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4) Art Institute of Chicago Museum Shop :: shop.artic.edu. The Art Institute of Chicago Museum Shop sells unique and beautiful objects from around the world in support of the arts. 6) Field Museum Store :: store.fieldmuseum.org. 18) SFMOMA Museum Store :: museumstore.sfmoma.org. comment below. Thank you!
Photo by American Art Museum Note from Beth: This week I'm trying to understand crowdsourcing and nonprofits, hopefully with a crowd of other folks. Please leave me a comment or if you're interested in contributing a post, please fill out this form. In essence, it is visible storage for the museum. We are storage, after all.
This month, we're thinking about the way we do work in museums. But this one resonated clearly, as I got 75 retweets and 61 comments. As someone texted me recently, Art History grad school didn't teach us anything about working with others in museums. And here are a few suggestions from commenters.
Check out this inane AT&T commercial about a woman whose absorption in her smartphone is so great that Facebook updates become substantiated as pieces of art in the museum through which she strolls. It also suggests that for young people, masterpieces in museums are not nearly as interesting as a good friend''s new haircut.
Or maybe hello museum world! Previously, I had worked at the same museum for 17 years.) So, when you visit more than 300 museums, parks, and historic sites, what do you learn? I thought I would kick off my tenure around here by sharing stories and reflections about my visits. Here are my top five reflections: 1.
Should museums play music - in public spaces and or in galleries? So I thought I'd open it up to the Museum 2.0 Pros for music: Music helps designers frame the atmosphere for the intended experience at the museum. Most museums are trying to please everyone. If so, how should they determine what to play?
It has some of the same feel as the disconnected affection of people wishing you a happy birthday on Facebook, with professional reflection baked in. Seeing so many cheerful one-liners in my inbox made me think about how different my work situation is today than the last time I reflected on it in public in 2012, at my one-year anniversary.
Note from Beth: I so happy to sneak into last night’s 501Tech Club New York City gathering last night to hear Shelley Bernstein, Brooklyn Museum, and Naveen Selvadurai talk about Nonprofits and Foursquare. Here are some of my takeways, inspired in part by some of the great comments tweeted out via the #501technyc hashtag last night.
For the social media library giveaway I asked folks to leave a comment on how they would use the books to shape their 2010 social media strategy. I had over 60 comments and boy was it hard to choose only one winner - so I didn't. Brian Reich author of Media Rules left a comment offering to include a copy of his book.
When I started at The Museum of Art & History (MAH) in May, one of my priorities was redesigning our website. I didn't want to do anything fancy--just make the site more functional, lively, easy to update, and reflective of the new institutional vision of being a community hub. It's an evolving site--just as the museum is evolving.
In the spirit of this belief, I’ve decided to unleash the Museum 2.0 For that reason, I’m thrilled to announce that over the next two months, I’ll be transferring ownership of Museum 2.0 Seema is a brilliant museum educator, a generous spacemaker, a prolific writer, and a creative troublemaker. I know Museum 2.0
I'm a huge fan of work and the way she thinks - especially after she road the Scare House ride on the Santa Cruz boardwalk with me and did a brilliant reflection on its design. Nina has written a fantastic book engagement called The Participatory Museum. Blog commenters are contributors, as are people who engage in contests.
I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. This is a perfect example of a museum using participation as a design solution. Our colleagues in the Museum of Natural History were eager collaborators. It is great to feel more of a part of the museum!" "All
4) Art Institute of Chicago Museum Shop :: shop.artic.edu. The Art Institute of Chicago Museum Shop sells unique and beautiful objects from around the world in support of the arts. 6) Field Museum Store :: store.fieldmuseum.org. 18) SFMOMA Museum Store :: museumstore.sfmoma.org. comment below. Thank you!
This Black History Month, we reflect on the strategy work that our team does through our partnership with the Smithsonian National Museum of African American History and Culture —much of which centers around expanding access. The outcome was an immensely successful event that attracted audiences from all corners of the country.
When a technologist calls me to talk about their brilliant idea for a museum-related business, it's always a mobile application. There are lots of wonderful (and probably not very high margin) experiments going on in museums with mobile devices. Most visitors to museums attend in social groups.
This August/September, I am "rerunning" popular Museum 2.0 If you like the post, please check out the thoughtful and complicated comments on the original post. Diane is both visionary and no-nonsense about deconstructing the barriers that many low-income and non-white teenagers and families face when entering a museum.
This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.
One of the best projects that illustrates the basic idea of Web2.0 - listening and conversation and stakeholders creating their own experience with your organization - comes from the Brooklyn Museum of Art. o is Transparency - and the best example of that is what the Indianapolis Art Museum has done with its pubic metrics on its web site.
It's not every day that a visitor buys pizza for everyone in the museum. Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. The museum itself was well-integrated into the event. Or that visitors form a spontaneous "laugh circle" on the floor. Online to onsite migration isn't always easy.
What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? But for museum and art wonks, it could be. Will the bureaucracy of the institution drown the artists in red tape?
Tony’s diverse background reflects his passion for giving and helping others. Jude, Make A Wish, American Cancer Society, and The Museum of African American History. Steve’s diverse background reflects his passion for giving and helping others. 21) Allen Alley Allen Alley (linkedin.com/allenalley) isn’t really an auctioneer.
Every once in a while I come across a project I wish I could have included in The Participatory Museum. For one year, a group of twelve schoolchildren age 9-11 were invited to work with staff at the Wallace Collection to develop a family-focused exhibition using the museum's artifacts. it's a Secret! , What made Shh. it's a Secret!
According to The Art Newspaper’s annual survey in 2021, visits to the world’s 100 most-visited museums plummeted by 77% in 2020 due to the coronavirus pandemic. Photo Credit: Devon Rose Turner, Natural History Museum, London. . Plan a treasure hunt with clues offered via social media channels. . . Selfie stations .
These can be a brief and simple reminder about civility and respect and deleting in appropriate comments. Want to look at a few inspiring custom landing pages, check these out or cruise through these landing pages of art museums or other nonprofits. Always be commenting. ABC: Always Be Commenting ” on your Facebook page.
When you find a bar with your favorite song on the jukebox, or a museum room that feels like your grandmother's living room, you suddenly feel a strong affinity and are able to see yourself reflected in the space. It may be great for a natural refuge to remain hidden, but that sounds like a disaster for a restaurant or museum.
"The words we use in attempting to change museum directions matter. Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. Each of these articles--and the comments around them--are fascinating artifacts of a debate that has been behind the scenes for too long.
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.
Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations. Some community artists even helped install the space.
This post was written by Jaime Kopke , the founder/director of the Denver Community Museum , a pop-up community-generated institution that ran from Oct 2008-April 2009. This post shares her reflections on the project, its design, and its impact. The Denver Community Museum (DCM) was a grassroots operation in almost every sense.
This is the third in a four-part series about writing The Participatory Museum. When I decided to write a book about visitor participation in cultural institutions, I knew I'd do it in a way that reflected the values behind the book itself--transparency, inclusion, and meaningful community participation. Check out the other parts here.
Residents in the three counties that pay the millage will receive special benefits : free admission to the museum and expanded educational programming. I'm focusing on the community response to the prospect of the millage and the way the public debate reflects broader conversations about the public value of the arts.
TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. We heard again and again that the museum was cold and uncomfortable.
Between high-altitude hijinks, run-ins with wildlife, and very long days of hiking, I finished John Falk's new book, Identity and the Museum Visitor Experience. In other words, if you are a curious person, you will go to museums to learn new things.
For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" We're hearing on a daily basis that the museum has a new role in peoples' lives and in the identity of the county.
Last week, I sat down on a toilet in our museum and found myself looking at an interactive station intended to test a “Legends of the Stall” sign concept for the restrooms. I peed, read the sign, and added my comments to the growing list on the wall. My colleagues are responsible, caring people who want our museum to be awesome.
On Monday, David Klevan (from the US Holocaust Memorial Museum) and I spoke at the MAAM Creating Exhibitions conference about Web 2.0 and museums. framework, and David shared lessons learned from the huge range of projects the Holocaust Museum has initiated. I provided the Web 2.0 in quotation marks and hit search.
This expresses itself most powerfully in museums when we talk about building relationships with visitors over time. But museums are one-night stand amnesiacs in the relationship department. This is terrible, both for the visitor and for the museum. I expect you'll remember some basic things about me--say, my name.
It's rare that a participatory museum project is more than a one-shot affair. But next month, Britain Loves Wikipedia will commence--the third instance of a strange and fascinating collaborative project between museums and the Wikipedia community (Wikimedians). I hope you'll share your thoughts in the comments.
I spent the weekend queuing up posts for my forthcoming blog-cation--nine weeks of guest posts and reruns from the Museum 2.0 Reflective time is important, especially when your work is hectic. Blogging forces me to have a reflective part of my practice on a weekly basis, even when I feel about as reflective as a black carpet.
Trevor O'Donnell : Leaders Use Their Words O'Donnell was not one of the invited bloggers but a commenter from the field (a follower. He made a comment on Michael Kaiser's fairly formulaic "great artists lead the nation" post, laying bare the banality of most of the language used to describe and present art experiences to the public.
I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. Feel free to add your own questions and answers in the comments! The Museum 2.0 For more on the differences among different types of museums (with examples), check out this post.
We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. Please share yours in the comments. Design paired activities to reflect or at least respect the sensibility of their work, and where possible, involve them in the design. I keep visitor comments in my office.
Whoever wrote this comment card: thank you. In front of each of those paintings, you could stamp your pastport, reflect on the artwork and the question, and share your story. design exhibition Museum of Art and History participatory museum usercontent' You made my month. The clotheslines were always full.
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