her first post summarized some observations from her research on how museums were using Twitter for her masters thesis. I'm fascinated by social networking and am interested in finding ways for museums to appeal to all types of people.
Last week''s New York Times special section on museums featured a lead article by David Gelles on Wooing a New Generation of Museum Patrons. In the article, David discussed ways that several large art museums are working to attract major donors and board members in their 30s and 40s. David describes himself as a "museum brat."
This month we’ve been thinking about “What is a museum?” (I'm I’ve been visiting museums my whole life. Does that make me the best judge of museums? People are the defining characteristics of museums. I’ve worked with and at plenty of museums that can sometimes feel empty. I'm not alone there.
I'm heading this weekend to the American Association of Museums conference in Minneapolis. I hope this year that some of these questions can introduce me to new people and new ideas. Here's what I'd love to explore at AAM this year: Event-driven models for museums. (No relation to AAM. How prevalent is this?
The Western Museum Association was kind enough to invite me to speak on a panel about engagement at their annual meeting in Boise. Phillip’s early remark about museums was an invocation for everyone. As an outsider, he immediately saw that museums were operating “under a business model that doesn’t work.”
The Smithsonian National Museum of African American History and Culture. To provide tools and guidance to empower people’s journeys and inspire conversation about race, the Smithsonian National Museum of African American History and Culture (NMAAHC) developed “Talking About Race.”
Recently, we''ve been talking at our museum about techniques for capturing compelling audio/video content with visitors. It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. We ended up with a gallery in the museum instead. That is more curated.
Monday, May 18th is International Museum Day , the mission of which is to raise awareness of the fact that, “museums are an important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples.”. 2019 saw more than 55,000 museums across 150 countries participate.
I spent last week in the glorious country of Taiwan, hiking, eating, and working with museum professionals and graduate students at a conference hosted at the Taiwan National Museum of Fine Arts. It's not topic-specific; I've done these exercises with art, history, science, and children's museums to useful effect.
Our participants came from a variety of sectors including museums, advocacy, arts, religion, and education. Given the variety of sectors represented, there were a unique range of ideas that leaders shared, such as; • A museum, unable to have visitors, became much more connected with. Teeny Conversation on Feb.
That’s right – we’ve rallied 13 nonprofit thought leaders to share their best fundraising strategies, tips and ideas with YOU. By Madeline Turner : A lover of words, fellow middle children, bold ideas, and Thai food. Tweets about #marketing, #nonprofit and #nptech,#arts and #museum best practices.
Forum One partnered with the Museum on a full website redesign and upgrade, to welcome more diverse audiences and provide a space to discover our shared American history through a modern, inclusive, and forward-looking digital experience. Thank you, thank you, thank you!
The event also included plenary speakers, including a provocative talk about data methods from Alexandra Samuels and cross-track sessions from traditional panels to unconference. The culmination of these two and half very intense days was an Idea Accelerator Lab. Scribe: The role of the scribe is to capture ideas and build group memory.
As part of my work as Visiting Scholar at the Packard Foundation and coaching grantees on becoming a Networked Nonprofit and using social media effectively, I’ve also been talking to boards including the museum board above.
Jasper Visser and his colleagues at the not-yet-physically-open National Historisch Museum of the Netherlands have impressed me with their innovative, thoughtful approach to developing a dynamic national museum. Last weekend my museum presented itself at the Uitmarkt in Amsterdam. I believe it worked brilliantly.
Like Seema, I've been looking for ways to increase active resistance of racism, hate, and bigotry--both as an individual and as the leader of a museum. Seema and I have started an open google doc to assemble ideas for specific things museums and museum professionals can do to resist oppression. Museums are ideas.
On a recent trip to the Children's Museum of Pittsburgh, I noted a discussion board in the "Nursery" gallery. The questions are written for parents and caregivers to share tips, ideas, and stories with each other. There were also funny ideas, like "Grandma in the back seat," as well as a healthy debate about the merits of DVD players.
El Museo Reimaginado is a collaborative effort of museum professionals in North and South America to explore museums' potential as community catalysts. I'm generalizing grossly here, but for the most part, I find European museums to be conservative. I find North American museums to be risk-averse.
This post summarizes the content I shared in my presentation and offers some reflection on the conversational keynote. 337. I was also an early member of Netsquared Community , another one of Marnie’s brilliant ideas that rocked the field. Conversational Key Note. These ideas are illustrated in the slides below.
YBCA:YOU is an intriguing take on experiments in membership and raises interesting questions about what scaffolding people need to have social and repeat experiences in museums. Joël will monitor and respond to your questions and ideas in the comments section. Secretly, each wishes the other would turn and ask: “What do you think?”
After the International Committee on Museums spent some time debating the definition of museums, many folks took up the charge on social media to give their own definitions. I know I’m missing early innovators of interaction in museums; feel free to tell me who in the comments.) We need new #MuseumVerbs.
This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.
This could also potentially open the conversation with grantees about how they are sharing their findings/lessons learned with others. One that stood out to me (perhaps because of my proud Indy background) was the public dashboard at the Indianapolis Museum of Art. It is the same dashboard that the Board of Directors receives.
One, from a museum director. It is not code for one idea. Heck, no museum exhibition hits them all. Invite the conversation about forms of quality, and the different outcomes of different forms. Core Museum 2.0 Ideas cultural competency design' Engaging new people. Engaging more diverse people.
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