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This Black History Month, we reflect on the strategy work that our team does through our partnership with the Smithsonian National Museum of African American History and Culture —much of which centers around expanding access. The outcome was an immensely successful event that attracted audiences from all corners of the country.
Museums are magical places, where history, culture, art, and science seem to come to life. Our work with museums and cultural intuitions goes way beyond websites with easy-to-find visitor information (though that’s important too!) Watch a conversation with NMAAHC leaders about this collaboration.
At your committee’s first meeting, collaboratively brainstorm an item wishlist. Or, if one of your volunteers works at a local museum, have them ask their boss about contributing an annual museum membership as an auction prize.
That's thanks to a collaborative effort between the Computer HistoryMuseum and Google. The source code, originally written by University of Toronto graduate student Alex Krizhevsky, has now been uploaded to GitHub. Read Entire Article
This month, we're thinking about the way we do work in museums. As someone texted me recently, Art History grad school didn't teach us anything about working with others in museums. Sharing articles that work is a great reason to stay on Museum Twitter by the way. Exposure to all sectors of museum work is important.
It gave me a chance to really think about how we have been opening up our museum and what it means for our community. Museums can be incredible catalysts for social change. We can change that by embracing participatory culture and opening up to the active, social ways that people engage with art, history, science, and ideas today.
This post was written by my colleague Nora Grant, Community Programs Coordinator at the Santa Cruz Museum of Art & History. Pop Up” has become an international buzz term to describe ephemeral, experimental projects--from pop up restaurants to pop up boutiques--but a “Pop Up Museum” is still somewhat mystifying.
Forum One collaborated with Tangled Bank Studios to develop a stunning, mobile-responsive, user-friendly website that showcases the documentary series and enhances user interaction and exploration. Our decade plus relationship is a great example of the impact that can be made when great teams collaborate! Endowed by Dr.
Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.
Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. A year ago, I put my consultant hat on the shelf and decided to jump into museum management (a sentence I NEVER would have imagined writing five years ago). I'm open to any questions you want to raise in the comments.
We are excited to share that the Smithsonian National Museum of African American History and Culture’s Freedmen’s Bureau Search Portal , NYU’s Congressional District Health Dashboard , and March of Dimes have been named Anthem Awards finalists. Bureau of Refugees, Freedmen, and Abandoned Lands.
It started as a handout for a session that Stacey and I are doing at the California Association of Museums, and then I realized it was so darn useful that it was worth sharing with all of you. The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations.
Website design is an art, a science, and a testament of collaboration and creativity. The Smithsonian National Museum of African American History and Culture. Help them win the People’s Voice Award by voting today. Voting closes this Thursday, May 6th. Award Category: “Diversity & Inclusion Websites & Mobile Sites”.
Nina has written a fantastic book engagement called The Participatory Museum. Despite its long history, few researchers studied the use and impact of citizen science until the 1980s. In collaborative projects, citizens collect data, but they also analyze results and draw conclusions in partnership with the scientists.
and with it flocks of museum studies / education / exhibit planning graduate interns. I’m always curious when I meet these folks, who are about my age, choosing a different entry path into the museum world. The value proposition of museum grad programs is cloudy in my mind. Sure, it’s great to learn museum theory and history.
Marc van Bree and I were chatting about some of the collaborative arts marketing strategies that some arts organizations have experimented with on Twitter. Since there have been a few examples, I asked Marc if would write a post looking at some of these. How did you get 340 museums to participate? What was the objective?
I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above).
Musician Lil Nas X is up first on October 6th with a collaboration with artist Rudy Willingham, while Grimes is collaborating with Brittany Broski (“Kombucha Girl”), and separately with Bella Poarch. The partnerships, creators, and new material being tokenized and put up for auction vary.
Forum One’s recent design work with the Smithsonian National Museum of African American History and Culture (NMAAHC) Simmons Talks series was a dream come true: an opportunity to put passion behind a design that I believe in and honor the work of others who inspire me. Endowed by Dr. Ruth J.
These are the questions that underpin Museum Camp 2014 , a professional development experience in which diverse people from the arts, community activism, and social services will measure the immeasurable together. This is the second year that the Santa Cruz Museum of Art & History (MAH) is hosting Museum Camp.
Last week, my museum hosted Hack the Museum Camp , a 2.5 day adventure in which teams of adults--75 people, of whom about half are museum professionals, half creative folks of various stripes--developed an experimental exhibition around our permanent collection in our largest gallery.
Rather than just doing an activity, visitors should be able to contribute in a way that provides a valuable outcome for the institution and the wider museum audience. This week, I saw a great example at the Jane Addams Hull-House Museum that blew me away with its power and simplicity. It is this station that grabbed my attention.
Black History Month with the Tableau Community Alisha Dhillon: Formatting KPIs in Tableau Data + Diversity Event: “The Life and Impact of Ida B. Weekly Viz of the Day's Each week Tableau Public will be featuring a viz celebrating Black History Month. Find the content submission form here. Wells” (Feb. Check them out below!
Black History Month with the Tableau Community Alisha Dhillon: Formatting KPIs in Tableau Data + Diversity Event: “The Life and Impact of Ida B. Weekly Viz of the Day's Each week Tableau Public will be featuring a viz celebrating Black History Month. Find the content submission form here. Wells” (Feb. Check them out below!
The power of collaboration across and within sectors can reach new audiences in a way that a single entity cannot, especially as it relates to investments in data transparency and impact. The National Museum of African American History and Culture built an army of volunteers who have so far helped transcribe over 400,000 pages of the 1.7
Freedmen’s Bureau Search Portal Bronze Anthem Winner in Best Use of Data The Freedmen’s Bureau Search Portal is a collaborative effort between Forum One and the Smithsonian National Museum of African American History and Culture. Bureau of Refugees, Freedmen, and Abandoned Lands.
bbcon 2021 Virtual , happening October 13–15, will bring together thousands of arts & cultural professionals from zoos, museums, aquaria, performing arts organizations, gardens, and beyond for three days of cutting-edge thought leadership, virtual peer networking and unforgettable experiences.
The Frist Art Museum. The Frist Art Museum is a destination for art, culture, and community in the heart of Nashville, TN. The Smithsonian National Museum of Natural History DIY Exhibits. The National Museu m of Natural History has a mission to promote a greater understanding of the natural world and our place in it.
Like a lot of organizations, my museum struggles with two conflicting goals: The museum should be for everyone in our community. At the Santa Cruz Museum of Art & History , we''re approaching this challenge through a different lens: social bridging. Museum of Art and History programs social bridging'
I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. This is a perfect example of a museum using participation as a design solution. Our colleagues in the Museum of Natural History were eager collaborators. I hope more museums do things like this.
It''s not a great photo of people enjoying the museum. At any given time, we are on a hunter/gatherer mission for an upcoming project at our museum. Last month it was cardboard boxes for a collaborative opera. Last summer it was beach chairs for a history exhibit. Last summer it was beach chairs for a history exhibit.
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.
Two weeks ago, my museum was featured in a Wall Street Journal article by Ellen Gamerman, Everybody''s a Curator. I''m thrilled that our small community museum is on the map with many big institutions around the country. I''m glad to see coverage about art museums involving visitors in exhibitions. Core Museum 2.0
Museum Visitor Experience. Museums have been all over bots on other platforms, see the Momabot on Twitter for example. So, it comes as no surprise that Museums have been early adopters of Facebook Messenger Bots. The Australia Democracy Museum also has a Facebook Messenger Bot, with similar objectives. The Pop Bot.
TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. We heard again and again that the museum was cold and uncomfortable.
This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.
But we've just compiled all our attendance data for the past year at the Santa Cruz Museum of Art & History (our fiscal year ends on June 30), and several people have written to me asking for the numbers behind our turnaround. Now Friday nights at the museum have become something people can count on, and they keep growing.
At the Santa Cruz Museum of Art & History (MAH), we've started experimenting with a "community first" approach to program development. We asked the whole group to brainstorm communities/constituencies who they thought could make a stronger connection with art, history, and culture.
Inspired by Stacy, I wanted to share some of the work we are doing at the Santa Cruz Museum of Art & History to clarify what we mean by engagement. I don''t think these goals are universal by any means to the museum or arts field. Connected to our core content of contemporary art and regional history.
The Washington Post covered the MAH's transformation as part of an article about museums engaging new audiences. The whole second half of the article was dedicated to our work: Smaller museums can be especially scrappy in finding ways to connect with the community. It’s something that any museum, of any size, can work toward.
For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" I'm incredibly proud of all the staff, trustees, volunteers, collaborators, visitors, and members who have made this happen.
Musical Instrument Museum. This pairing speaks directly to my passion for the arts – my day job is as manager for individual giving at the Musical Instrument Museum , and I serve on several music-related boards, as well as perform as a flutist and singer. Maureen Baker , Manager for Individual Giving.
I eagerly read about a new social psychology research study in which whites, Asians, and Latinos engaged in a simple collaborative activity--making a music video together. The book of the same title that he edited is rocking my world, both as a museum professional who cares about inclusion and as a new mother.
George Scheer is the director and co-founder of Elsewhere Collective, a fascinating "living museum" in a former thrift store in Greensboro, NC. In this post, George grapples with the challenges of balancing the care for a museum collection with that of contemporary artists-in-residence who are constantly reinterpreting it.
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