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4) Art Institute of Chicago Museum Shop :: shop.artic.edu. The Art Institute of Chicago Museum Shop sells unique and beautiful objects from around the world in support of the arts. 6) Field Museum Store :: store.fieldmuseum.org. 18) SFMOMA Museum Store :: museumstore.sfmoma.org. 8) Getty Store :: shop.getty.edu.
Anderson Cancer Center Children’s Art Project :: View Collection. The Children’s Art Project began focuses on providing cheer and comfort for young cancer patients and helps fund college scholarships and educational programs that prepare patients for successful lives after cancer. Museum of Modern Art :: View Collection.
National Museum of American History :: @ AMHistoryMuseum. Trevor Project :: @ TrevorProject. If there is a nonprofit that you would like to add, please do so in a comment below (political rants not necessary, thank you). National Campaign to Prevent Teen and Unplanned Pregnancy :: @ TheNC. National Council of La Raza :: @ NCLR.
Photo by American Art Museum Note from Beth: This week I'm trying to understand crowdsourcing and nonprofits, hopefully with a crowd of other folks. Please leave me a comment or if you're interested in contributing a post, please fill out this form. In essence, it is visible storage for the museum. We are storage, after all.
According to the Open Data Project , of the 89% of nonprofits worldwide that use social media in their digital marketing and fundraising strategy, 75% of those use Instagram. If you are a location-based nonprofit, such as a museum or zoo, then also add your address. Related Webinar: Social Media Best Practices for Nonprofits.
This week we’ve found apps from museums. Mobile apps are an interesting way for museums to advance their educational missions beyond people’s expectations. ArtClix from the High Museum of Art, Atlanta. iOS/Android: ArtClix enhances uses mobile to enhance the museum experience. MoMa by the Museum of Modern Art.
This month, we're thinking about the way we do work in museums. But this one resonated clearly, as I got 75 retweets and 61 comments. As someone texted me recently, Art History grad school didn't teach us anything about working with others in museums. And here are a few suggestions from commenters.
Let’s say you want to improve engagement with stakeholders and your KPI is an increase in the number of comments on your social platforms. How do you pick that number? Social Media Benchmarking: Gauging Success for Project and Organizations in Global Health and Development. By: Rebecca Shore.
Two recent events have got me thinking about pranks and unauthorized activities in museums. Improv Everywhere staged an event at the Metropolitan Museum in which an actor posing as King Philip IV of Spain signed autographs in front of his portrait, as painted by Diego Velazquez in the 1620s. I feel like it's more complicated than that.
A new company in New York, Museum Hack , is reinventing the museum tour from the outside in. They give high-energy, interactive tours of the Metropolitan Museum and the American Museum of Natural History (AMNH). The tours are pricey, personalized, NOT affiliated with the museums involved… and very, very popular.
Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image. Goal of the centennial project was to shine the light on the library’s resources and get new audiences engaged in the collections and connected to the curators and staff. Jason Eppink – Museum of the Moving Image.
online exhibit developed by the Maxwell Museum of Anthropology at the University of New Mexico and Ideum. I picked up the phone and got a hold of Jim Spadaccini, founder of Ideum, whose blog post I discovered via a discussion thread on flickr and museums on the museum technology list. Nina Simon from the Museums and Web2.0
And, if you submitted a nonprofit panel - and I managed to miss it while scanning 2200 in ten minutes - please add the link and description in a comment. Museum APIs: What Are They Good For? In Museums, context can be hard to come by. Please try to vote for as many nonprofit panels as possible.
space on the web dedicated to exploring museums, objects, design. Britt Bravo at Netsquared posted on the community blog about museums and podcasting. The author of mode left a comment and their url. And in the spirit of full disclosure -- I recently did a small project for Netsquared, a Net Tuesday toolkit.
Nina has written a fantastic book engagement called The Participatory Museum. If you want a chance of winning a copy, leave a comment saying how you might apply some of the science of participation to your social media strategy. Imagine sitting around a conference table planning an upcoming project that involves user-generated content.
Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. A year ago, I put my consultant hat on the shelf and decided to jump into museum management (a sentence I NEVER would have imagined writing five years ago). I'm open to any questions you want to raise in the comments.
Jasper Visser and his colleagues at the not-yet-physically-open National Historisch Museum of the Netherlands have impressed me with their innovative, thoughtful approach to developing a dynamic national museum. In this post, Jasper shares some lessons learned from a recent experiment to design a more social comment station.
What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? But for museum and art wonks, it could be. And the projects themselves are brilliant.
The authors were kind enough to give me a copy to give away on this blog, so if you leave a comment you could be the lucky winner of a book! Digital activism is defined by the Meta-Activism Project as “the practice of using digital technology for political and social change.&# 9 The Participatory Museum by Nina Simon.
If it looked like it belonged in a museum, that’s because it did. Photo courtesy of Athar Project. This is critical evidence for repatriation efforts and war crimes,” says Katie Paul, co-director of the Athar Project. Photo courtesy of Athar Project. Facebook would not comment on the record for this story.
One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 First up is Beck Tench, a "simplifier, illustrator, story teller, and technologist" working at the Museum of Life & Science in Durham, NC. As a person who works for a science museum, I work in an environment that supports play.
When a technologist calls me to talk about their brilliant idea for a museum-related business, it's always a mobile application. There are lots of wonderful (and probably not very high margin) experiments going on in museums with mobile devices. Most visitors to museums attend in social groups.
Gretchen Jennings convened a group of bloggers and colleagues online to develop a statement about museums'' responsibilities and opportunities in response to the events in Ferguson, Cleveland and Staten Island. Museums are a part of this educational and cultural network. Where do museums fit in? Here is our statement.
The Brooklyn Museum kept coming up as a stellar example, particularly its Click Exhibition (Nina Simon wrote an analysis of the project here ). Shelley Bernstein, staff members at the Museum responsible for social media projects, left a comment on my blog. The community will guide you if you listen.
If you’re a museum, zoo, cultural organization, aquarium, garden, or any nonprofit with a physical presence people can visit, you have a great opportunity to raise money and boost your membership sales by marketing your membership as the perfect gift. Updates on conservation projects close to home and invitations to special events.
This morning, I checked in on the Pocket Museums on our museum's ground floor. This simple participatory project invites visitors to contribute their own small objects in little alcoves in our bathrooms. The Pocket Museum activity could be more appropriate for women, many of whom carry bags or purses.
I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. I''m open to any questions you want to share in the comments. When I look back at some recent projects that I''m most excited about (like this teen program ), I realize that I had very little to do with their conception or execution.
Should museums play music - in public spaces and or in galleries? So I thought I'd open it up to the Museum 2.0 Pros for music: Music helps designers frame the atmosphere for the intended experience at the museum. Most museums are trying to please everyone. If so, how should they determine what to play?
Last week, my museum hosted Hack the Museum Camp , a 2.5 day adventure in which teams of adults--75 people, of whom about half are museum professionals, half creative folks of various stripes--developed an experimental exhibition around our permanent collection in our largest gallery.
You can join the conversations in the comments, or click through to the original posts to find what others are saying. Official Google Blog: Explore museums and great works of art in the Google Art Project – Take yourself on an art tour using Google Maps!
Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.
Last month, I learned about a fabulous, simple participatory experiment called “Case by Case” at the San Diego Museum of Natural History that uses visitor feedback to develop more effective object labels. I hope you are as inspired as I am by this project! Our problem is this. Where to now?
A man walks into a museum. Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. Better yet, the graduate student who led this project, Anna Greco, documented the whole project and did in-depth analysis of the visitor contributions.
In the end, the site cataloged and accepted YouTube videos, plus allowed users to share and comment. The United States Memorial Holocaust Museum had 1100 pictures of children who were victims of the Holocaust. Getting the word out and generating high quality user videos were key to the movement’s success. Most Jewish.
The best participatory projects are useful. Rather than just doing an activity, visitors should be able to contribute in a way that provides a valuable outcome for the institution and the wider museum audience. This week, I saw a great example at the Jane Addams Hull-House Museum that blew me away with its power and simplicity.
One of the best projects that illustrates the basic idea of Web2.0 - listening and conversation and stakeholders creating their own experience with your organization - comes from the Brooklyn Museum of Art. Nina observes that the following makes this project really special: It is 100% community-based. Everyone is a Curator.
This Black History Month, we reflect on the strategy work that our team does through our partnership with the Smithsonian National Museum of African American History and Culture —much of which centers around expanding access. And for those who have, they quickly understand that the Museum has much more to offer than can be absorbed in a day.
In the most extreme cases, I've talked to folks from museums that are government-mandated to provide all content in multiple languages who say they are unable to invite visitors to make comments because they'd have to translate all of them and simply can't dedicate the resources to do so. So what are the options?
4) Art Institute of Chicago Museum Shop :: shop.artic.edu. The Art Institute of Chicago Museum Shop sells unique and beautiful objects from around the world in support of the arts. 6) Field Museum Store :: store.fieldmuseum.org. 18) SFMOMA Museum Store :: museumstore.sfmoma.org. 8) Getty Store :: shop.getty.edu.
I'm here in Chicago for a very brief trip on a panel about metrics and measurement for museums called "New Spaces, New Measures." Prestige of commenters and other participants. Obvious attention: discussions in blogspace, comments in posts, reclarification, and continued discussion. Raw links to the document.
My colleague, Devon Smith, a self-described data nerd who loves benchmarking pointed out this glorious example from the museum world from Sean Redmond , a Web developer at the Guggenheim. Have you conducted a benchmarking study of best practices? Let me know in the comments!
Kate McGroarty's month living at the Museum of Science and Industry in Chicago is over. The young actress and teacher beat out 1,500 other applicants and spent 30 days exploring exhibits, participating in live demos, talking to visitors (both in-person and online), and romping through the museum at night. Lisa's goals were met.
On a recent trip to the Children's Museum of Pittsburgh, I noted a discussion board in the "Nursery" gallery. People feel compelled to comment on each other's comments, writing things like "ditto" or "Get over it!" with arrows pointing to other comments. This is a participatory comment board in a true sense.
This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.
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