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Like many diversity efforts, including women’s voices in grantmaking decisions—particularly women from historically marginalized groups—doesn’t often happen organically. The first step to creating more inclusive grantmaking is understanding whose voice is being lost. Artwork by Toya Beacham See Women and Girls. Intentionally.
It was exhilarating to see them inspired to create their own meanings in response: lovers whispering together in alcoves, people of all ages writing and drawing on walls and post-its, children painting, everyone sitting rapt before screens. This post focuses on one aspect of the exhibition: its participatory and interactive elements.
Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. I’ve been using these participatory categories to talk about how we’d like users to participate in different projects.
With all these options, we wanted to look back and highlight some of the Issue Lab community’s most popular publications in 2022, featuring a wide array of topics ranging from education to participatory grantmaking and beyond. Expanding Equity: Inclusion & Belonging Guidebook , by the W.K.
There's a constant dialogue in participatory work about how to make peoples' contributions meaningful. I've written about different structures for participatory processes (especially in museums), and recently, I've been interested in how we can apply these structures to the design of public space. Kids frequently suffer from tokenism.
This is the third in a four-part series about writing The Participatory Museum. This post covers my personal process of encouraging--and harnessing--participation in the creation of The Participatory Museum. As the participatory content review progressed well, I started looking for other ways for people to help.
Before the global pandemic, intergenerational poverty and entrenched patterns of inequality dampened the future livelihoods of millions of children and their families across the globe. The cycle of intergenerational poverty is enormously complicated and extends across so many different facets of a family’s experience.
Visitors bond and bridge through participatory experiences at MAH. Co-created programming that represents the complex range of voices in communities, offers platforms for communication, collaboration and shared experiences that can enrich preexisting relationships while also offer a space for new relationships to form and strengthen.
This past weekend, in conjunction with our exhibition about Ze Frank's current participatory project, A Show , we hosted " Ze Frank Weekend "--a quickie summer camp of workshops, activities, presentations, and lots of hugging. Or that we take a group photo together at the end of the day.
Whether your donors are transactional or high value (including mid-level and recurring donors) or participatory (like event participants and volunteers), building healthy relationships with them today—and retaining them—recognizes the responsibility we all have to our constituents, our communities, and, ultimately, to ourselves.
It's not the extent to which they are participatory. Small museums, which are most likely to cultivate local, distinctive voice and approaches, often have an inferiority complex. The institutions that seem most prey to a "cookie cutter" approach are science centers and children's museums. It creates another forgettable museum.
Participatory engagement invites people to answer a particular question or comment on a post. The book includes some specific advice about the style and voice leaders need to use to establish rapport with their followers and build influence through engagement. It could be a town hall or a “ask me anything” type of event.
The kind of strategic planning processes that I lead are inclusive and participatory which means that the group is consulted, the vision of the group, the energy, we kind of tap into the energy, vision, knowledge, experience of the people who will be doing the work in order to make plans. Where are we not putting our energy?
In DC, I worked half-time for NASA as an electrical engineer and half-time for the Capital Children's Museum (now defunct) as a science educator. Now, as a freelancer, my work combines long-term, creatively challenging participatory exhibit projects with lots of little workshops and brainstorming sessions with institutions around the world.
My new book is, in a way, trying to restart that engine of human confidence and a sense of human empowerment, and the fact that we are entitledall of usto have a voice in how our lives go and the sorts of societies that we share and the sorts of futures that we and our children will have. Do not wait for that.
This session was participatory in several ways, including interactive music-making machines in the audience and half the time reserved for Q&A. A few things I learned from the presentations and discussion: Dan shared a useful 4-step mental model for the progression of how institutions move towards participatory engagement.
Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! In Children of the Lodz Ghetto, every data entry is verified by staff in a three-step process as well as reviewed and commented on by other users.
Unschooling" is an an educational theory that argues that people of all ages (including children) learn best when their work is self-directed--and that children are better at determining what and how they should learn than any accredited school or instructor. BUT we won't acknowledge their voices and their meaning.
This is the opposite situation of the previous design goal, one typical in science and children's museums. By simplifying and personalizing the design technique used for the institutional voice, visitors felt like they were part of a natural conversation with the institution. What have you seen work well, and what have you seen fail?
It is made by many; it is open, participatory and peer-driven.” From the Arab Spring to Black Lives Matter, from the Ice Bucket Challenge to the Woman’s March, many of today’s most effective movements are less about single charismatic voices and more about the power of the chorus. Technology. How we live our lives. My Passion.
You can join the conversation in the blog comments and add your own voice to the debate. Nina's research keeps finding that the right kind of constraints work to produce a better participatory museum experience. Suzanne: There's no room for women, first of all, and he acknowledges that the third places he idealizes are male spaces.
As she sat in a bus full of women and children fleeing the country, the conversations she overheard illustrated the lives left behind and the uncertainty that lay ahead. New funding models: spotlight on participatory grantmaking. Participatory grantmaking is the manifestation of the old slogan – nothing about us without us.
In many cases, once the final project is launched, it's hard to detect the participatory touch. Not every participatory process has to scream "look at me!" But it's a shame when visitors can't experience the energy that went into the making of a participatory project--when the product of a living process is a dead thing.
In partnership with women’s rights funds, sport for development organizations and feminist sport activists, Women Win launched the ONSIDE Fund — a participatory grantmaking mechanism that rapidly mobilises unrestricted resources for girls and young women-led organisations and groups through a pooled fund.
While the majority of experience-based museums like children's and science museums have unrestricted noncommercial photography policies, many collections-based art and history museums continue to maintain highly restrictive photo policies. And I think the fourth and fifth are bizarre and ungenerous to visitors.
After her husband’s sudden death in 1955, and with three children to raise, my grandmother grew the store, purchasing the ends of fabric bolts and ribbons from local mills, secondhand clothing, toys, dishwares, books, and an assortment of knickknacks to sell. Tags: participatory museum guestpost Unusual Projects and Influences.
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