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So Taylor was in the Pentagon, a great place for acronyms like ARPA and IPTO. Read full article Comments Robert Taylor was the director of the Advanced Research Projects Agencys Information Processing Techniques Office. The agency was created in 1958 by President Eisenhower in response to the launch of Sputnik.
Though the new Pages aren’t yet live site-wide ( the Brooklyn Museum’s new Page is ), it was quite random that I stumbled upon an example of the new Facebook Pages back in August [Re: a fake Facebook Page merged with a Facebook Places Page called Hubstown ]. The ability to “Like&# and Comment as a brand/Page.
Museums are magical places, where history, culture, art, and science seem to come to life. Our work with museums and cultural intuitions goes way beyond websites with easy-to-find visitor information (though that’s important too!) Forum One partnered with the Museum to launch their new brand to the world.
This week we’ve found apps from museums. Mobile apps are an interesting way for museums to advance their educational missions beyond people’s expectations. ArtClix from the High Museum of Art, Atlanta. iOS/Android: ArtClix enhances uses mobile to enhance the museum experience. MoMa by the Museum of Modern Art.
Not claiming your ‘Places’ pages on Facebook, Foursquare, Gowalla, etc. If your nonprofit is location-based (zoos, museums, health clinics, food banks, etc.) LinkedIn recently surpassed 100 million users, and odds are your nonprofit has a Company Page on LinkedIn. Find it, claim it, set it up, and promote it!
Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image. Ruth Cohen – American Museum of natural History. We are trying to change the visitors’ experience at the museum as well as ownership of what is in the museum, break down the walls between the public and the museum.
A new company in New York, Museum Hack , is reinventing the museum tour from the outside in. They give high-energy, interactive tours of the Metropolitan Museum and the American Museum of Natural History (AMNH). The tours are pricey, personalized, NOT affiliated with the museums involved… and very, very popular.
Or maybe hello museum world! Previously, I had worked at the same museum for 17 years.) I went from lots of change in one place to help many places with their change. So, when you visit more than 300 museums, parks, and historic sites, what do you learn? Hello World! But, I like that metaphor for another reason.
Virtual tours can be surprisingly pleasurable and rejuvenating while not having to travel anywhere — just let a tour guide show you around a museum, ancient site, city, or gallery while live streaming to a group of people. These clues will help lead them to locate the ultimate prize concealed in a public place. 13) Scavenger hunts.
Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. A year ago, I put my consultant hat on the shelf and decided to jump into museum management (a sentence I NEVER would have imagined writing five years ago). I'm open to any questions you want to raise in the comments.
Last week, I visited the Wing Luke Asian Museum in Seattle. I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). I'm always a bit nervous when I visit a museum I love from afar. What if it isn't what I expected?
Gretchen Jennings convened a group of bloggers and colleagues online to develop a statement about museums'' responsibilities and opportunities in response to the events in Ferguson, Cleveland and Staten Island. Museums are a part of this educational and cultural network. Where do museums fit in? Here is our statement.
This morning, I checked in on the Pocket Museums on our museum's ground floor. After I took down all the "kick me" and "kick it" post-its covering the Pocket Museum title label in the men's room, I realized that this is the perfect example of an A-to-B test for gendered response to a participatory museum experience.
Should museums play music - in public spaces and or in galleries? So I thought I'd open it up to the Museum 2.0 Pros for music: Music helps designers frame the atmosphere for the intended experience at the museum. Most museums are trying to please everyone. Most museums are trying to please everyone.
This is the first installment of a book discussion about Ray Oldenburg’s book The Great Good Place. You can join the conversation in the blog comments, or on the Museum 2.0 The Great Good Place is a book that challenged many of my preconceptions about third places—what defines them, what makes them work, and how they function.
If you’re a museum, zoo, cultural organization, aquarium, garden, or any nonprofit with a physical presence people can visit, you have a great opportunity to raise money and boost your membership sales by marketing your membership as the perfect gift. Here are a few creative ideas and examples—especially for parents with young children.
These two adages were both in my mind last week when I asked people for the worst museum trends. Brad Dunn basically summarized the overall themes of people comments. In this decade museums worst trends were in labor and tech: 1. good riddance to museum studies programs! . good riddance to museum studies programs!
Note from Beth: I so happy to sneak into last night’s 501Tech Club New York City gathering last night to hear Shelley Bernstein, Brooklyn Museum, and Naveen Selvadurai talk about Nonprofits and Foursquare. Soon it seems like we’ll have more ways to check in than places to go. But I digress…. say about you?
One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 First up is Beck Tench, a "simplifier, illustrator, story teller, and technologist" working at the Museum of Life & Science in Durham, NC. As a person who works for a science museum, I work in an environment that supports play.
Museums can have a hard time soliciting smaller dollar annual gifts tied to mission, rather than a new exhibit, and this is a great place to turn the focus to why donor support matters. Pi Day, celebrating math and science, is the Museum’s signature day of giving. And to unite departments across your organization.
When I started at The Museum of Art & History (MAH) in May, one of my priorities was redesigning our website. We made two key decisions that I think are somewhat unusual in doing this work: We tried to create a single message that clearly defines what the museum is about and put that front and center. It's not a 0-1 game.
In the spirit of this belief, I’ve decided to unleash the Museum 2.0 For that reason, I’m thrilled to announce that over the next two months, I’ll be transferring ownership of Museum 2.0 Seema is a brilliant museum educator, a generous spacemaker, a prolific writer, and a creative troublemaker. I know Museum 2.0
This is the second installment of a book discussion about Ray Oldenburg’s book The Great Good Place. This guest post was written by Rebecca Lawrence, Museum Educator, Schwenkfelder Library & Heritage Center in Pennsylvania. You can join the conversation in the blog comments, or on the Museum 2.0
When a technologist calls me to talk about their brilliant idea for a museum-related business, it's always a mobile application. There are lots of wonderful (and probably not very high margin) experiments going on in museums with mobile devices. Most visitors to museums attend in social groups.
In the most extreme cases, I've talked to folks from museums that are government-mandated to provide all content in multiple languages who say they are unable to invite visitors to make comments because they'd have to translate all of them and simply can't dedicate the resources to do so. So what are the options?
Nina has written a fantastic book engagement called The Participatory Museum. If you want a chance of winning a copy, leave a comment saying how you might apply some of the science of participation to your social media strategy. Blog commenters are contributors, as are people who engage in contests. Science has an answer.
While it hasn't happened here in awhile, a new Museum 2.0 book club will be starting in two weeks to read and discuss The Great Good Place by Ray Oldenburg. Oldenburg is the individual to whom the term "third place" is attributed, and this well-researched 1989 book put him on the map. Read it (or a large chunk of it).
I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. This is a perfect example of a museum using participation as a design solution. Our colleagues in the Museum of Natural History were eager collaborators. It is great to feel more of a part of the museum!" "All
Kate McGroarty's month living at the Museum of Science and Industry in Chicago is over. The young actress and teacher beat out 1,500 other applicants and spent 30 days exploring exhibits, participating in live demos, talking to visitors (both in-person and online), and romping through the museum at night. Lisa's goals were met.
After the International Committee on Museums spent some time debating the definition of museums, many folks took up the charge on social media to give their own definitions. I know I’m missing early innovators of interaction in museums; feel free to tell me who in the comments.) We need new #MuseumVerbs.
Tell me about your dashboard in the comments – and if you’re willing to take a screen capture or two, your organization’s dashboard could be featured on this blog! The Indianapolis Museum of Art’s dashboard is an oft-cited example. Nonprofit Dashboards, Guest Post by Jacob Smith. 2) Status Dashboards.
This Black History Month, we reflect on the strategy work that our team does through our partnership with the Smithsonian National Museum of African American History and Culture —much of which centers around expanding access. And for those who have, they quickly understand that the Museum has much more to offer than can be absorbed in a day.
This August/September, I am "rerunning" popular Museum 2.0 If you like the post, please check out the thoughtful and complicated comments on the original post. Diane is both visionary and no-nonsense about deconstructing the barriers that many low-income and non-white teenagers and families face when entering a museum.
Below, I’ve shared my keynote remarks and slides and I hope you’ll share your ideas and further the conversation in the comments. It sounded great, until her last comment: She told me that it was a really important program, because libraries are the heart of the community…well, in elementary schools at least. Principles.
It's time to make your dreams a reality and apply to become the next executive director of the Santa Cruz Museum of Art & History (MAH). When you check out the job description , you'll see the MAH is not looking for museum-director-as-usual. It's the kind of place where people say, "Something different? You, playful leader.
His foundation supports a private museum that is rarely open to the public. While there are many ways for museums to reach new audiences, when it comes to specialized knowledge, it's often a question of reaching the niche who care deeply about German watches from 1822 or the evolutionary shift in raccoon striping over time.
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.
Members share personal photos, family stories, and ephemera tied to places in their hometowns from former schools to businesses that have changed hands. ” Marks says he typically spends a few hours a month preparing and scheduling posts, researching what the museum knows about particular images to caption them as best as possible. .”
I had specifically asked about places that feel welcoming, and the responses were about exclusive experiences. Exclusive places reinforce our identities powerfully. You never say, "this place is so me" when talking about a generic public space. Secret places are a pleasure to discover and share. What's going on here?
YBCA:YOU is an intriguing take on experiments in membership and raises interesting questions about what scaffolding people need to have social and repeat experiences in museums. Joël will monitor and respond to your questions and ideas in the comments section. Secretly, each wishes the other would turn and ask: “What do you think?”
These " Ask the Expert " chats take place on the phone with a online chat back channel. This conversation took place yesterday. There's no better example than the public dashboards of the Indiana Art Museum - Innovation is about opening up and letting the outside in.
This post was written by Jaime Kopke , the founder/director of the Denver Community Museum , a pop-up community-generated institution that ran from Oct 2008-April 2009. The Denver Community Museum (DCM) was a grassroots operation in almost every sense. The DCM was a place that was part science experiment.
Let’s say you wanted to find a model museum using Web 2.0 A place that blogs, that engages in social networking sites, that tries experiments, and reports about all of it honestly. A place that truly sees these initiatives as part of their mission to serve their local community. A place that makes it all pretty darn cool.
Always have a strategic plan to ensure volunteers see their place in the organization and the fruits of their efforts. – Tim Ambrose, manager, alumni relations at Fanshawe College . . When you know your volunteers’ backgrounds, interests, and abilities, you can place them with the right opportunity to advance your mission. . .
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