Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

Nina has written a fantastic book engagement called The Participatory Museum. When, on the other hand, amateurs had the opportunity to help design scientific questions or disseminate research results, they often felt more ownership of the project and greater interest in using scientific methods to address their own community needs.

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Model Activities Activism Active 98

Museum 2.0

NOVEMBER 20, 2017

El Museo Reimaginado is a collaborative effort of museum professionals in North and South America to explore museums' potential as community catalysts. And the conference itself resonated with joy, participation, and community. I find North American museums to be risk-averse. Pioneers of communitario museums.

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Museum America South America Participatory 40

Museum 2.0

OCTOBER 15, 2019

The Western Museum Association was kind enough to invite me to speak on a panel about engagement at their annual meeting in Boise. Phillip’s early remark about museums was an invocation for everyone. As an outsider, he immediately saw that museums were operating “under a business model that doesn’t work.”

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Museum Audience Conversation Associations 30

Museum 2.0

JANUARY 25, 2018

For the past five years, each summer, the Santa Cruz Museum of Art & History has hosted MuseumCamp. Some people want an outcome-oriented training (as opposed to a community co-created summer camp). This new, experimental training is a hands-on deep dive into the MAH’s model. And it's not just for museum people.

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Community Participatory Museum Registration 31

Museum 2.0

AUGUST 16, 2017

Like Seema, I've been looking for ways to increase active resistance of racism, hate, and bigotry--both as an individual and as the leader of a museum. Seema and I have started an open google doc to assemble ideas for specific things museums and museum professionals can do to resist oppression. Museums are ideas.

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Museum Doc America National 40

Museum 2.0

MAY 2, 2012

Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. A year ago, I put my consultant hat on the shelf and decided to jump into museum management (a sentence I NEVER would have imagined writing five years ago). THINGS I’M MOST PROUD OF: Redefining our role in the community.

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Museum Director Participatory Culture 55

Museum 2.0

JULY 2, 2014

Those are places that build community. Or rather, those are places with the potential to build community. But what if we designed public space for community? Not that bonding with people we already know is bad, nor that we don''t want to support it at the museum. Collaborations with unorthodox community partners.

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Design Community Museum Hype 47

Museum 2.0

JUNE 27, 2012

A year ago, I wrote a post speculating about whether events (institutionally-produced programs) might be a primary driver for people to attend museums, with exhibitions being secondary. Many museums, big and small, thrive on events. At our museum, about 68% of casual visitors (non-school tours) attended through events this year.

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Museum Arts Dallas History 53

Museum 2.0

MARCH 9, 2009

I once asked Eric Siegel, the Director of the New York Hall of Science, why museums are rarely innovative shining stars on the cutting edge of culture. He commented that as non-profits, museums are built to survive, not to succeed. At one point, Mark commented that they have a "deliberately unsustainable" business model.

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Model Business Los Angeles Museum 55

Museum 2.0

AUGUST 14, 2013

One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 First up is Beck Tench, a "simplifier, illustrator, story teller, and technologist" working at the Museum of Life & Science in Durham, NC. As a person who works for a science museum, I work in an environment that supports play.

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Museum Roles Game Participatory 51

Museum 2.0

NOVEMBER 23, 2011

An exhibiting artist approached me recently at an evening event at the museum. But it's a question that many museums seem to address inadequately. It's interesting to me that so many museums debate admission fees but don't get comparably riled up about open hours. he said, "I have some feedback for you. He's right. They aren't.

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Museum Open Artist Audience 55

Museum 2.0

MARCH 24, 2020

The last ten years saw our work move toward the service sector as rentals become a very real part of our business model. The museums of the world are collaborating to bring you #MuseumGames every Sunday, with a new crossword puzzle each week featuring clues from all sorts of museums. ??: As with the service sector, so our fate.

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Museum Work Time Doc 20

Whole Whale

APRIL 24, 2024

I believe in the importance of nonprofit fundraising and the power of nonprofits to strengthen communities and lives. Kakati Consulting Group We design comprehensive fundraising models, develop actionable strategic plans, implement new data management tools, and evaluate outcomes for continuous improvement. Katherine Ngaruiya, Ph.D.

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Consultant Campaign Fundraising Phoenix 52

Nonprofits Source

JUNE 14, 2024

Arts and cultural organizations. Nonprofits such as museums, aquariums, theaters, and more may sell merchandise through gift shops, making POS systems extremely beneficial for them. This usually applies to consignment or thrift stores because they have sales models that rely on item donations.

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System Nonprofit Track Profit 52

Museum 2.0

SEPTEMBER 27, 2017

Our county board of supervisors had brought their official meeting to the museum. In it, I argued that museums could give up control of the visitor experience while still maintaining (a new kind of) power. Museums could make the platforms for those experiences. Traditionally, museums and cultural organizations offer programs.

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Platform Impact Childhood Museum 31

Museum 2.0

JUNE 28, 2017

I can think of many extraordinary innovators in the nonprofit cultural sector--people and organizations creating brilliant programs, site-based experiences, and products. Why aren’t more cultural organizations franchising, scaling, and replicating like comparable businesses? Precarious business model. Change may be necessary.

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Culture Organization Model Podcast 21

Museum 2.0

JULY 20, 2016

When we say we want our museum to be "audience-centered," what do we mean? However, I have enormous respect for the customer-centered model when it is executed in ways that truly invite visitors in on their own terms and deliver satisfying experiences. Many of my favorite museums, libraries, and zoos are customer-centered places.

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Museum Audience Music Arts 20

Museum 2.0

JANUARY 8, 2018

You run a regional museum. Now, you have a new vision--co-created with trustees and community leaders--for a path forward. This is the plan that plunged the Berkshire Museum into hot water. Rockwell donated those paintings himself to the Berkshire Museum to be enjoyed in his home community. How will you pay for it?

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Public Build Museum Detroit 40

Museum 2.0

SEPTEMBER 26, 2018

Our goal is to help civic and cultural institutions become more representative OF, co-created BY, and welcoming FOR their diverse communities. We've see this model succeed at the MAH and at other community-centered organizations around the world. We see OF/BY/FOR ALL as an adaptable playbook for community change.

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Los Angeles Network Oakland Change 31

Museum 2.0

JULY 26, 2010

I've been spending time recently interviewing people who run unusual cultural and learning venues. Community science workshops. From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences.

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Culture Alternative St. Louis Los Angeles 49

Whole Whale

SEPTEMBER 20, 2022

AS works with nonprofits across a wide range of industries, including arts and culture, the environment, foundations, and government. focuses on building collectives and community for social change. Orr Group applies analytical frameworks and ROI-based models developed in the for-profit world to help with nonprofit development.

Consultant 52

Consultant Fundraising Phoenix Atlanta 52

Museum 2.0

NOVEMBER 4, 2015

Each of these women push the boundaries of cultural institutions in different ways, with digital and physical manifestations. Ravon and Amanda are using several social media channels to explore and share museum exhibitions, programs, and projects. She writes about race, history, parks, culture, and politics.

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Culture Work Museum New York City 20

Museum 2.0

MAY 22, 2012

Imagine you've just been tasked with developing an innovative, future-thinking national museum for your country's history. Blueprint is the story of a group of people who tried to create a Dutch Museum of National History (INNL). The Museum directors released Blueprint as a showcase for these plans. Where would you start?

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Museum History Netherlands Create 36

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 1, 2013

.” The book offers up advice and techniques on how to make your online channels – email marketing, web site, and newer tools like mobile and social media work together in a sophisticated strategy or your organization to reach its advocacy, fundraising, or community building goals. The book offers some recipes for culture change.

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Campaign Online Chapter Model 98

Museum 2.0

APRIL 13, 2009

I spend a lot of time talking to people about social media--how it can be a model for real-life content venue interactions and how it can connect museums and cultural institutions to users in new ways. This is the reason that many museums and cultural organizations decided they needed websites in the late 1990s and early 2000s.

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Social Media Museum Culture Media 43

sgEngage

APRIL 28, 2022

I model the hospitality I expect our volunteers to show to visitors by welcoming them with warmth, fully listening and engaging when they are present, and showing appreciation for their choice to [volunteer] that day. – Rebecca Barnes, volunteer manager at Tellus Science Museum .

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South Dakota Volunteer Tips Social 92

Museum 2.0

AUGUST 20, 2009

I'm working on a section of my book about sharing social objects and am writing about the most common way that visitors share their object experiences in museums: through photographs. Revenue Streams: Museums want to maintain control of sales of "officially sanctioned" images of objects via catalogues and postcards.

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Museum Photo Policy Open 54

Museum 2.0

FEBRUARY 5, 2008

I was fascinated by our discussion, and Bob came to mind last month, when I was asked to write an article for the Association of Children's Museums quarterly journal, Hand to Hand , about children's museums and Web 2.0. To understand more, I turned to Elaine Gurian's article The Molting of Children's Museums? Why the uniformity?

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Classroom Children Museum Model 22

Museum 2.0

JULY 1, 2011

I've now been the Director of The Museum of Art & History in Santa Cruz for two months. Yesterday, a lovely article came out in the local paper about what we're trying to do to become a thriving community hub. It wasn't that Simon was throwing out the housekeeping rules of the gorgeous but often imposing downtown museum building.

Museum 31

Museum History Arts Work 31

Whole Whale

MAY 20, 2021

AS works with nonprofits across a wide range of industries, including arts and culture, the environment, foundations, and government. focuses on building collectives and community for social change. Orr Group applies analytical frameworks and ROI-based models developed in the for-profit world to help with nonprofit development.

Consultant 52

Consultant Fundraising Phoenix Atlanta 52

Museum 2.0

JUNE 12, 2013

This past weekend, I had the opportunity to give one of the closing talks at the Theater Communications Group annual conference in Dallas. TCG is the industry association for non-profit theaters, the way AAM is for museums. When I came to the museum in May of 2011, we were on the brink of closure financially.

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Museum Learning History Arts 55

Museum 2.0

MARCH 18, 2015

Imagine the most community-based science center possible. Imagine it in a poor, immigrant farmworker community. In a Community Science Workshop. A couple months ago, I visited a Community Science Workshop for the first time in Watsonville, CA. Can you give me the overview of Community Science Workshops? It thrives.

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Green Interview Share Community 20

Museum 2.0

NOVEMBER 18, 2009

I often think museums are like church--passionately loved by staff and devout audiences, irrelevant or off-putting to lapsed or uninterested adults, alien and overwhelming to newcomers. What is the appropriate way to evangelize cultural institution use to the unconverted?

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Museum Culture Technique Badge 25

Museum 2.0

JANUARY 17, 2017

Dear Museum 2.0 friends, I want to share two great opportunities to get involved at the Santa Cruz Museum of Art & History in 2017. Each summer, the Santa Cruz Museum of Art & History hosts MuseumCamp , a professional development experience that is part retreat, part unconference, part adult summer camp.

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Job Museum Childhood Arts 20

Museum 2.0

OCTOBER 8, 2019

Audiences are a portion of the humans in the museum ecosystem. The reason I think of a museum as human-centered is that to become audience-centered your organization has to center people. When I ran an adult studios program, I started reading a great deal about the rise of craft culture (this was in the pre-Pinterest days).

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Audience Museum Classes Library 38

Museum 2.0

MARCH 14, 2017

This is the second installation in a series of posts on the Santa Cruz Museum of Art & History (MAH)'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. The MAH fundamentally has two jobs: we bring art and history out into our community, and we invite our community in.

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Public Museum Arts History 27

Museum 2.0

DECEMBER 20, 2017

I attended because I'm seeking new ways to share the MAH's model and support the development of more community-centered cultural institutions around the world. Unless you're going to franchise, you can't maintain control of 100% of how your model spreads. Treating the museum as a community platform?

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Turkey Model Museum Delicious 26