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You’ve read about participatory grantmaking—and maybe even heard about other organizations using this model to distribute control of their funding strategy and grants decisions to the communities they serve. But it is a different way of thinking for most grantmakers, so it can be difficult to know where to start. Is this you?
re not creating a billboard, but rather starting a conversation -- you have to be willing to respond." Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century." vlogging, and podcasting).
Over the last 25 years I’ve been doing training, I’ve learned different and applied different methods from either being a “student” in a training facilitated by someone using a method, being trained in the method, co-designing with others, and designing and facilitating my own sessions. Reflective Practice.
I come across so many great conversations, ideas, and resources all over the web every day. You can join the conversations in the comments, or click through to the original posts to find what others are saying. Here are some of the most interesting things I’ve found recently (as of August 16th).
Last month, the Irvine Foundation put out a new report, Getting In On the Act , about participatory arts practice and new frameworks for audience engagement. This report is not an end-all; it is the opening for a conversation. Excellent case studies, especially from the performing arts sector. What do you get out of the report?
It was fascinating to see people--across social differences--responding to representations of love in the paintings, images, objects and narratives that were part of the installation. It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement.
Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. Constrain the input, free the output.
In 2009 , students built a participatory exhibit from scratch. This year, we took a different approach. Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. You can explore the projects in full on the class wiki.
This person is writing about a participatory element (the "pastport") that we included in the exhibition Crossing Cultures. Each prompt was tied to a different artwork in the exhibition. The idea was that people would spin the wheel and start a conversation. Each of these activities invited contribution on a different level.
When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. Forrester created the “social technographics” profile tool to help businesses understand the way different audiences engage with social media (and you can read more of my thoughts on it here ).
She did several things over the course of the tour to make it participatory, and she did so in a natural, delightful way. This immediately led to cross conversation. But Vi's tour also reminded me how dramatically different a community museum is from a typical institution. But participatory facilitation can be taught.
While there, I was lucky to get to experience a highly participatory exhibition that the MIA mounts once a decade: Foot in the Door. In fact, I think there is an expectation that some works will be great and others crap--and visitors revel in the opportunity to arbitrate the difference themselves.
When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. Forrester created the “social technographics” profile tool to help businesses understand the way different audiences engage with social media (and you can read more of my thoughts on it here ).
What are the power dynamics behind that hesitancy, and how can we create space for conversations around this challenging topic? The leaders also used endowment advisors to help them think differently about financial strategy. Yet, many funders are hesitant to fund endowments.
Since social media encompasses many different types of tools, and each tool has specific characteristics and a steep learning curve, a toolkit approach can quickly become overwhelming. Different thinkers and practitioners use different terms to describe similar tools and practices. The Second C: Collaboration.
Amplified Leicester is a city-wide experiment designed to grow the innovation capacity of Leicester by networking key connectors across the city’s disparate and diverse communities in an incentivised participatory project enabled by social media. Ideally, you’d run this workshop with your team, organization, community group, etc.
This participatory event is offering two days of focused discussion about—how these networks, and the capabilities that power them, can be effectively leveraged to create greater impact. Next, Daniel Ben-Horin gave us the context of the TSG Network and hopes for the future that would emerge from the conversations over the next few days.
As you can see from the schedule overview , this is more of a participatory event versus the traditional conference with powerpoints and panelists. NTEN is hosting the “ Leading Change Summit ” in San Francisco from September 3-6th. Early bird registration ends on July 31 and scholarship information is here.
Listening to and consulting the crowds: Actively listening to online conversations and openly asking for advice. Bridging differences: Deliberately connecting people with different perspectives. We will be influenced by what our connections think and information production and distribution will become more participatory.
It is also a Twitter term that describes a keyword, prefixed by that symbol, that helps people track conversations on Twitter. Nonprofit Use #1: Events and Conferences Since those early days, hashtags have been used in different ways by nonprofits. Photo by Mansikka. What is a #HashTag? A hashtag is this symbol: #.
But it never hurts to review what information you’re asking for and whether it can be shortened or be collected in a different way. Think through whether these templates should be required or if your applicants can submit the same information—which they probably have from a different grant application—in a different format.
I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. Are participatory activities happening on the web because that is the best place for them? You join the Brooklyn Museum’s posse.
Like all good training sessions, this workshop started off with an opening conversation that allowed us to get to know others in the room and connect to what we already know. Heather facilitated this exercise as a series of share pairs where we discussed each question with a different partner for a few minutes.
Establish local networks of individuals and organizations using social media to help build stronger organizations and more participatory societies. Trainer the Trainers: Beth Kanter, Mohamad Najem, Jessica Dherre, and Mary Joyce.
Quality Shakespearian theater is different from quality contemporary dance. Here, in no particular order, are ten different kinds of quality in arts experiences: AESTHETIC: is it beautiful? PARTICIPATORY: can people get involved or contribute to it? High participatory quality, low technical quality. It can unlock several.
This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. Tags: Book: The Participatory Museum. Check out the other parts here. What did they do? Why did they do it?
Note: the title of this post pays homage to Elaine Heumann Gurian's excellent and quite different 1981 essay of the same title. In 2008, the conversation started shifting to "how" and "what." Are there certain kinds of institutions that are more well-suited for participatory techniques than others? Yes and no.
In this "speed geeking" format, participants will rotate through presenters' tables to discuss different topics. Live: Participatory Events, Webinars, Conversations, Local and Global. Tweetchats — A TweetChat room opens with a hashtag like our recent #NPtagging conversation. We think Watchitoo.
--Elaine Heumann Gurian, The Importance of "And" Recently, I''ve been embroiled in local and national conversations about the relationship between active participation and quiet contemplation in museums. Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far.
And aren’t those different that the issues other groups of people face? There was an interesting mini-conversation, which, in retrospect, I really wish I’d had a chance to explore more, about the supposed "egalitarian" nature of free and open source software development. That speaks volumes to me.
How can you tell the difference? Tweet conversations about you. Networks, groups, applications, conversations, meet-ups, T-shirts, donations, volunteer events and political actions receive community wide support and in many cases are created by the community itself. happen instead of links from your Twitter account.
This is the third in a four-part series about writing The Participatory Museum. This post covers my personal process of encouraging--and harnessing--participation in the creation of The Participatory Museum. As the participatory content review progressed well, I started looking for other ways for people to help.
People have their own customs online, they act differently, and it can be hard to find your way around. He defines participatory culture as a culture: 1. Our conversations here in the blogosphere are participatory, although it would be nice to have multimedia conversations. using the web???s
I’ve always dreamed of accessing a diverse network of people who do nonprofit capacity across different disciplines or what Nancy White has described as “ learning from adjacent practices.” Need safe and supported spaces for difficult movement conversations. Lack of platforms/resources to facilitate innovations.
I had to imagine the deep conversations visitors had as they deliberated on which painting to vote for. The whole process of being interviewed for the story made me question the stories we tell and words we use to describe participatory work. What is the metaphor for participatory arts? Projects participatory museum'
The Leading Change Summit was drastically different from the Nonprofit Technology Conference, NTEN’s flagship event that has over 2,000 attendees, dozens of tracks and hundreds of panels, big parties, a trade show, and all the things you would expect from a traditional conference. Taking in New Ideas: Facilitated Listening.
Visitors bond and bridge through participatory experiences at MAH. Bridging refers to an inclusive and outward looking form of linking different and diverse individuals and groups together to form new relationships. I learn a ton from her every day and wanted to share her thinking--and her graduate thesis--with you.
I am asking myself and colleagues who do networked NGO training and social media skill building outside the of US – the question about building resilient networks and how to incorporate non-violent techniques. [ here and here ]. We don’t have any answers, but we all feel that our work is all the important as is a conversation.
Datamaking, as an aspect of knowledge building , can even contribute to civic engagement and participatory democracy. However, when we initiate a more practical conversation, we can determine which questions will be most useful. Each member of the team brought a different perspective based partly on their work in the organization.
Based on the conversation with these grantmakers, here are four ways grantmakers can make sure all stages of their funding programs include the voices and perspectives of women. Participatory grantmaking has been a big part of the Boston’s Women’s Fund since its founding. Artwork by Toya Beacham See Women and Girls.
In ongoing conversations with John Gautam on Twitter, I've learned more about how their overall social publishing strategy which balances their curated content or "branded" content with community conversations to co-create social content. He offered to write a guest post sharing more about how their social publishing strategy.
Answers will differ depending on who's asking, but they are also influenced by the designed environment in which questions are asked. People answer questions differently in harshly lit interrogation rooms than they do in welcoming therapists' offices or in the privacy of their own computer terminals.
Note: the title of this post pays homage to Elaine Heumann Gurian''s excellent and quite different 1981 essay of the same title. In 2008, the conversation started shifting to "how" and "what." Are there certain kinds of institutions that are more well-suited for participatory techniques than others? Yes and no.
We can change that by embracing participatory culture and opening up to the active, social ways that people engage with art, history, science, and ideas today. The difference in what we contribute is in the design of the invitation conferred onto us. Museums can be incredible catalysts for social change. But they're not there yet.
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