Museum 2.0

DECEMBER 23, 2014

A new company in New York, Museum Hack , is reinventing the museum tour from the outside in. They give high-energy, interactive tours of the Metropolitan Museum and the American Museum of Natural History (AMNH). The tours are pricey, personalized, NOT affiliated with the museums involved… and very, very popular.

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Museum Interview New York Interaction 55

Museum 2.0

DECEMBER 3, 2019

I was thinking I’d do a few alternative histories of museums for the first post of the last month of the decade. As I imagined a world without the many museum tech projects of the decade, I felt inherently sad about the imagining away the successes that friends and colleagues have enjoying. But I couldn’t get there.

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Museum Work Social Media Alternative 21

Museum 2.0

DECEMBER 15, 2014

Gretchen Jennings convened a group of bloggers and colleagues online to develop a statement about museums'' responsibilities and opportunities in response to the events in Ferguson, Cleveland and Staten Island. Museums are a part of this educational and cultural network. Where do museums fit in? Here is our statement.

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Museum Blogger Cleveland Missouri 52

sgEngage

JULY 18, 2023

By liking, commenting, reposting, or sharing, you and your followers can keep a conversation going across your networks. Repost and comment to keep the hashtag at the top of your followers’ timeline, building a community around your event. Are you an art museum that posts behind-the-scenes looks at your collection on Instagram?

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Hype Fundraising Social Media Platform 75

Museum 2.0

DECEMBER 4, 2013

Is your museum running on interns? It is a strong, museum-focused complement to an excellent three-parter on Createquity about the ethics and future of unpaid arts internships. I got my first real job in a museum (at the Guggenheim) after a life-changing internship. It''s probably a path you had to navigate too.

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Museum Share New York Student 55

Museum 2.0

AUGUST 25, 2016

They wanted to help museums and galleries across the UK make significant, sustained changes in the ways they engage community partners and visitors as participants in their work. The result, Our Museum , is an extraordinary funding program with a focus on community participation. didn't mince words. Here are my three top takeaways.

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Museum Participatory Resource Place 20

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 16, 2007

blog has set up an experiment using VoiceThreads, a multimedia presentation software that allows people to add their voices to the presentation. engage in this collaboration over the next week by offering your comments about Human + online. html to contribute your comments. My friend Nina who writes the Museum2.0

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Voice Test Museum New York 50

Nonprofit Tech for Good

JULY 22, 2024

Layne is also a keynote speaker; engaging audiences about the importance of breaking down barriers and the power of finding your voice. Jude, Make A Wish, American Cancer Society, and The Museum of African American History. Komen for the Cure, The Museum of Flight, March of Dimes, Lakeside School, Evergreen Health, and more.

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Fundraising Jordan Texas Los Angeles 224

Museum 2.0

SEPTEMBER 26, 2012

Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.

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Museum Program Participatory Community 49

Museum 2.0

APRIL 21, 2020

This week we're hearing from Eastman Museum's Kate Meyers Emery. They have created elevated and new digital opportunities for public access and engagement within their respective museums at a time when physical access is not possible. My team will also continue to protect and monitor the museum. I’m new to this but excited.

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Digital Museum Social Media Public 52

Museum 2.0

SEPTEMBER 18, 2013

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

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Museum Question Participatory Vietnam 45

Museum 2.0

JUNE 24, 2010

Last week, I visited the Wing Luke Asian Museum in Seattle. I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). I'm always a bit nervous when I visit a museum I love from afar. What if it isn't what I expected?

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Museum Participatory Model Seattle 51

Museum 2.0

NOVEMBER 16, 2011

When I started at The Museum of Art & History (MAH) in May, one of my priorities was redesigning our website. And he did it all from afar--I've never met Marty in person and have only corresponded with him by voice a couple of times. It's an evolving site--just as the museum is evolving. Thank you, Marty.

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Museum Websites History Arts 43

Museum 2.0

APRIL 14, 2020

It’s for this reason that I’ve found the Native community a particularly vital voice in this difficult period—after all, resistance and resilience are intrinsic elements of indigenous history and contemporary identity. Both pages have quickly amassed tens of thousands of followers and, curiously, few spammers and trolls.

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Digital Hunger Artist Museum 48

Museum 2.0

SEPTEMBER 3, 2019

But we also know that it hasn’t made an appreciable impact on the people coming to museums. Now, I’m not an expert in throwing open the doors, but just one voice, trying to make this happen. And, I liked every comment. I’ve been thinking about her comments all month. That is, except museums. Prove their point?

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Accessibility Museum Australia Voice 32

Museum 2.0

OCTOBER 23, 2007

One of my most exciting moments of ASTC this year was picking up a copy of the newly released Visitor Voices in Museum Exhibitions , a collection of essays ten years in the making, edited by Kathy McLean and Wendy Pollock. The book opens with a list of reasons why museums might use "visitor-response elements in exhibitions."

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Museum Voice Case Study Discussion 20

Museum 2.0

MARCH 17, 2010

This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. Another commented: "At first, I wasn't sure whether or not my responses were useful to anybody. What did they do?

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Participatory Museum Process Experiment 32

Museum 2.0

SEPTEMBER 3, 2014

Whoever wrote this comment card: thank you. They diversified the voice of immigration in the exhibition and encouraged people to share their own histories verbally. The trick is to invite many voices in many forms. design exhibition Museum of Art and History participatory museum usercontent' You made my month.

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Participatory Museum History Arts 45

Museum 2.0

NOVEMBER 5, 2013

"The words we use in attempting to change museum directions matter. Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. Each of these articles--and the comments around them--are fascinating artifacts of a debate that has been behind the scenes for too long.

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Participatory Museum Arts History 53

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 18, 2016

But to be effective, nonprofit leaders also must excel at using their personal brands and voices in service of their organizations’ missions and strategies on Instagram and other social media channels. This shot is a painting at a museum visited during a professional conference for museums. Visibility. Campbell above.

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Personal Create Photography Museum 50

Museum 2.0

JUNE 29, 2011

Now that I'm on staff at a museum, I've (re)discovered a more pedestrian value of visitor participation: it's delightful. Every day when I walk by our visitor comment board, I feel like I'm getting little gifts from visitors. Be charming and delightful" isn't one of the bottom-line goals of most museums. But maybe it should be.

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Museum Participatory Comment Sound 47

Museum 2.0

JANUARY 9, 2017

When should you turn down the invitation to share your voice? How should you make these decisions in an imperfect world where every host is using you for something, and every voice is in danger of being manipulated, misunderstood, or subverted? There are many ways for voices to get chopped and twisted.

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Participatory Museum Voice Press 20

Museum 2.0

AUGUST 19, 2010

When I was in Taiwan, I heard again and again from museum professionals: "We are very conservative in Taiwanese museums. Everyone is so focused on everything looking perfect and the curator's voice only." I didn't see a single comment book on my trip. This may be true. And with a view like this, who can blame them?

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Taiwan Museum Arts National 36

Museum 2.0

FEBRUARY 1, 2012

Roberto Bedoya : The "Yes And" Argument and its Civic Implications Bedoya, the Executive Director of the Tucson Pima Arts Council, makes a beautiful statement that arts administrators need to facilitate a multiplicity of leading voices, or as he puts it, "the courage of imagination and the plural."

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Arts Museum Artist Tucson 45

Museum 2.0

MARCH 24, 2010

This is the third in a four-part series about writing The Participatory Museum. This post covers my personal process of encouraging--and harnessing--participation in the creation of The Participatory Museum. Every non-spammer editor who signed up was granted full access to change and comment on the content.

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Participatory Museum Process Experiment 33

Museum 2.0

DECEMBER 31, 2014

I''m proud of the way that my own museum works on embeddedness. I learn twice; once in the writing, and once in the reading and engaging with commenters. In the past three years, the number of comments on this blog has declined significantly. Comments are down. When I talk to colleagues, I hear they are using Museum 2.0

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Conversation Museum Comment Culture 32

Museum 2.0

AUGUST 26, 2008

This week, I'm launching a new site: the Voicemail Museum. It's an experiment that merges two of my greatest interests: finding novel, easy ways for visitors to contribute content to museums finding questions that draw such compelling responses that random peoples' answers would be worth browsing To participate, all you need is a phone.

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Museum Audio Participatory Phone 20

Museum 2.0

MARCH 10, 2010

This is the first of a four-part series on the behind-the-scenes experience of writing The Participatory Museum. Please let me know in the comments if there's anything in particular you want to know about - I'm happy to share whatever interests you. Many of the book sections started as blog posts on Museum 2.0. Copy editing.

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Participatory Museum Statistics Process 21

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 23, 2010

The authors were kind enough to give me a copy to give away on this blog, so if you leave a comment you could be the lucky winner of a book! I first met Mary in 2005 through my connection with the Global Voices community and can say that Mary is among the most knowledgeable and experienced digital activists in the world.

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Amazon Social Media Nonprofit Oregon 119

Museum 2.0

APRIL 1, 2015

Last week, Ian David Moss and I both blogged about the process of developing a theory of change for the Santa Cruz Museum of Art & History. At the Santa Cruz Museum of Art & History, one way we''re answering these questions is with a theory of change. Museum of Art and History social bridging' Here''s my post , and his.

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Change Museum History Arts 20

Museum 2.0

OCTOBER 30, 2007

Welcome to the first installment of the Visitor Voices book club. This week, we're looking at the first section, Talking Back and Talking Together , which features comment boards, talk-back walls, and discussion forums at a variety of museums. I invite you to do the same in the comments. And now onto the show.

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Voice Museum Pledge Lesson 20

Museum 2.0

DECEMBER 2, 2008

When people ask about blogging, the question of comments comes up more frequently than any other. There are many good ways to measure a blog's value , but somewhere inside ourselves, we feel that comments are the thing that validate a blog's existence. So when people ask, "Why don't more people comment?," Museum 2.0's

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Comment Museum Blogger Reflection 20

Museum 2.0

NOVEMBER 20, 2007

This is the final installment of Museum 2.0’s s book club on Visitor Voices in Museum Exhibitions , a collection of essays edited by Wendy Pollock and Kathy McLean. The best visitor voices projects don’t come out of marketing blitzes or grudging concessions to visitors. They don’t have anything interesting to say.

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Voice Case Study Museum Map 20

Museum 2.0

JUNE 12, 2013

TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. At the same time, our community relevance was limited.

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Museum Learning History Arts 55

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

Nina has written a fantastic book engagement called The Participatory Museum. If you want a chance of winning a copy, leave a comment saying how you might apply some of the science of participation to your social media strategy. Blog commenters are contributors, as are people who engage in contests.

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Model Activities Active Activism 98

Museum 2.0

AUGUST 19, 2015

One of my favorite comments on the first post in this series came from Lyndall Linaker, an Australian museum worker, who asked: " Who decides what is relevant? Community First Program Design At the Santa Cruz Museum of Art & History , we've gravitated towards a "community first" program planning model. My answer: neither.

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Teen Museum Voice Arts 20

Museum 2.0

JUNE 12, 2012

--Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. So many museum exhibitions relegate the participatory bits in at the end. The Love Lounge I LOVE. with sharpies.

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Participatory Museum Blackboard Game 51