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The National History Museum of Los Angeles does a great job of highlighting their staff in their Instagram posts. Be sure to cite the original poster, and tag it with the #regram. Encourage interaction on your feed by running contests, asking questions, ask for a #regram, and encourage people to share your message.
Before the session, I spent some time reviewing Museum Facebook Pages – luckily the MIDEA project has them organized into this handy list. I had hoped to find a good example of a museum or an arts organization with a custom landing tab. Aliza Sherman's "Birth of A Superfan" as it applies to Facebook and Museums.
On October 20, a young woman named Kate will move into Chicago's Museum of Science and Industry and live there for a month. This post is not about the Month at the Museum concept or implementation. Instead, this post focuses on a fascinating aspect of Month at the Museum: the video applications. That will come later.
For example, Jay Baer’s and Amber Nashlund’s new book, The Now Revolution , uses Microsoft’s version of QR codes called Tag technology , so readers can scan pages and get additional bonus materials on their phones. QR Codes: fab or a fad for Museums? View more presentations from Museums Computer Group.
Even if tech-savvy visitors do post, who’s to say that they will be sure to tag you? According to The Art Newspaper’s annual survey in 2021, visits to the world’s 100 most-visited museums plummeted by 77% in 2020 due to the coronavirus pandemic. Photo Credit: Devon Rose Turner, Natural History Museum, London. .
Nina has written a fantastic book engagement called The Participatory Museum. Most of my work involves museums, but these categories can be useful in any project that involves user participation. Blog commenters are contributors, as are people who engage in contests. I've purchase a two copies, one for me and one to give away.
Also found in the NpTech tag stream and a good backdrop to this conversation is " When the best tool for the job. context: How are museums encouraging stickiness and user investment in their proposed and in some cases, already developed, post 2.0 situation unless museums can get the ???stickiness??? public information???
Louis City Museum's amateur video contest. And therein lies an essential problem with this and other similar museum forays into Web 2.0: For those who haven't visited, the City Museum is part obstacle course, part art city, part shoelace factory. And in June, they launched a creative user-generated content contest.
When I announced the contest, I thought there was one important book missing, Shel Israel's Twitterville. The runner up winner was Maureen Dowd from Open Museum What I propose to do with the library you are offering is read it, try it, share it, and let you know how it works for me, my colleagues and the people we influence.
Margaret shared these thoughts about "museums for use" on her blog , and I asked her to adapt a version for the Museum 2.0 Should a museum be a destination or a place for everyday use? During my time at RISD studying industrial design, I developed relationships with two museums on campus: the Museum of Art and the Nature Lab.
is a web-based digital photo sharing application that uses tags to facilitate finding people and photos. Why Museum Professionals Should Use Flickr from the Musem 2.0 Indianapolis Museum of Art Visitors sharing photos in a group. Creative Commons Swag Contest and I won! Freedom from Oil Flickr Photo Contest.
Let’s say you wanted to find a model museum using Web 2.0 A place that does all this in the context of a fairly traditional collections-based museum. A place that does all this in the context of a fairly traditional collections-based museum. It’s the Brooklyn Museum. They just finished a YouTube video contest.
I once asked Elaine Gurian how museums can change. Here's the problem with both of these ways: they require circumstances that are outside of most museum employees' control. Here's the problem with both of these ways: they require circumstances that are outside of most museum employees' control. There's no client, no cash.
Nik inquired as to how I feel about museum blogs. what's your take on museums that keep blogs? In general, yes, I think that museums maintaining blogs is an effective, cheap way to get changing content out to the public frequently. version of the news clippings tackboard on “Current Events” in hallways of some museums.
I was thinking I’d do a few alternative histories of museums for the first post of the last month of the decade. As I imagined a world without the many museum tech projects of the decade, I felt inherently sad about the imagining away the successes that friends and colleagues have enjoying. But I couldn’t get there.
On Monday, David Klevan (from the US Holocaust Memorial Museum) and I spoke at the MAAM Creating Exhibitions conference about Web 2.0 and museums. framework, and David shared lessons learned from the huge range of projects the Holocaust Museum has initiated. I provided the Web 2.0 and sniff around.
This guest post, written by Philippa Tinsley, Collections Manager for the Worcester City Art Gallery and Museum (UK), describes the innovative Top 40 exhibition they mounted in the summer of 2009. In my experience, museum professionals aren’t big reality TV viewers.
I read recently about an awesome project at the San Jose Museum of Art in 2001, Collecting Our Thoughts, in which visitors were invited to write the labels for an art exhibition (more another time). But it's a lot of fun, and it could be a great way to construct a personalized takeaway from a museum experience. Pick a plural noun.
at the Brooklyn Museum, where you could track how people of various levels of art expertise rated crowd-contributed photographs. Even ArtPrize , the "radically open" art festival that was judged last year by public vote alone, will incorporate a juried contest as well this year. Tags: Museums Engaging in 2.0
There are lots of museums (and organizations of all kinds) looking for ways to inspire users and visitors to produce their own content and share it with the institution online. The World Beach Project is managed by the Victoria and Albert Museum in London with artist-in-residence Sue Lawty. It's not marketing hype.
No, these are neither the words of a self-important curator nor a well-spoken museum director. the crowd-curated photo exhibition now open at the Brooklyn Museum of Art. It is a substantive research contribution by the museum to the social technology field at large. As with any good museum exhibition, Click!
It's been awhile since I've shared the progress of The Tech Virtual , the web and Second Life-based virtual exhibit workshop that The Tech Museum of Innovation opened in December of 2007. Some of these people are professional artists or exhibit designers, but most are just talented folks with an interest in museums.
Zen and the Art of Nonprofit Technology speaks about how difficult is to be objective, while Social Source blog described it as a high school popularity contest. Someone tagged the NGO-in-a-Box with nptech just today. Where's the conference tag? Update: Tactical Philanthropy announces the 2007COF tag! Paul Lamb might.
Work for many museum managers has gotten real recently, I suspect. Museums are a very small sector ( though larger than coal-mining! ). I’m not talking about a popularity contest. Art Museum Transparency is one good example of this; as are Museums Respond to Ferguson and #Museumsarenotneutral.
Many museum people, when you suggest letting visitor rate content/exhibits/programs, bring up the “American Idol” argument. You can’t let people vote, they say, because it will push museum content to the lowest common denominator. Museums will become American Idol machines, putting out crap that panders to unthinking consumers.
In museums, we always assume that everyone wants to get their hands dirty and “do it.” But are there ways to create games in museums that are as exciting to watch as they are to play? But the combination of the pressure on the contestant, the personality of the host, and the dollars involved make it an enthralling half hour.
How is a museum like a radio station? It’s called Pandora , and its successes reveal interesting lessons about aggregating museum content. Instead, it uses hundreds of tags, signifiers assigned to each song by a team of musicians, to find correlated songs that may be of interest. For each song, I could click a “Why?”
What museum hasn't benefited from a giant blow-up dinosaur on its front lawn? Flying into San Jose yesterday, I laughed out loud when I looked out the window and saw Clifford the Big Red Dog below me, a cheerful addition to the skyline (thanks to the Children's Discovery Museum). Tags: Unusual Projects and Influences game.
Cultural Connections is a group of museum professionals who meet up a few times a year and host excellent programs on a variety of topics. This week, they hosted "Let Them Be Heard: Visitor Participation in the Museum Experience," featuring four presentations on incorporating visitors' content into museums. Here's what they did.
This week, a look at Chapters 16 and 17 of Elaine Gurian's Civilizing the Museum. But the issues raised and the ideal presented are still highly contested today. Why don't more museums do this? The real question is how the team approach affects the visitor experience.
It's Labor Day, and across the country, a working dichotomy is manifest in museums. Few would contest their value and service to institutions that generally pay them poorly for the often monotonous work of facilitating smooth, positive guest experiences. Administrative offices are dark while the galleries are packed with visitors.
On June 4, we opened The Tech Virtual Test Zone , a new 2000 sq ft gallery at The Tech Museum of Innovation featuring exhibits on the theme of art, film, and music that were originally developed in Second Life by a community of creative amateurs. Some museum pros have been puzzled by this. It also focused the experience.
to look askance at contests. They received over 4,000 submissions from all 50 states, which were judged by a panel of seven—including museum staff and outside artists. Brandon noted that there were noticeable differences in voting trends between in-museum and web visitors, though the winning piece won in both venues.)
No one would contest the idea that most museum exhibitions, art shows, films, books, in short, most content experiences, have value both for the new and return user. Most visitor-generated museum experiences are about creating, not curating, content. Why would someone want to contribute metadata to the museum experience?
How could museums be part of this? There are lots of science museums with exhibits that provide simulations of exactly these phenomena. And there are also many museums touting their green architecture etc. Give people voice recorders and hold a contest to see who gives the most compliments over a weekend.
While this post is not about museums, it tells the story of how a performance group developed participatory elements as an integral part of their show. By 1973, we’d added our first audience participation segment, the Dance Contest. It was a real contest, with actual contestants “who these guys have never met before.”
The exhibition of the art pre-decision exposes people to the art and creates buzz around the prize, and, more importantly, it brings museum visitors into the decision process. Tags: exhibition Museums Engaging in 2.0 For eight weeks, their work is on view, and then the jury reconvenes to select the winner. Projects.
How many museums have stacks of comment books that are only culled for the gushing quotes that belong on annual reports? Many staff react against this, saying that curation is the museum's job and shouldn't be reduced to a popularity contest. Many museums claim to be (or desire to be) accountable to their local communities.
Less than two hours ago, Chase Community Giving made the much anticipated announcement of the lucky winner of $1 million dollars and five finalists each receiving $100,000 on its contest Fan Page. It's left some nonprofit professionals wondering whether these types of contests are a good idea. and Sdfj Dfsjlfkddjf. Change.org reported.
More generally, ScratchR relies on the community to largely self-police via the Flag as Inappropriate tag. The ScratchR team intentionally wanted to avoid a massive popularity contest, so they promote activity on the site, not aggregate growth of views, loves, or downloads. Tags: Technology Tools Worth Checking Out web2.0
The whole idea got started a year ago when James Leventhal who is Deputy Director for the Contemporary Jewish Museum asked me if I would design some trainings for the local arts community. Opera San Jose gave a presentation on its #operaplot hashtag contest where participants has to tweet the plots of operas in 140 characters.
Gamelab, the people behind Diner Dash and other casual games, have posted a contest on their forum, the Subway Scramble Commuter Contest , in which they are soliciting stories of games people play while commuting by train, car, bike. What are your favorite casual museum games? Tags: game. you get the idea.
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