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Join Our Newsletter is displayed first, followed by links to social media accounts on the Newport Harbor Nautical Museum website. Long Island Children’s Museum has “Join Our Email List” at the top of their website. Harbor History Museum asks for only the basics. Include Links to Your Social Media Accounts.
By doing so, you and your fans can then reply directly to comments posted on status updates. It’s also worth noting that the most active conversation threads are moved to the top of the status update. The Field Museum Community Page. facebook.com/pages/Chicago-Field-Museum/112181505473945. facebook.com/fieldmuseum.
Museums are magical places, where history, culture, art, and science seem to come to life. Our work with museums and cultural intuitions goes way beyond websites with easy-to-find visitor information (though that’s important too!) Watch a conversation with NMAAHC leaders about this collaboration.
This month, we're thinking about the way we do work in museums. But this one resonated clearly, as I got 75 retweets and 61 comments. As someone texted me recently, Art History grad school didn't teach us anything about working with others in museums. And here are a few suggestions from commenters.
A new company in New York, Museum Hack , is reinventing the museum tour from the outside in. They give high-energy, interactive tours of the Metropolitan Museum and the American Museum of Natural History (AMNH). The tours are pricey, personalized, NOT affiliated with the museums involved… and very, very popular.
And, if you submitted a nonprofit panel - and I managed to miss it while scanning 2200 in ten minutes - please add the link and description in a comment. This will be a conversation that explores the changing media landscape and how the web can rise to the challenge of supporting our communities and their information needs. What is it?
Gretchen Jennings convened a group of bloggers and colleagues online to develop a statement about museums'' responsibilities and opportunities in response to the events in Ferguson, Cleveland and Staten Island. Museums are a part of this educational and cultural network. Where do museums fit in? Here is our statement.
Last week, I visited the Wing Luke Asian Museum in Seattle. I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). I'm always a bit nervous when I visit a museum I love from afar. What if it isn't what I expected?
If you are a location-based nonprofit, such as a museum or zoo, then also add your address. For example, the Field Museum tags itself when posting on Instagram, thus also posting to the Field Museum Location Page : That said, if your nonprofit does not yet have a Location Page, you can create one using Facebook Check-in.
Jasper Visser and his colleagues at the not-yet-physically-open National Historisch Museum of the Netherlands have impressed me with their innovative, thoughtful approach to developing a dynamic national museum. In this post, Jasper shares some lessons learned from a recent experiment to design a more social comment station.
Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. A year ago, I put my consultant hat on the shelf and decided to jump into museum management (a sentence I NEVER would have imagined writing five years ago). I'm open to any questions you want to raise in the comments.
In the end, the site cataloged and accepted YouTube videos, plus allowed users to share and comment. The United States Memorial Holocaust Museum had 1100 pictures of children who were victims of the Holocaust. The solution was the Most Jewish card game - a social way to start the conversation. Most Jewish.
Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.
The Brooklyn Museum kept coming up as a stellar example, particularly its Click Exhibition (Nina Simon wrote an analysis of the project here ). Shelley Bernstein, staff members at the Museum responsible for social media projects, left a comment on my blog. The community will guide you if you listen. IMA Staffer Facebook Profile.
I come across so many great conversations, ideas, and resources all over the web every day. You can join the conversations in the comments, or click through to the original posts to find what others are saying. Here are some of the most interesting things I’ve found recently (as of February 1st).
This Black History Month, we reflect on the strategy work that our team does through our partnership with the Smithsonian National Museum of African American History and Culture —much of which centers around expanding access. And for those who have, they quickly understand that the Museum has much more to offer than can be absorbed in a day.
I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. I''m open to any questions you want to share in the comments. We talk a lot at our museum about empowering our visitors, collaborators, interns, and staff by making space for them to shine. In the meantime, here are some.
Dear Museums on Twitter, Thanks for experimenting in a new and largely uncharted online environment. So here is a list of suggestions that hopefully will improve the way your museum thinks about using Twitter. Or it's rainy so you suggest I visit the museum? I am a museum of Native Cultures and Art!" You could do better.
Take for example the # AskACurator hashtag created by a digital expert who works with museums almost five years ago and still active today. Someone sent out a tweet wondering if London’s Natural History Museum and Science Museum went to war, which would win. Here’s an example of using Moments from a Museum.
Below, I’ve shared my keynote remarks and slides and I hope you’ll share your ideas and further the conversation in the comments. It sounded great, until her last comment: She told me that it was a really important program, because libraries are the heart of the community…well, in elementary schools at least.
One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 First up is Beck Tench, a "simplifier, illustrator, story teller, and technologist" working at the Museum of Life & Science in Durham, NC. As a person who works for a science museum, I work in an environment that supports play.
Use a Unique HashTag: A hashtag is a keyword that opens up a public conversation on Twitter. Share it in the comments. Some Tips: Tweet Before the Tweet Up To Build Excitement. You’ll want to designate one for your event and use it before, during, and after the event. How Tweet Ups Can Benefit Your Marketing Strategy.
The Western Museum Association was kind enough to invite me to speak on a panel about engagement at their annual meeting in Boise. Phillip’s early remark about museums was an invocation for everyone. As an outsider, he immediately saw that museums were operating “under a business model that doesn’t work.” We need to change.
I'm here in Chicago for a very brief trip on a panel about metrics and measurement for museums called "New Spaces, New Measures." Prestige of commenters and other participants. Obvious attention: discussions in blogspace, comments in posts, reclarification, and continued discussion. Raw links to the document.
On a recent trip to the Children's Museum of Pittsburgh, I noted a discussion board in the "Nursery" gallery. People feel compelled to comment on each other's comments, writing things like "ditto" or "Get over it!" with arrows pointing to other comments. This is a participatory comment board in a true sense.
My colleague, Devon Smith, a self-described data nerd who loves benchmarking pointed out this glorious example from the museum world from Sean Redmond , a Web developer at the Guggenheim. I didn’t understand it until I read the conversation on Twitter.
Yesterday, NTEN;s Holly Ross hosted an online conversation with Seth Godin and me, along with Roxy Allen and 100 plus NTEN members. This conversation came about after Seth's provoking post " The Problem with Non " took a swing at nonprofits for lack of adoption of social media, saying it was all due to fear.
This August/September, I am "rerunning" popular Museum 2.0 This post is even more relevant today to the broader conversation about audience diversity in the arts than when it was published three years ago. If you like the post, please check out the thoughtful and complicated comments on the original post.
After the International Committee on Museums spent some time debating the definition of museums, many folks took up the charge on social media to give their own definitions. I know I’m missing early innovators of interaction in museums; feel free to tell me who in the comments.) We need new #MuseumVerbs.
This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.
One of the best projects that illustrates the basic idea of Web2.0 - listening and conversation and stakeholders creating their own experience with your organization - comes from the Brooklyn Museum of Art. what goes on inside a theater, a museum, a historical home? Everyone is a Curator. Another theme of web2.o Write the truth.
By liking, commenting, reposting, or sharing, you and your followers can keep a conversation going across your networks. Repost and comment to keep the hashtag at the top of your followers’ timeline, building a community around your event. Are you an art museum that posts behind-the-scenes looks at your collection on Instagram?
What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? But for museum and art wonks, it could be. Will the bureaucracy of the institution drown the artists in red tape?
If don’t synthesize the ongoing stream, it gives me vertigo. I set aside an hour or two a month to review my valid metrics , but also to do a meta synthesis of the conversation to curate the best points and resources. These can be a brief and simple reminder about civility and respect and deleting in appropriate comments.
Speakers included Chicagoans like Rayid Ghani , founder of the Data Science for Social Good Summer fellowship; Mark Mathyer of the Museum of Science & Industry; and Lauren Haynes of GiveForward.
Reading this immediately reminded me of my years working in museums, developing exhibitions and training and supporting volunteers who worked as interpreters in our blockbuster shows. Our museum was well known for exceptionally beautiful and well executed signage (labels) in the galleries.
What does "big data" look like for museums? Several museums around the world have worked hard to make their data accessible by providing free access to datasets, applying Creative Commons licenses to digital content, or creating APIs (application programming interfaces) that allow programmers to build their own software on the museum''s data.
"The words we use in attempting to change museum directions matter. Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. Each of these articles--and the comments around them--are fascinating artifacts of a debate that has been behind the scenes for too long.
YBCA:YOU is an intriguing take on experiments in membership and raises interesting questions about what scaffolding people need to have social and repeat experiences in museums. Joël will monitor and respond to your questions and ideas in the comments section. Secretly, each wishes the other would turn and ask: “What do you think?”
I''m proud of the way that my own museum works on embeddedness. I learn twice; once in the writing, and once in the reading and engaging with commenters. In the past three years, the number of comments on this blog has declined significantly. Comments are down. When I talk to colleagues, I hear they are using Museum 2.0
Brooklyn Museum: Community: bloggers@brooklynmuseum » Moving Toward a Conversation : "For the most part these worked to serve the purpose and we didn’t think much about changing them, but this year we started to wonder if there would be value in upping the game a bit.
This week we're hearing from Eastman Museum's Kate Meyers Emery. And, with her, I've had conversations that stick with me. I honestly still think about a conversation I had with her years ago about interpretation. I honestly still think about a conversation I had with her years ago about interpretation.
The NetTalks series , which includes five sessions, is intended to spark a meaningful conversation around alumni engagement and supporting a broader community practice of effective alumni networks. The steps include reading, commenting, and sharing stories of personal behavior change. Micro conversions or steps.
This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. Another commented: "At first, I wasn't sure whether or not my responses were useful to anybody. What did they do?
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