Museum 2.0

SEPTEMBER 18, 2013

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

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Museum Question Participatory Evaluation 45

Museum 2.0

FEBRUARY 1, 2012

Roberto Bedoya : The "Yes And" Argument and its Civic Implications Bedoya, the Executive Director of the Tucson Pima Arts Council, makes a beautiful statement that arts administrators need to facilitate a multiplicity of leading voices, or as he puts it, "the courage of imagination and the plural."

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Arts Museum Artist Tucson 45

Museum 2.0

MARCH 25, 2015

This is the first in a two-part series about the Santa Cruz Museum of Art & History’s new theory of change. This week, Ian David Moss and I are each writing blog posts about our collaborative process to develop a theory of change at the Santa Cruz Museum of Art & History. We didn’t know how to develop a theory of change.

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Process Change Develop Museum 20

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 23, 2010

The authors were kind enough to give me a copy to give away on this blog, so if you leave a comment you could be the lucky winner of a book! I first met Mary in 2005 through my connection with the Global Voices community and can say that Mary is among the most knowledgeable and experienced digital activists in the world.

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Amazon Nonprofit Social Media Oregon 116

Museum 2.0

APRIL 1, 2015

Last week, Ian David Moss and I both blogged about the process of developing a theory of change for the Santa Cruz Museum of Art & History. At the Santa Cruz Museum of Art & History, one way we''re answering these questions is with a theory of change. Museum of Art and History social bridging'

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Change Museum History Arts 20

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

Nina has written a fantastic book engagement called The Participatory Museum. If you want a chance of winning a copy, leave a comment saying how you might apply some of the science of participation to your social media strategy. Blog commenters are contributors, as are people who engage in contests.

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Model Activities Active Activism 98

Museum 2.0

JANUARY 16, 2016

And so the collaborator on the phone asked: would I sign the petition on behalf of our museum? Several museum staff members had gotten involved in the political action personally outside of work, and they wanted to know if we could sign on organizationally. Our museum has a growing advocacy component to our work.

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Policy Advocacy Museum Voice 20

Museum 2.0

NOVEMBER 20, 2007

This is the final installment of Museum 2.0’s s book club on Visitor Voices in Museum Exhibitions , a collection of essays edited by Wendy Pollock and Kathy McLean. The best visitor voices projects don’t come out of marketing blitzes or grudging concessions to visitors. They don’t have anything interesting to say.

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Voice Case Study Museum Analysis 20

Museum 2.0

JUNE 12, 2013

TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. At the same time, our community relevance was limited.

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Museum Learning History Arts 55

Museum 2.0

AUGUST 19, 2015

One of my favorite comments on the first post in this series came from Lyndall Linaker, an Australian museum worker, who asked: " Who decides what is relevant? Community First Program Design At the Santa Cruz Museum of Art & History , we've gravitated towards a "community first" program planning model. My answer: neither.

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Teen Museum Voice Collaboration 20

Museum 2.0

OCTOBER 8, 2007

This week, with the gracious help of Eric Siegel of the New York Hall of Science , Museum 2.0 In the spirit of that question, Museum 2.0 We are solicitin g your feedback and thoughts on these concepts, using VoiceThread, a very cool application that allows you to literally add your voice to the conversation. Projects design.

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Museum Experiment New York Voice 20

Museum 2.0

JANUARY 16, 2013

It's not every day that a visitor buys pizza for everyone in the museum. Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. The museum itself was well-integrated into the event. Or that visitors form a spontaneous "laugh circle" on the floor. Online to onsite migration isn't always easy.

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Reflection Community Museum Participatory 43

Museum 2.0

MARCH 12, 2008

One of the surprise benefits of Saturday's Museums and Civic Discourse session was the chance to sit down with Mitch Allen of Left Coast Press (formerly AltaMira press), publisher of the Museums and Social Discourse journal among many, many other museum publications. I read Visitor Voices , which clarified some options.

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Museum Design Hints Benchmark 20

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. Feel free to add your own questions and answers in the comments! The Museum 2.0 For more on the differences among different types of museums (with examples), check out this post.

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Question Participatory Museum Evaluation 49

Museum 2.0

SEPTEMBER 29, 2008

And that got me thinking about how bad museums are at doing the same thing--using passion to promote visitor engagement in new content. Museums shy away from presenting passionate views. Museums don't have a cheering section. Museums do a decent job addressing the first two questions, but we rarely tackle the third.

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Museum Storytelling Teach New York 20

Museum 2.0

APRIL 18, 2008

Thanks to Bryan Kennedy from the Science Museum of Minnesota for providing this overview/reflection on the Museums and the Web conference that recently concluded in Montreal. Museums and the Web 2008 guest blogger Bryan Kennedy here. This multi-museum collaborative is undertaking a thoughtful process to tackle these issues.

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Museum Web Teen Flickr 20

Museum 2.0

MAY 31, 2011

Last week, at the annual meeting of the American Association of Museums in Houston, I was honored to chair a fabulous panel on empowering museum staff to take creative risks ( slides here ). Beck beautifully described her entry into museum work. What kind of support do you need to be confident about taking a risk in your work?

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Denver Museum Oakland PowerPoint 55

Museum 2.0

APRIL 29, 2015

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. They talked about community building.

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Build Community Museum Artist 20

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

One of the best projects that illustrates the basic idea of Web2.0 - listening and conversation and stakeholders creating their own experience with your organization - comes from the Brooklyn Museum of Art. o is Transparency - and the best example of that is what the Indianapolis Art Museum has done with its pubic metrics on its web site.

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Arts Social Media Examples Artist 74

Museum 2.0

NOVEMBER 7, 2010

Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." hour at the Museum. I made $26/hour at NASA and $7.25/hour

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Museum Boston Participatory Job 52

Museum 2.0

JUNE 10, 2008

What if witty cultural commentators reviewed museums the way they do music and restaurants? If Anthony Lane turned his cutting tongue from movies to museums? If Stephen Colbert "reported" on museums at times other than during the TV writer's strike? It's painful. And instructive. And revelatory. And painful.

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Museum Story America Culture 20

Museum 2.0

MARCH 3, 2011

Background: Why They Did What They Did The Henry Art Gallery exhibition we worked with, Vortexhibition Polyphonica , was intended to explore three big ideas: Different voices “intervene” or add new points of view to the exhibition at periodic intervals. As one participant said, "the museum feels friendly in a way it usually doesn't."

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Participatory Arts Audience Museum 51

Tech Soup

JULY 24, 2013

Also consider the mobile upswing in global audiences worldwide and in developing countries (more than one billion mobile-broadband subscriptions worldwide in 2011 according to the International Telecommunication Union). Do you host exhibits or operate a museum? We Have a Solution. Audio Tours Are Also Now Available from Guide by Cell!

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Mobile Websites Audio Program 56

Museum 2.0

SEPTEMBER 7, 2010

For years, I've been fascinated and a bit perplexed by the Elsewhere Collaborative , a thrift store turned artists' studio/living museum in Greensboro, North Carolina. George will respond to comments on this post and is also reachable here. In 2003, my collaborator Stephanie and I began an excavation, declaring nothing for sale.

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Collaboration North Carolina Museum Artist 36

Museum 2.0

JULY 7, 2010

Audience development is not an exercise in concentric circles. I don't know - and I hope you'll share your thoughts in the comments. Most museums that offer interactive exhibits, media elements, or participatory activities offer them alongside traditional labels and interpretative tools. Fabulous!" "But So what's the solution?

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Audience Museum Oakland Participatory 40

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 12, 2009

Photo by Bradlauster Note from Beth: One of the things I love about blogging is the conversation in the comments because it always leads to understanding, insights, and learning. I've been keeping a careful eye out for thoughtful comments that could turn into guest posts. That's where this post about crowdsourcing came out of it!

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Aggregator Model Leadership Method 82

Forum One

FEBRUARY 19, 2024

This Black History Month, we reflect on the strategy work that our team does through our partnership with the Smithsonian National Museum of African American History and Culture —much of which centers around expanding access. And for those who have, they quickly understand that the Museum has much more to offer than can be absorbed in a day.

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History Accessibility Museum Award 75

Museum 2.0

SEPTEMBER 22, 2009

A participant who writes her reaction to an object on an index card is very different from one who donates her own personal effects to be part of an institutional collection, and both of these people are different from one who helps develop a new program from scratch. How do we define and talk about these different kinds of participation?

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Public Research Participatory Report 36

Museum 2.0

NOVEMBER 2, 2008

Today, Museum 2.0 And when I think back on the last year and how it compared to year one of blogging, the shining difference is you--your interest, your comments, and most of all, your extraordinary example. I started the Museum 2.0 I started the Museum 2.0 and watched the Museum 2.0 and watched the Museum 2.0

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Museum Voice Minnesota Participatory 20

Museum 2.0

MAY 29, 2009

Two weeks ago, I conducted a participatory exhibit design workshop with staff at the Smithsonian National Museum of Natural History. Between the giant squid brainstorming and experimentation, I gave a talk to the larger Smithsonian Institution about multi-platform museum experiences. The slides are also available for download.

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Slides Process Video Open 20

Museum 2.0

JUNE 6, 2008

On June 4, we opened The Tech Virtual Test Zone , a new 2000 sq ft gallery at The Tech Museum of Innovation featuring exhibits on the theme of art, film, and music that were originally developed in Second Life by a community of creative amateurs. Some museum pros have been puzzled by this.

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Virtual Tech Lesson Develop 21

Museum 2.0

AUGUST 25, 2009

Many institutions do this unintentionally--by providing post-its or comment books, pens or crayons. I encourage you to share your own rules and thoughts on this in the comments. Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors."

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Design Goal Difference Platform 31

Museum 2.0

APRIL 7, 2009

Which of these descriptions exemplifies participatory museum practice? Museum invites community members to participate in the development and creation of an exhibit. For some museum professionals and projects, this is a good thing--it "proves" that participatory design can yield products that meet institutional standards.

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Participatory Design Difference Museum 27

Museum 2.0

MARCH 28, 2008

Museums (and libraries) are trusted sources of information. In February 2001, AAM commissioned a study about the trustworthiness of museums and found that "Almost 9 out of 10 Americans (87%) find museums to be one of the most trustworthy or a trustworthy source of information among a wide range of choices.

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Participatory Museum Teen Voice 20

Museum 2.0

MAY 29, 2007

One of the most popular posts on Museum 2.0 The fourth kind I talked about is the "personal voice blog," in which museum staff write honestly and openly about their institution and experiences. At the time, I referenced a blog from the top: the Walters Art Museum Director's blog. It's the Exploratorium Explainers' blog.

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Museum Voice Aggregator Arts 20

Museum 2.0

SEPTEMBER 7, 2007

The Austin Game Developers Conference is finishing up, and from it comes Gamasutra's intriguing account of the session on Engaging and Empowering Community Influencers. There are some obvious ties to the role of "community" in museums. Read the comments. around gameplay. How do these game companies steer the discussion?

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Game Influence Support Community 20

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 3, 2008

What follows below is no doubt incomplete and I sure I've gotten ages wrong too -- so please make additions and corrections in the comments. New Voices of Philanthropy is written by Trista Harris and it covers issues of generational change in the philanthropic sector and more broadly trends in philanthropy. Blogs by Gen Y.

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Blogger Change Social Philanthropy 50