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Photo by American Art Museum Note from Beth: This week I'm trying to understand crowdsourcing and nonprofits, hopefully with a crowd of other folks. Please leave me a comment or if you're interested in contributing a post, please fill out this form. In essence, it is visible storage for the museum. We are storage, after all.
If you are a location-based nonprofit, such as a museum or zoo, then also add your address. Tag Partners and Corporate Sponsors. Partners and corporate sponsors are notified if they are tagged in your posts. Again, like Facebook, if your nonprofit does not inspire engagement on Instagram (likes, comments, etc.),
online exhibit developed by the Maxwell Museum of Anthropology at the University of New Mexico and Ideum. I picked up the phone and got a hold of Jim Spadaccini, founder of Ideum, whose blog post I discovered via a discussion thread on flickr and museums on the museum technology list. Nina Simon from the Museums and Web2.0
space on the web dedicated to exploring museums, objects, design. Britt Bravo at Netsquared posted on the community blog about museums and podcasting. The author of mode left a comment and their url. Technorati Tags: net2 , nptech , art_museums , museums , podcasting Mode is a new. and exhibitions.
Last week, I visited the Wing Luke Asian Museum in Seattle. I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). I'm always a bit nervous when I visit a museum I love from afar. What if it isn't what I expected?
Name Tags: Make sure you have name tags and if are you hosting, be a good host and introduce people. Share it in the comments. Tags: Tips Tools and Tactics online-offline tweet up. If your organization has a robust Facebook presence, you can also use a Facebook Event to promote the event. What’s A Tweet Up?
Gretchen Jennings convened a group of bloggers and colleagues online to develop a statement about museums'' responsibilities and opportunities in response to the events in Ferguson, Cleveland and Staten Island. Museums are a part of this educational and cultural network. Where do museums fit in? Here is our statement.
Jasper Visser and his colleagues at the not-yet-physically-open National Historisch Museum of the Netherlands have impressed me with their innovative, thoughtful approach to developing a dynamic national museum. In this post, Jasper shares some lessons learned from a recent experiment to design a more social comment station.
is a web-based digital photo sharing application that uses tags to facilitate finding people and photos. Why Museum Professionals Should Use Flickr from the Musem 2.0 Indianapolis Museum of Art Visitors sharing photos in a group. Leave a comment with a url! It isn??????t A List of Examples. How-To Resources.
These two adages were both in my mind last week when I asked people for the worst museum trends. Brad Dunn basically summarized the overall themes of people comments. In this decade museums worst trends were in labor and tech: 1. good riddance to museum studies programs! . good riddance to museum studies programs!
Dear Museums on Twitter, Thanks for experimenting in a new and largely uncharted online environment. So here is a list of suggestions that hopefully will improve the way your museum thinks about using Twitter. Or it's rainy so you suggest I visit the museum? I am a museum of Native Cultures and Art!" You could do better.
I'm here in Chicago for a very brief trip on a panel about metrics and measurement for museums called "New Spaces, New Measures." Prestige of commenters and other participants. Obvious attention: discussions in blogspace, comments in posts, reclarification, and continued discussion. Raw links to the document.
Note from Beth: I so happy to sneak into last night’s 501Tech Club New York City gathering last night to hear Shelley Bernstein, Brooklyn Museum, and Naveen Selvadurai talk about Nonprofits and Foursquare. Here are some of my takeways, inspired in part by some of the great comments tweeted out via the #501technyc hashtag last night.
For the social media library giveaway I asked folks to leave a comment on how they would use the books to shape their 2010 social media strategy. I had over 60 comments and boy was it hard to choose only one winner - so I didn't. Brian Reich author of Media Rules left a comment offering to include a copy of his book.
For example, Jay Baer’s and Amber Nashlund’s new book, The Now Revolution , uses Microsoft’s version of QR codes called Tag technology , so readers can scan pages and get additional bonus materials on their phones. QR Codes: fab or a fad for Museums? View more presentations from Museums Computer Group.
Nina has written a fantastic book engagement called The Participatory Museum. If you want a chance of winning a copy, leave a comment saying how you might apply some of the science of participation to your social media strategy. Blog commenters are contributors, as are people who engage in contests.
Also found in the NpTech tag stream and a good backdrop to this conversation is " When the best tool for the job. A few comments over at Kikono too. context: How are museums encouraging stickiness and user investment in their proposed and in some cases, already developed, post 2.0 situation unless museums can get the ???stickiness???
In the most extreme cases, I've talked to folks from museums that are government-mandated to provide all content in multiple languages who say they are unable to invite visitors to make comments because they'd have to translate all of them and simply can't dedicate the resources to do so. So what are the options?
When a technologist calls me to talk about their brilliant idea for a museum-related business, it's always a mobile application. There are lots of wonderful (and probably not very high margin) experiments going on in museums with mobile devices. Most visitors to museums attend in social groups.
Even if tech-savvy visitors do post, who’s to say that they will be sure to tag you? According to The Art Newspaper’s annual survey in 2021, visits to the world’s 100 most-visited museums plummeted by 77% in 2020 due to the coronavirus pandemic. Photo Credit: Devon Rose Turner, Natural History Museum, London. .
Photo from my flickr stream View the Tagging Screencast Presented by NTEN. I'm pleased to announce that my screencast about tagging has been released and showcased by NTEN ! I created it for the screencast to illustrate the definition of tagging. If you have questions about tagging or want to share your organization???s
After the International Committee on Museums spent some time debating the definition of museums, many folks took up the charge on social media to give their own definitions. I’m inviting people to share their definitions, here and on social (and tag me); I’ll summarize your thoughts next week. We need new #MuseumVerbs.
Kate McGroarty's month living at the Museum of Science and Industry in Chicago is over. The young actress and teacher beat out 1,500 other applicants and spent 30 days exploring exhibits, participating in live demos, talking to visitors (both in-person and online), and romping through the museum at night. Lisa's goals were met.
Speakers included Chicagoans like Rayid Ghani , founder of the Data Science for Social Good Summer fellowship; Mark Mathyer of the Museum of Science & Industry; and Lauren Haynes of GiveForward.
Here are my comments on the big picture and a couple of their proposals. I'm also going to copy portions into the comments section of their specific posts. Comments on the FCC's Accessibility Plans (June 2010) My main recommendation to the FCC is to be more ambitious about accessibility.
On October 20, a young woman named Kate will move into Chicago's Museum of Science and Industry and live there for a month. This post is not about the Month at the Museum concept or implementation. Instead, this post focuses on a fascinating aspect of Month at the Museum: the video applications. That will come later.
By liking, commenting, reposting, or sharing, you and your followers can keep a conversation going across your networks. Repost and comment to keep the hashtag at the top of your followers’ timeline, building a community around your event. Are you an art museum that posts behind-the-scenes looks at your collection on Instagram?
In the animation, Web Tech Guy announces at a museum staff meeting that he's put the museum's collection on FlickTubeFaceSpace.com and enabled tagging and comments for the museum's Web site. Tags: Web Building Web 2.0 Edson follows up with some bulleted counters to each of Angry Staff Person's complaints.
There's no better example than the public dashboards of the Indiana Art Museum - Innovation is about opening up and letting the outside in. If you participated and wrote up a post or have some takeaways, leave them in the comments. Tags: nten.
Let’s say you wanted to find a model museum using Web 2.0 A place that does all this in the context of a fairly traditional collections-based museum. A place that does all this in the context of a fairly traditional collections-based museum. It’s the Brooklyn Museum. to support programs and exhibits.
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.
This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. Another commented: "At first, I wasn't sure whether or not my responses were useful to anybody. What did they do?
Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations. They’re tagging with yarn.
As many of you know, I've been working for the past year+ on a book about visitor participation in museums, libraries, science centers, and art galleries. The Participatory Museum is a practical guide to visitor participation. The Participatory Museum is an attempt at providing such a resource. Want to buy a book ?
When I was in Taiwan, I heard again and again from museum professionals: "We are very conservative in Taiwanese museums. I didn't see a single comment book on my trip. This post is a photo essay focusing on an area at the Taiwan National Museum of Fine Arts called the Digiark. Tags: design comfort.
At the last ASTC, in a session on "Museums 2.0," I heard just as many muddled explanations of doing the same old thing (and wrapping it in new words) as truly interesting, relevant projects. Please share your comments via the blog, or, better yet, on the voicethread itself. Core Museum 2.0 Tags: web2.0
This post was written by Jaime Kopke , the founder/director of the Denver Community Museum , a pop-up community-generated institution that ran from Oct 2008-April 2009. The Denver Community Museum (DCM) was a grassroots operation in almost every sense. This post shares her reflections on the project, its design, and its impact.
The use of podcasting has many implementations for museums. For starters, podcasting can liberate art lovers from the museum's clunky audio sets and enjoy the Museum's "Official Audio" more stylist piece of equipment. It can also liberate museum goers from hearing one view - that of the expert or curator.
This is the final segment in a four-part series about writing The Participatory Museum. This posts explains why and how I self-published The Participatory Museum. COST: Museum books tend to be expensive - because they are printed in small runs, the price for a 400-page paperback can be as high as $40. Why Self-Publish?
The Western Museum Association was kind enough to invite me to speak on a panel about engagement at their annual meeting in Boise. Phillip’s early remark about museums was an invocation for everyone. As an outsider, he immediately saw that museums were operating “under a business model that doesn’t work.” We need to change.
When you find a bar with your favorite song on the jukebox, or a museum room that feels like your grandmother's living room, you suddenly feel a strong affinity and are able to see yourself reflected in the space. It may be great for a natural refuge to remain hidden, but that sounds like a disaster for a restaurant or museum.
This is the third in a four-part series about writing The Participatory Museum. This post covers my personal process of encouraging--and harnessing--participation in the creation of The Participatory Museum. Every non-spammer editor who signed up was granted full access to change and comment on the content.
On Monday, David Klevan (from the US Holocaust Memorial Museum) and I spoke at the MAAM Creating Exhibitions conference about Web 2.0 and museums. framework, and David shared lessons learned from the huge range of projects the Holocaust Museum has initiated. I provided the Web 2.0 in quotation marks and hit search.
Collection-tagging projects (in which visitors assign keywords to items in a collection) have always left me cold. Tagging is such a functional activity, and if you don't see direct benefit from doing it, the interest in it as a fun afternoon activity is pretty low. But I do it because it's useful to me as an organizational tool.
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