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Jason Beaubien was reporting on the Soumaya Museum in Mexico City, the gleaming new art museum built as a "gift to Mexico" by the world's richest man, Carlos Slim. The news report , strangely, focused on the question of whether the Soumaya Museum is a rich man's indulgence or a truly "worthy" cultural institution.
Brooklyn Museum With over 21,000 followers, the Brooklyn Museum, one of the oldest and largest museums in the country, is having discussions about art with art patrons and other art museums on Twitter. Cleveland Foundation and Columbus Foundation Here are two community foundations that have a growing Twitter presence.
Two weeks ago, we inaugurated a Creativity Lounge on the third floor of our museum. Lisa was thrilled that her work was on display at the museum. We started a pretty fascinating (and yes, a little frustrating) dialogue about the puzzle and the question of what constitutes desired engagement in the museum.
Last week, I was in Minneapolis for the American Association of Museums annual meeting. Kathleen McLean led a terrific session called "Dangerous Ridiculous" about risk-taking in museums. Interestingly, at my museum, our team is naturally better at ridiculous than we are at dangerous. I found this idea really powerful.
On Monday, I gave the keynote at the Museums in Conversation conference in Tarrytown, NY. I learned to cultivate creative greed while working on Operation Spy at the International Spy Museum, where I was lucky to be working on a project that was so new to us that we didn't have any pre-established models or structures for doing it.
Yesterday, I turned in my keys and said goodbye to the Spy Museum and to Operation Spy, the narrative, immersive game experience I've been developing/building over the last two years. There are two attractions/experiences that heavily influenced our early thinking: Tomb (Boston), and Adventure (COSI Columbus). It's about economics.
I've experienced all kinds of fabulous museums and participatory experiences from Stockholm to Columbus, Ohio, many of which I will be sharing soon on this blog. I'm reaching the end of another heavy travel jag. This link is not yet live but will be on the 22nd.
Today, an interview with staff from a museum with an incredibly healthy attitude towards experimentation with social media. COSI is a hands-on science center in Columbus, Ohio. David, COSI’s CEO, really trusts his staff to engage appropriately in the social Web in ways that support and add value to the museum.
For example, you can click on "Midtown" on the map, go to Columbus between 89th and 90th, and find a gem like this: Chick: I have to run in here and get more ChapStick. Of course, there are potential rights issues to be ironed out, but as in most museum/2.0 Guy: You just bought chapstick yesterday.
This guest post was written by Kimberlee Kiehl, Senior Vice President and Chief Strategy & Operations Officer for the COSI science center in Columbus, OH. You can join the conversation in the blog comments, or on the Museum 2.0 note: I've written about innovation at COSI before here.) Facebook discussion board here.
How can museums learn from it? Where do museums fit in? Many museums have a fascinating relationship with process exposure—lips sealed when it comes to their own final products, megaphones on when it comes to exposing the processes of others. What’s appealing about this, and what’s prurient?
In 2005, I visited COSI Columbus. They're visually muddled, and even when you do get the information, job titles are often confusing at best; at my museum, the woman who maintains the artifacts is called the "Collections Manager." They also included a photo and "My dream title" (examples: banana queen, marathon master, didjeridooer).
Museums, zoos, and aquariums are finding that crowdfundraising can be a strategic tool to add to their fundraising playbook. Here are 3 arts and cultural organizations that have given crowd fundraising a go for compelling causes: National Air & Space Museum. Join our upcoming webinar featuring the Columbus Zoo.
As a kid, I was fascinated by exhibits at the American Museum of Natural History on the evolution of man and loved to watch National Geographic specials showing archaeologists digging up bones and piecing together our long chain of predecessors: Homo Erectus, Neanderthals, Cro Magnons and the like. Jude Heroes) and.
I teach history in Connecticut , but I grew up in Oklahoma and Kansas, where my interest in the subject was sparked by visits to local museums. I fondly remember trips to the Fellow-Reeves Museum in Wichita, Kansas, and the National Cowboy & Western Heritage Museum in Oklahoma City. museums are portraying history.
The study specifically excluded institutions without employees, museums, religious institutions, hospitals, and membership organizations to focus on traditional higher education institutions like Harvard, NYU, Johns Hopkins, Duke, and others. people, representing a significant economic impact.
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