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Its staggered form, lined with outdoor bridges, terraces, and planted gardens, seamlessly combines multiple buildings and creates a unique setting for community that is nonetheless protected from nearby congestion. Some of the projects will also add new community buildings, and all are aiming for net zero energy use.
Since then, Stacey has become an indispensable member of our staff, leading our community programs and inspiring us to think in new ways about how we can build social capital in our community. I chose to focus my thesis on Community and Civic Engagement in Museum Programs.
This post was written by Jaime Kopke , the founder/director of the DenverCommunityMuseum , a pop-up community-generated institution that ran from Oct 2008-April 2009. The DenverCommunityMuseum (DCM) was a grassroots operation in almost every sense.
I'm just home from a whirlwind of speaking engagements--Oslo, Denver, Charlotte, Roanoke. It gave me a chance to really think about how we have been opening up our museum and what it means for our community. Museums can be incredible catalysts for social change. How can we make museum objects more like dogs?
Pop-Up Museum [n]: a short-term institution existing in a temporary space. Over the past few years, there have been several fabulous examples of pop-up museums focusing on visitor-generated content. Maria Mortati runs the wonderful SF Mobile Museum , which roams the Bay Area showing mini-exhibits on evocative themes.
Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations.
I've always been a bit confused when people talk about the impact of a museum or arts institution as being about "more than numbers." I understand that some museum offer extraordinary, intimate programs. Low attendance is often a sign of tepid community involvement or interest. I understand online vs. onsite. It makes sense.
Museum of Modern Art. Museum of Modern Art. Metropolitan Museum of Art. In addition to updating these lists several times a year, I will also be digging deeper into the specific online behaviors of these organizations and their online communities in search of tips and best practices. National Public Radio. Livestrong.
The digital storytelling approach powerfully illustrates all that NRDC has accomplished—from landmark legislation to practical changes that benefit the environment and local communities every day—to inspire audiences to support its work into the future and continue to grow its impact. The Frist Art Museum. Outstanding Website.
I believe that the museum blogosphere is still underdeveloped and there's lots of room for people to share their inspiration, experience, and ideas. When anyone asks me who's doing great work blending online and onsite experiences in museums, I send them to Beck Tench at the Museum of Life and Science. The Museum of the Future.
When I started at The Museum of Art & History (MAH) in May, one of my priorities was redesigning our website. I didn't want to do anything fancy--just make the site more functional, lively, easy to update, and reflective of the new institutional vision of being a community hub. MCA Denver ) or single rotating image (like JMKAC ).
The digital storytelling approach powerfully illustrates all that NRDC has accomplished—from landmark legislation to practical changes that benefit the environment and local communities every day—to inspire audiences to support its work into the future and continue to grow its impact. Arkansas Museum of Fine Arts.
The Indianapolis Museum of Art’s dashboard is an oft-cited example. Note from Beth: Check out this case study about The Indianapolis Museum of Art’s Dashboard). He is now the director of the nascent PlaceMatters Institute at the Denver-based nonprofit Placematters. 2) Status Dashboards. 4) Tracking Dashboards.
The digital storytelling approach powerfully illustrates all that NRDC has accomplished—from landmark legislation to practical changes that benefit the environment and local communities every day—to inspire audiences to support its work into the future and continue to grow its impact. The Frist Art Museum. The Vilcek Foundation.
How to celebrate Black History Month Support Black-owned businesses One of the many ways you can celebrate Black History Month is to support Black business owners in your community. Becoming a customer can help these businesses stay open and serve their communities’ needs, whatever they may be.
The digital storytelling approach illustrates all that NRDC has accomplished—from landmark legislation to practical changes that benefit the environment and local communities every day—to inspire audiences to support its work into the future and continue to grow its impact. National Air & Space Museum. The Vilcek Foundation.
Clearly these were meant to be distributed as we were 30,000 feet above Ohio perhaps, partway into my flight between Newark and Denver. As I sat on the plane, I thought about all the passengers flying to Denver simply to make connections to their final destinations. and how they may be applied to your work in the coming months.
When you count attendance to your museum, do you include: people who eat in the cafe? It''s about museum attendance and how the five big, free museums in St. Summertime concerts at the history museum? Outdoor movies at the art museum? If a kid gets dragged to a museum with their parents, do they count?
Talking to Monica, we found that we have a lot in common in trying to transform how our respective institutions serve and interface with the community. I'm trying to reposition our museum as a cultural hub supporting creative and intellectual community growth. These museums work differently.
That contemporary art museum is on the front of the LA Times again," she said. I can't believe that an art museum can be front page news in LA for days." He was mandated to turn the ship around financially and to expand the reach of the museum in the community. Museum management. Last week, my mom called.
In the final installment of Museum 2.0’s s four part series on comfort in museums, we get down to the basics: creature comfort. So for this last piece, we look at going the other way: making museums more physically comfortable. And on the walls, my friend explained, was art from the museum itself. There was funky music.
Photo by Jeska Linden in flickr Jeska Linden (Jeska Dzwigalski) is the Community Manager for Linden Lab , the creators of the virtual world Second Life , where she has worked since the summer of 2004. In 2001, I started at the Digital Media Studies Masters program at the University of Denver. I learned a lot from San Jose Art Museum.
Community science workshops. From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences. In 2003, writer George Scheer inherited his grandmother's thrift store and decided to turn it into an artists' center and museum.
Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more?
The folks at the AAM Center for the Future of Museums have been experimenting with sharing ideas in several ways over the past couple of years--through their blog , their weekly newsletter , and a series of research reports. Each article includes museum examples along with a broader look at the trend.
After more than 13 years working with nonprofit and cultural institutions, like the Denver Botanic Gardens , our firm has seen that these problems are epidemic. This means that when a new social media platform becomes popular, for example, the community can create an integration within a matter of days or even hours. About the Author.
Last week, I was in Minneapolis for the American Association of Museums annual meeting. Kathleen McLean led a terrific session called "Dangerous Ridiculous" about risk-taking in museums. Interestingly, at my museum, our team is naturally better at ridiculous than we are at dangerous. I found this idea really powerful.
I got my copy of the fall issue of Museums and Social Issues this week. The theme is "Civic Dialogue," and the journal includes articles on the historical, cultural, media, and museum practice of getting people talking to each other (including one by me about such endeavors on the web). A place many museums are not.
And thanks to you for engaging with their posts and with the reruns from the Museum 2.0 read The Northwest London Blues - a gorgeous essay by novelist Zadie Smith about libraries, British politics, and changing perspectives on community space. ArtsFwd is hosting a national innovation summit for arts and culture October 20-23 in Denver.
Start an exploratory project to open a small, probably struggling, museum? Forget your grand dreams and try to weave awesome strangeness into your regular museum job? In Denver there's another way. It involves an exotic museum bedfellow, the suburban real estate developer. It's a hip, energetic place.
Last month, the Christian Science Monitor published an article entitled, "Museums' new mantra: Connect with community." It took me a couple weeks (and various museum blog responses ) to realize what bugs me about this article--it treats "connecting with community" as a marketing ploy, a "mantra" rather than a mission.
The Livability Index scores neighborhoods and communities across the U.S. This is a ground-breaking web-based tool built using JavaScript technologies that presents the clearest picture yet of how well a community meets the current and future needs of people of all ages, incomes, ethnicities, and abilities. Pacific Science Center.
The Livability Index scores neighborhoods and communities across the U.S. This is a ground-breaking web-based tool built using JavaScript technologies that presents the clearest picture yet of how well a community meets the current and future needs of people of all ages, incomes, ethnicities, and abilities. Pacific Science Center.
Many of the talks are related to The Participatory Museum and I will have books for sale on all of these forays. Here's the list for the next two months: April 14-17 - Denver for Museums and the Web conference. April 29 - I'm heading to the Oakland Museum for the preview of its reopening. Both are open to the public.
Museums, zoos, and aquariums are finding that crowdfundraising can be a strategic tool to add to their fundraising playbook. Here are 3 arts and cultural organizations that have given crowd fundraising a go for compelling causes: National Air & Space Museum. Denver Zoo. That’s the beauty of crowd fundraising.
Live facilitation has a varied role in museums. In children’s and science museums, explainers are everywhere. From a financial and management perspective, however, many museums try to minimize live facilitation as much as possible. Many peoples’ most memorable museum experiences come from interactions with staff.
I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?
This social aspect makes it a powerful way to boost visibility in your community and raise money for your programs! Find out what this type of fundraising event looks like in action with the Junior Achievement Metro Denver Virtual Trivia Bowl. Donors are more likely to give when they know the person who’s doing the asking.
I was talking this week with Mark Allen, the founder of Machine Project (an alternative arts space in LA), about different models for community engagement in cultural institutions. The framework is the format or setup for how community members are invited to participate. But it's far more typical to focus on just one.
And now, Meow Wolf is headed to New York City with a brand new otherworldly museum, it was announced today from the stage of SXSW 2025. While the NYC installation’s opening date has yet to be announced, it will be Meow Wolfs seventh museum overall. The broader theme will be one that feels right at home in New York City.
The study specifically excluded institutions without employees, museums, religious institutions, hospitals, and membership organizations to focus on traditional higher education institutions like Harvard, NYU, Johns Hopkins, Duke, and others.
The Institute of Museum and Library Services was also on the list. Congress created the IMLS in 1996 through the Museum and Library Services Act. The law merged the Institute of Museum Services, which was established in 1976, with the Library Programs Office of the Department of Education. The Conversation U.S.
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