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Museum shops can and should be more than just walls of collection postcards and bins of branded pencils. With captive audiences, a link to the creative, and consistent footfall, shops in museums have ample opportunity to maximise retail potential by offering products that appeal to visitors and have a clear connection to collections. .
Museums are magical places, where history, culture, art, and science seem to come to life. Our work with museums and cultural intuitions goes way beyond websites with easy-to-find visitor information (though that’s important too!) Watch a conversation with NMAAHC leaders about this collaboration.
At your committee’s first meeting, collaboratively brainstorm an item wishlist. Or, if one of your volunteers works at a local museum, have them ask their boss about contributing an annual museum membership as an auction prize.
This month, we're thinking about the way we do work in museums. As someone texted me recently, Art History grad school didn't teach us anything about working with others in museums. Sharing articles that work is a great reason to stay on Museum Twitter by the way. Exposure to all sectors of museum work is important.
It gave me a chance to really think about how we have been opening up our museum and what it means for our community. Museums can be incredible catalysts for social change. We're doing it in Santa Cruz and it has absolutely transformed our museum into a thriving community institution. The theme of TEDxSantaCruz was "Open."
That's thanks to a collaborative effort between the Computer History Museum and Google. The source code, originally written by University of Toronto graduate student Alex Krizhevsky, has now been uploaded to GitHub. Read Entire Article
It started as a handout for a session that Stacey and I are doing at the California Association of Museums, and then I realized it was so darn useful that it was worth sharing with all of you. The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations.
Just as our tools get more interesting and dynamic for global collaboration and impact, so do they for locally-focused work, campaigns, and communities. The opportunities for organizations to leverage hyper local tools include: Catalyze your community – be the catalyst behind community growth and collaboration. Meetup Everywhere.
Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.
Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. A year ago, I put my consultant hat on the shelf and decided to jump into museum management (a sentence I NEVER would have imagined writing five years ago). I'm open to any questions you want to raise in the comments.
In 2024, Forum One partnered with the Smithsonian to launch Kaleidoscope , a cross-museum experience focused on resilience, designed to engage Millennials and Gen Z. This allows for faster development, easy scalability, and better collaboration among teams. The digital experience was built using Next.js, Contentful, and our Gesso Next.js
The Mercury News ran a great story and quoted Peggy Gibbs, one of our execs: Old problems, new solutions : The Tech Museum Awards also provide a venue for many local foundations and non-profits to seek out new ideas and partners. Benetech is a past finalist for the Tech Museum Awards.
Beecher Hicks III, President & CEO of the National Museum of African American Music (NMAAM) in Nashville, TN. NMAAM is the only museum dedicated to preserving and celebrating the many music genres created, influenced, and inspired by African Americans. Even though the museum is now open, the Museum Without Walls will continue.
I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. We talk a lot at our museum about empowering our visitors, collaborators, interns, and staff by making space for them to shine. I arrived in 2011 with the explicit directive to execute a turnaround. Naming fears, too.
I asked Wendy Pollock and Kathleen McLean, authors of the new book The Convivial Museum , to share a guest post about the book. They collaborated on this photo essay that demonstrates the simplicity and power of their vision. At first glance, our new book, The Convivial Museum , is about the most simple ideas.
and with it flocks of museum studies / education / exhibit planning graduate interns. I’m always curious when I meet these folks, who are about my age, choosing a different entry path into the museum world. The value proposition of museum grad programs is cloudy in my mind. Sure, it’s great to learn museum theory and history.
Collaborating with local housing nonprofit Hope, the Mission, Kadre created Alvarado Tiny Homes Village (Los Angeles, 2022, 45 units), the Woodlands (Woodland Hills, 2023, 43 units), and the Sierras (Lancaster, 2024, 38 units). And it collaborated with CAGBC to model energy requirements and performance opportunities for BIPV buildings.
When I started this blog in 2006, I made a multi-media introduction to the concept of "museum 2.0" Venue as content platform instead of content provider: the museum becomes a stage on which professionals and amateurs can curate, interpret, and remix artifacts and information. The museum gets better the more people use it.
Nina has written a fantastic book engagement called The Participatory Museum. After a broad survey, Rick’s team defined three broad categories of public participation in scientific research: contribution, collaboration, and co-creation. Wiki users are often collaborators. I’ve added one more category to the mix called hosted.
Forum One collaborated with Tangled Bank Studios to develop a stunning, mobile-responsive, user-friendly website that showcases the documentary series and enhances user interaction and exploration. Our decade plus relationship is a great example of the impact that can be made when great teams collaborate! Endowed by Dr.
That word change supports co-design, it encourages collaboration, and it ensures engagement. The community will see that you aren’t making changes, aren’t communicating, and aren’t collaborating and will disengage. There are a few core elements of the way communities work that we can learn from as a model for innovation as well.
Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations. Does it matter?
” Here’s a summary of some of the best answers we received: Prioritizing Collaboration and Sustainable Funding Arts and Culture Alpine County (ACAC), a local arts agency, has obtained small grants from the Alpine County Board of Supervisors and Live Healthy, an organization under the Alpine County umbrella.
You can collaborate with other nonprofits in your region or in your issue area to investigate whether you can all offer benefits for each other. For example, if you join a modern art museum, there is a good chance you won’t have to pay admission to other modern art museums. This can include museums, archives, galleries, etc.
Marc van Bree and I were chatting about some of the collaborative arts marketing strategies that some arts organizations have experimented with on Twitter. Since there have been a few examples, I asked Marc if would write a post looking at some of these. How did you get 340 museums to participate? What was the objective?
We are excited to share that the Smithsonian National Museum of African American History and Culture’s Freedmen’s Bureau Search Portal , NYU’s Congressional District Health Dashboard , and March of Dimes have been named Anthem Awards finalists. Bureau of Refugees, Freedmen, and Abandoned Lands. appeared first on Forum One.
I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above).
I remember thinking to myself at the time, well if one networked nonprofit can do this, couldn’t a network of networked nonprofits use real-time collaborative benchmarking data sharing for learning? No one knew what I was talking about. I’m not sure I did, but fast forward two years and it is here.
These are the questions that underpin Museum Camp 2014 , a professional development experience in which diverse people from the arts, community activism, and social services will measure the immeasurable together. This is the second year that the Santa Cruz Museum of Art & History (MAH) is hosting Museum Camp.
Website design is an art, a science, and a testament of collaboration and creativity. The Smithsonian National Museum of African American History and Culture. Help them win the People’s Voice Award by voting today. Voting closes this Thursday, May 6th. Award Category: “Diversity & Inclusion Websites & Mobile Sites”.
CareQuest Institute collaborates with a wide range of partners to achieve its mission of improving the oral health of all through work in grantmaking, research, health improvement programs, policy and advocacy, and education, as well as leadership in dental benefits, care delivery, and innovation advancements. She earned $1.17
Last week, my museum hosted Hack the Museum Camp , a 2.5 day adventure in which teams of adults--75 people, of whom about half are museum professionals, half creative folks of various stripes--developed an experimental exhibition around our permanent collection in our largest gallery.
With an impressive portfolio that includes collaborations with celebrities like Melissa McCarthy, Jimmy Fallon, Jerry Seinfeld, and recently teaming up with Oscar winner Brendan Fraser for a fundraising collaboration, Brett’s influence extends across the globe.
She was the one that took me to the overnight events at OMSI (Oregon Museum of Science and Industry) where I had my first go at building robots. How have you connected with other women in technology or science to learn or collaborate or build community? What do you think? What is your Ada Lovelace story?
This month we’ve been thinking about “What is a museum?” (I'm I’ve been visiting museums my whole life. Does that make me the best judge of museums? People are the defining characteristics of museums. I’ve worked with and at plenty of museums that can sometimes feel empty. I'm not alone there.
Rather than just doing an activity, visitors should be able to contribute in a way that provides a valuable outcome for the institution and the wider museum audience. This week, I saw a great example at the Jane Addams Hull-House Museum that blew me away with its power and simplicity. It is this station that grabbed my attention.
El Museo Reimaginado is a collaborative effort of museum professionals in North and South America to explore museums' potential as community catalysts. I'm generalizing grossly here, but for the most part, I find European museums to be conservative. I find North American museums to be risk-averse.
What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? But for museum and art wonks, it could be. Will the bureaucracy of the institution drown the artists in red tape?
American Jazz Museum Best Arts Website Located in the Historic 18th & Vine Jazz District in Kansas City, MO, the American Jazz Museum showcases the sights and sounds of jazz through interactive exhibits and films and features live music in their venues, The Blue Room and Gem Theater.
Musician Lil Nas X is up first on October 6th with a collaboration with artist Rudy Willingham, while Grimes is collaborating with Brittany Broski (“Kombucha Girl”), and separately with Bella Poarch. The partnerships, creators, and new material being tokenized and put up for auction vary.
This morning, I gave the keynote address for the Washington Museums Association annual conference. Their theme was “Building Community through Collaboration.” Collaborations with community members often can't get off the ground because they are seen as too unwieldy to be worthwhile. It features lots of museum-based examples.
For years, I've been fascinated and a bit perplexed by the Elsewhere Collaborative , a thrift store turned artists' studio/living museum in Greensboro, North Carolina. In 2003, my collaborator Stephanie and I began an excavation, declaring nothing for sale. George will respond to comments on this post and is also reachable here.
I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. This is a perfect example of a museum using participation as a design solution. Our colleagues in the Museum of Natural History were eager collaborators. I hope more museums do things like this.
You can also read the case studies for four of the organizations we talked with: The Chatanooga MuseumsCollaborative. We identified three possible models for sharing back-office functions, as explained in our summary findings. > > Read the Research Article on Nonprofit Shared Back-Offices. Environment America.
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