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This month, we're thinking about the way we do work in museums. As someone texted me recently, Art History grad school didn't teach us anything about working with others in museums. Sharing articles that work is a great reason to stay on Museum Twitter by the way. Exposure to all sectors of museum work is important.
In 2024, Forum One partnered with the Smithsonian to launch Kaleidoscope , a cross-museum experience focused on resilience, designed to engage Millennials and Gen Z. This allows for faster development, easy scalability, and better collaboration among teams. The digital experience was built using Next.js, Contentful, and our Gesso Next.js
That word change supports co-design, it encourages collaboration, and it ensures engagement. If there’s an idea that the community is behind, and a project or plan that’s adopted (whether it’s a new way of operating or a new tool), then it moves forward, regardless of “who” thought it up or campaigned for it. Communities are flexible.
Nina has written a fantastic book engagement called The Participatory Museum. Imagine sitting around a conference table planning an upcoming project that involves user-generated content. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place.
It started as a handout for a session that Stacey and I are doing at the California Association of Museums, and then I realized it was so darn useful that it was worth sharing with all of you. The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations.
I started the Museum 2.0 can be applied in museums to make them more engaging, community-based, vital elements of society. that are authoritative content distributors--like traditional museums. I believe that visitors can become users, and museums central to social interactions. I'm Nina Simon. What do I mean by 2.0?
Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. A year ago, I put my consultant hat on the shelf and decided to jump into museum management (a sentence I NEVER would have imagined writing five years ago). I'm open to any questions you want to raise in the comments.
What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? But for museum and art wonks, it could be. And the projects themselves are brilliant.
Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.
Forum One collaborated with Tangled Bank Studios to develop a stunning, mobile-responsive, user-friendly website that showcases the documentary series and enhances user interaction and exploration. Our decade plus relationship is a great example of the impact that can be made when great teams collaborate! Endowed by Dr.
” Here’s a summary of some of the best answers we received: Prioritizing Collaboration and Sustainable Funding Arts and Culture Alpine County (ACAC), a local arts agency, has obtained small grants from the Alpine County Board of Supervisors and Live Healthy, an organization under the Alpine County umbrella.
and with it flocks of museum studies / education / exhibit planning graduate interns. I’m always curious when I meet these folks, who are about my age, choosing a different entry path into the museum world. The value proposition of museum grad programs is cloudy in my mind. Sure, it’s great to learn museum theory and history.
I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. When I look back at some recent projects that I''m most excited about (like this teen program ), I realize that I had very little to do with their conception or execution. Building an amazing team. Naming our goals and our culture.
Beecher Hicks III, President & CEO of the National Museum of African American Music (NMAAM) in Nashville, TN. NMAAM is the only museum dedicated to preserving and celebrating the many music genres created, influenced, and inspired by African Americans. Even though the museum is now open, the Museum Without Walls will continue.
I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above).
When I started this blog in 2006, I made a multi-media introduction to the concept of "museum 2.0" Venue as content platform instead of content provider: the museum becomes a stage on which professionals and amateurs can curate, interpret, and remix artifacts and information. The museum gets better the more people use it.
We are excited to share that the Smithsonian National Museum of African American History and Culture’s Freedmen’s Bureau Search Portal , NYU’s Congressional District Health Dashboard , and March of Dimes have been named Anthem Awards finalists. Bureau of Refugees, Freedmen, and Abandoned Lands. appeared first on Forum One.
Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations.
Website design is an art, a science, and a testament of collaboration and creativity. The Smithsonian National Museum of African American History and Culture. Help them win the People’s Voice Award by voting today. Voting closes this Thursday, May 6th. Award Category: “Diversity & Inclusion Websites & Mobile Sites”.
American Jazz Museum Best Arts Website Located in the Historic 18th & Vine Jazz District in Kansas City, MO, the American Jazz Museum showcases the sights and sounds of jazz through interactive exhibits and films and features live music in their venues, The Blue Room and Gem Theater.
You can collaborate with other nonprofits in your region or in your issue area to investigate whether you can all offer benefits for each other. For example, if you join a modern art museum, there is a good chance you won’t have to pay admission to other modern art museums. This can include museums, archives, galleries, etc.
I remember thinking to myself at the time, well if one networked nonprofit can do this, couldn’t a network of networked nonprofits use real-time collaborative benchmarking data sharing for learning? No one knew what I was talking about. I’m not sure I did, but fast forward two years and it is here.
Marc van Bree and I were chatting about some of the collaborative arts marketing strategies that some arts organizations have experimented with on Twitter. Since there have been a few examples, I asked Marc if would write a post looking at some of these. How did you get 340 museums to participate? What was the objective?
Last week, my museum hosted Hack the Museum Camp , a 2.5 day adventure in which teams of adults--75 people, of whom about half are museum professionals, half creative folks of various stripes--developed an experimental exhibition around our permanent collection in our largest gallery.
You can also read the case studies for four of the organizations we talked with: The Chatanooga MuseumsCollaborative. Editor's note: We'd like to thank the team at Idealware for helping us conduct this research, and Google for supporting the project.]. Environment America. Flickr photo: torkildr.
The best participatory projects are useful. Rather than just doing an activity, visitors should be able to contribute in a way that provides a valuable outcome for the institution and the wider museum audience. This week, I saw a great example at the Jane Addams Hull-House Museum that blew me away with its power and simplicity.
This Black History Month, we reflect on the strategy work that our team does through our partnership with the Smithsonian National Museum of African American History and Culture —much of which centers around expanding access. And for those who have, they quickly understand that the Museum has much more to offer than can be absorbed in a day.
Musician Lil Nas X is up first on October 6th with a collaboration with artist Rudy Willingham, while Grimes is collaborating with Brittany Broski (“Kombucha Girl”), and separately with Bella Poarch. NFTs and other blockchain-based projects have the potential to use massive amounts of energy , by design.
With an impressive portfolio that includes collaborations with celebrities like Melissa McCarthy, Jimmy Fallon, Jerry Seinfeld, and recently teaming up with Oscar winner Brendan Fraser for a fundraising collaboration, Brett’s influence extends across the globe.
This morning, I gave the keynote address for the Washington Museums Association annual conference. Their theme was “Building Community through Collaboration.” Collaborations with community members often can't get off the ground because they are seen as too unwieldy to be worthwhile. It features lots of museum-based examples.
So, if you have a minute, please participate: I've set up a simple experimental project with Eric Siegel of the New York Hall of Science, a mini-collaboration on an exhibition they are working on, "Human +," about human enhancement technologies. My goal is to have a wide range of interesting, creative leaders (you!)
Courageous speakers from dozens of countries described bold, participatory projects. El Museo Reimaginado is a collaborative effort of museum professionals in North and South America to explore museums' potential as community catalysts. I find North American museums to be risk-averse.
This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.
For years, I've been fascinated and a bit perplexed by the Elsewhere Collaborative , a thrift store turned artists' studio/living museum in Greensboro, North Carolina. In 2003, my collaborator Stephanie and I began an excavation, declaring nothing for sale. George will respond to comments on this post and is also reachable here.
This innovative project offers comprehensive data on 36 metrics for all 435 U.S. Freedmen’s Bureau Search Portal Bronze Anthem Winner in Best Use of Data The Freedmen’s Bureau Search Portal is a collaborative effort between Forum One and the Smithsonian National Museum of African American History and Culture.
Two weeks ago, my museum was featured in a Wall Street Journal article by Ellen Gamerman, Everybody''s a Curator. I''m thrilled that our small community museum is on the map with many big institutions around the country. I''m glad to see coverage about art museums involving visitors in exhibitions. Core Museum 2.0
Forum One collaborated with Tangled Bank Studios to develop a stunning, mobile-responsive WordPress site for Wild Hope, resulting in a dynamic, user-friendly platform that not only showcases the Wild Hope documentary series but also enhances user interaction and exploration. Department of Health and Human Services.
The Associated Press , or AP , has announced that it’s starting a marketplace to sell NFTs of its photojournalists’ work in collaboration with a company called Xooa. Resellers will also be to get in on the action. Illustration by Alex Castro / The Verge.
I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. In a straightforward way, Marilyn explains how her team developed a participatory project to improve engagement in a gallery with an awkward entry. It is great to feel more of a part of the museum!" "All
Right now I have a great project – I’m working with a museum client to create a Volunteer Engagement Strategic Plan. That’s because the actual plan will not be the end of our collaboration. When it came to volunteers, staff was more invested and more willing to collaborate because they helped envision what was needed.
The folks at the New Media Consortium have released their annual Horizon Report , a roundup of up-and-coming technologies relevant to museums, archives, and libraries. Like its predecessors, the report provides succinct backgrounds and reference projects for technologies predicted for widespread adoption on the 1, 2-3, and 4-5 year timescale.
Forum One partnered with the Museum to launch their new brand to the world. Forum One partnered with the Museum to launch their new brand to the world. This work not only included launching a new website but also revitalizing the American Jazz Museum brand as a whole. This project took home six awards this year!
Forum One’s recent design work with the Smithsonian National Museum of African American History and Culture (NMAAHC) Simmons Talks series was a dream come true: an opportunity to put passion behind a design that I believe in and honor the work of others who inspire me. Endowed by Dr. Ruth J.
What does "big data" look like for museums? Several museums around the world have worked hard to make their data accessible by providing free access to datasets, applying Creative Commons licenses to digital content, or creating APIs (application programming interfaces) that allow programmers to build their own software on the museum''s data.
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